活页乐谱

原文

Congaudent angelorum II. not to be confused with Congaudent angelorum III. Anonymous. in the same codex. Anonymous. A cappella. Sacred , Sequence hymn for the Assumption of the BVM.. Language. Latin. SAA.

译文

Congaudent angelorum II. not to be confused with Congaudent angelorum III. 匿名. in the same codex. 匿名. 无伴奏合唱. 神圣的，序列赞歌为BVM升天。. 语. Latin. SAA.

原文

A “sequentia” for the Assumption of the Virgin Mary transcribed from the Trent manuscript tr93. The notes' values, accidentals and colourings are as in the manuscript. The time signature is missing in all the voices, the “tempus perfectum” has been assumed from the context. The coloured notes are in "hemiolæ". In the 1st, 2nd and 6th sections the Contra melody is derived from the Superius following the “faulx bourdon” technique. The 2nd, 3rd, 4th, 6th, 7th and 8th sections are polytextual. the Contra sings the Superius’ verse when in “faulx bourdon”, otherwise it sings the Tenor’s. The notes' values within the ligaturæ are as follows. the left upstemmed notes are semibreves - the unstemmed notes are breves - the right downstemmed notes are longæ. The "musica ficta" suggestions are in the MIDI and MusicXML files.

译文

A“sequentia”为圣母升天来自特伦特稿件tr93转录. 该票据的价值观，记号和色素是如稿件. 时间签名是在所有的声音丢失，“的Tempus perfectum”已经假设从上下文. The coloured notes are in "hemiolæ". In the 1st, 2nd and 6th sections the Contra melody is derived from the Superius following the “faulx bourdon” technique. The 2nd, 3rd, 4th, 6th, 7th and 8th sections are polytextual. the Contra sings the Superius’ verse when in “faulx bourdon”, otherwise it sings the Tenor’s. 是ligaturæ中的音符“值如下. 左upstemmed笔记semibreves - 在unstemmed笔记布雷韦 - 右downstemmed笔记姜黄. 在“MUSICA ficta”的建议是，在MIDI和MusicXML文件.