活页乐谱 $60.00

原文

Cantata Academica, Carmen basiliense, Op. 62. Benjamin Britten. Voice sheet music. Choir sheet music.

译文

大合唱Academica旅游，卡门basiliense，作品。 62. 本杰明·布里顿. 声音的乐谱. 合唱乐谱.

原文

Cantata Academica, Carmen basiliense, Op. 62. 1959. Vocal Score. Composed by Benjamin Britten. 1913-1976. For Choral, Chorus, Orchestra. Vocal Score. BH Large Choral. 66 pages. Boosey & Hawkes #M060014024. Published by Boosey & Hawkes. HL.48008886. Take advantage of this over-stock pricing while supplies last. for SATB soloists, chorus and orchestra. Scoring. IIpicc. , 2, 2, 2. 4, 2, 3, 1. timps. 4 perc. trng, tamburo militaire, tamb, cymb, Chinese block, bd, t-t, xyl, glock, bells in C. 2 harps. II ad lib. pf. cel ad lib. strings. Text. in Latin compiled from the charter of the University, and from older orations in praise of Basle by Bernhard Wyss. Publisher. Boosey & Hawkes. Difficulty level. for chorus. Britten's genius lifts this work above being just a worthy celebration of the 500th anniversary of the foundation of Basle University. It is tongue-in-cheek and mockingly non-academic while referring all the time to academic musical forms and formulae. It is written in two parts. everything is in the statutory Latin including the titles of the parts - Pars I and Pars II. The titles of the movements show Britten's intention to show off a wide variety of techniques. Here are some examples. Chorale. Alla Rovescio. the theme is given and responded to with the same melody upside down. Recitativo. Tema seriale con fuga. Canone ed ostinato. There is a good deal of humour here. There are seven movements in Pars I and six in Pars II. The tenor soloist is given three florid recitatives, accompanied only by a piano, which act as bridges between other orchestrally accompanied movements. Of these the most noteworthy are the Arioso con canto popolare for soprano solo with tenors and basses who hum a student song. another terrific Britten scherzo. and a wonderfully raucous final pair of movements. Canon ed ostinato and Corale con canto. where Britten seems to be aping the Vivat Regina. cries in Parry's I was glad or encouraging the kind of noisy 'I'm from the best university' kind of student touchline shout. This has outrageously high notes for the tenors. top B. which further endorse this feeling. There are real echoes of the Spring Symphony. see separate entry. final movement here which are further underlined by the last section of the Cantata which brings in the bells, piano, huge percussion and the inevitable chorale in which the choir sings 'that a free academy may thrive in a free community, for ever the ornament and treasure of illustrious Basle'. This may not be Britten at his most soul-searching but, as always, there is plenty here to enjoy, especially if the work is not taken too seriously. It is a celebratory, occasional piece and it could be well taken up by other academic establishments celebrating big anniversaries. The chorus parts are not very difficult though they do present challenges for the choir - not least in having tenors capable of those very high notes at the end. The Tema seriale con fuga is sinewy and needs careful tuning. It also has the subject regularly given upside down after its initial sounding by the basses. All good fun. Duration. 21 minutes. Paul Spicer, Lichfield, 2011.

译文

大合唱Academica旅游，卡门basiliense，作品。 62. 1959. 声乐分数. 由本杰明·布里顿组成. 1913-1976. 对于合唱团，合唱团，管弦乐团. 声乐分数. BH大型合唱. 66页. Буси. 出版布西. HL.48008886. 借此过股票定价的优势，送完为止. 为SATB独唱，合唱和乐队. 进球. IIpicc. ，2，2，2. 4，2，3，1. TIMPs的. 4 PERC. TRNG，tamburo神圣军事，TAMB，cymb，中国的块，BD，TT，木糖，格洛克，铃铛用C. 2弹琴. 二即兴. PF. CEL即兴. 串. 文本. 在拉丁美洲从大学章程汇编，并从巴塞尔赞美年长演说由伯恩哈德·韦斯. 发行人. 布西. 难度等级. 合唱. 布里顿的天才升降机上面是巴塞尔大学的基础500周年的只是一个值得庆祝这项工作. 它是舌头在脸颊和愚弄非学历参照所有的时间来学音乐形式和公式. 它是用2份. 一切都在法定拉丁美洲，包括各部分的标题 - 帕尔斯我和帕尔斯第二. 变动的标题显示布里顿有意炫耀各种各样的技巧. 下面是一些例子. 合唱. 在反手. 为主题，并给出回应与同一旋律倒挂. 宣叙调. 主题串行逃生. 佳能和顽固. 有一个很好的协议的幽默在这里. 有七个变动帕尔斯我和帕尔斯第二六人。男高音独唱者给予3花语宣叙调，伴随着只有一架钢琴，它作为其他交响乐团的伴随运动之间的桥梁. 其中最值得一提的是咏叙调CON篇章POPOLARE为女高音独唱与男高音和谁哼学生首歌贝司. 另一个了不起的布里顿谐谑曲. 和一个奇妙的喧闹最后一双运动. 佳能和固执，合唱与. 其中布里顿似乎在的仿照里贾纳维瓦特. 哭声在帕里的，我很高兴和鼓励的那种嘈杂的那种学生边线呼喊的“我从最好的大学是'. 这种具有高无比票据的期限. 页首B. 这进一步认可这种感觉. 有春天交响曲真正的回声. 参见单独的条目. 这里最后一个乐章这是由大合唱最后一节带来的钟声，钢琴，打击乐器巨大的和不可避免的诗歌中，合唱团唱“，一个自由的学院可以茁壮成长，在一个自由的社会，永远的装饰，并进一步强调了赫赫巴塞尔宝“. 这也许不是他最深刻反省被布里顿，但一如既往，有很多在这里享受，特别是如果工作不是太认真. 这是一个庆祝的，偶尔的一块，它可以很好地由其他学术机构庆祝周年大. 副歌部分是不是很困难，虽然他们这样做带来了挑战的合唱团 - 至少不会在有能力的极高票据期限在年底. 特马seriale CON风雅是强壮有力，需要悉心调教. 它也有由贝司其初始探测后定期给予倒挂的主题. 所有好好玩. 长短. 21分钟. 保罗·斯派塞，利奇菲尔德，2011.