活页乐谱

原文

Salve radix. Anonymous. A cappella. Sacred , Motet. Language. Latin. ATTB.

译文

喜基数. 匿名. 无伴奏合唱. 神圣，经文歌. 语. Latin. ATTB.

原文

This unique piece consists of a two-in-one canon at the upper fourth, and both canonic parts are notated. on a circular stave, on facing pages of the source, which each surround the image of a rose, representative of. the House of Tudor. as perhaps is the enigmatic text of the piece. The visual element of the each circle is more. than purely decorative. the piece is laid out as follows, in a palindromic form. Bars and. sections. 1-8. , 9-27. , 28-32. , 33-49. B'. and 50-63. A'. At two separate points does the music force itself down a semitone through the necessity to add musica ficta. successively in the form of flats. this treatment is, unlike the usual implications of musica ficta, mandatory for. the integrity of the harmony of this piece, and not merely supplementary or cadentially decorative. this has here. been indicated editorially through the use of modern key signatures. not present in the source. which represent a. writing out of the musica ficta required by each of the two successive 'pitch spirals', which necessitates the use of a. practically inadmissable B double-flat in the key signatures of the. Superius. Alto. and the. Tenor. Tenor II. an extra flat is necessary for these parts if they are to be identical transpositions of their respective canonic sources. Royal 11 E. xi is the sole source for this work. the spiral pages are the first musical items of the set. , and is yet anonymous. a possible ascription might be to Petrus de Opiciis, perhaps the originator or commissioner of the work. there is an. inscription on the first, otherwise blank page of the manuscript which reads, "Me fieri ac componi fecit PO 1516". P. O. caused me to be made and assembled, 1516. , perhaps Petrus himself. , and whose son Benedictus de Opiciis'. motet Sub tuum praesidium is contained elsewhere in the manuscript.

译文

这种独特的作品由两个功能于一身的佳能在上第四，双方法服部分记谱. 在一个圆形的木板，在源对页，每个环绕玫瑰的形象，代表. 都铎之家. 作为也许是一块神秘的文字. 的各圆的视觉元素，更. 比纯粹的装饰. 片的布局如下，在一个回文形式. 酒吧和. 部分. 1-8. ，9-27. ，28-32. ，33-49. B'. 和50-63. A'. 在两个不同点做了音乐本身的力量向下一个半音通过必要添加MUSICA ficta. 先后在单位的形式. 这种治疗方法是，不像MUSICA ficta通常的含义，强制要求. 这片和谐的完整性，而不是仅仅补充或cadentially装饰. 这有在这里. 已经社论指出，通过使用现代的关键签名. 不存在在源. 这代表了. 写出由每两个相继的“节距螺旋'所需的MUSICA ficta，因此必须使用的一个的. 实际上被拒入境B双平的关键签名. Superius. 高. 而. 男高音. 第二男高音. 一个额外的平是必要的，这些部件如果它们是其各自法服来源相同换位. 皇家11 E.喜是这项工作的唯一来源. 螺旋页是该组的第一个音乐项. 和尚未匿名. 一个可能的归属可能是佩特鲁斯德Opiciis，也许是发起者或工作专员. 有一个. 碑文读取原稿的第一，否则空白页上，“我扣押交流componi fecit PO 1516”. P. O.使我进行组装，1516. 也许自己柏图斯. 和他的儿子本尼迪塔斯德Opiciis“. 经文歌副tuum praesidium别处包含在手稿.