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原文

Providence. David Gillingham. B-Flat Trumpet sheet music. Horn sheet music. Grade 5.

译文

普罗维登斯. 大卫·吉灵厄姆. 降B大调小号乐谱. 喇叭乐谱. 五年级.

原文

Providence composed by David Gillingham. Arranged by Geoffrey Brand. For concert band. Piccolo, Flute 1, Flute 2, Oboe 1. 2, Bassoon 1. 2, Bb Clarinet 1, Bb Clarinet 2, Bb Clarinet 3, Bass Clarinet, Eb Contrabass Clarinet, Alto Saxophone 1. 2, Tenor Saxophone, Baritone Saxophone, Bb Trumpet 1, Bb Trumpet 2, Bb Trumpet 3, Horn 1. 2, Horn 3. 4, Tr. Grade 5. Score and parts. Duration 9. 50. Published by C. Alan Publications. CN.09960. Beginning with a questioning motive as man questions the meaning of his own life, new themes arise leading to a lovely statement by solo flute and harp. These lyrical and expressive statements allude to the spirituality and meaning we all seek. A quiet benediction brings Providence to a close. Providence was commissioned by the Michigan State University Bands, John Whitwell, conductor. The work was originally to be in honor of the retirement of long time Theory Professor, Dr. Ted Johnson. Unfortunately, Dr. Johnson passed away on April 21, 2003, before any sketches of the new work had begun. I had spoke with Dr. Johnson some months before his death about the work that would be in his honor, asking him what kind of work he thought I should write. His response was basically to leave the creative endeavor in my hands as he knew and admired my music. He did add, however, that he was a bit old fashioned and had an affinity for the dramatic music of the Romantic period, especially the soaring horn parts written by Richard Strauss. As it turns out, I have featured the horn section in this work. Dr. Johnson touched a multitude of lives during his career. I was but one of hundreds of graduate students that was positively touched by his humanity and superb teaching skills. I will be eternally grateful, as will so many others. Richard Blatti, Associate Director of Bands at The Ohio State University sums up his feelings for Dr. Johnson as follows. it's more than theoretical concepts or analytical techniques that you taught me. You gave me such inspiration, a renewed love for learning, a fresh approach to problem-solving-and the greatest gift of all-you taught me how to teach. " Dr. Johnson lived an extraordinary life and had such a major influence on so many other lives. His wonderful life and the gifts that he passed on were no accident. John Whitwell, Director of Bands at Michigan State University, has told me that such things happen because of "divine guidance" or "providence". This is the derivation for the title of the work. Ted Johnson authored two books, which were analyses of J. S. Bach's Two-Part and Three-Part Inventions. We all knew how much he revered the work of Bach. Three works by J. S. Bach were performed at his memorial service on April 24, 2003. One of these works, the aria Bist du bei mir. "Stay Thou Nearby". , is perhaps one of Bach's most beloved melodies. I chose this work to be the centerpiece for all the melodic material in Providence. The work begins in a sort of questioning fashion, as a man questions the meaning of his own life. The oboe sings the first four notes of the aria. Bist du bei mir. with an octave displacement of the fourth note. This motive is heard throughout the piece. The mystery and questioning grows and segues into a murmur by clarinets and marimba over which a can ensues on motives derived from the aria. At the conclusion of the canon, low brass state the beginning of the aria and a fugato on the first four notes of the aria follows. The fugato concludes with dissonant confusion but resolves into consonance and leads to a lovely statement by solo flute accompanied by harp. The melodic material for the flute solo is new and its lyrical and expressive quality alludes to spirituality and the meaning of life that we all seek. Turmoil follows as if to remind us of the ultimate reality of the tribulations of life. Counterpoint and dissonance abound in this section along with a pounding solo by timpani leading to a dark march on the first three notes of the aria. The march grows incessantly and finally leads to a joyous entrance of the aria theme by the horns and is now joined by the flute solo heard earlier, this time in the low brass. Woodwinds accompany on a sort of ostinato fashioned from aria motives. The section affirms that providence does, in fact, exist in our lives. A quiet benediction brings the work to closure.

译文

普罗维登斯组成，由大卫·吉林厄姆. 由Geoffrey品牌排列. 对于乐队演唱会. 短笛，长笛1，2长笛，双簧管1. 2，巴松管1. 2，降B调单簧管1，降B调单簧管2，降B调单簧管3，低音单簧管，低音提琴的Eb单簧管，中音萨克斯1. 2，次中音萨克斯，上低音萨克斯，降B小号1，降B小号2，降B小号3，喇叭1. 2，角3. 4，风帆. 五年级. 得分和零件. 持续9. 50. 发布时间由C.艾伦出版物. CN.09960. 有质疑动机作为人的问题他自己生命的意义开始，新的主题出现，导致一个可爱的声明独奏长笛和竖琴. 这些抒情和表现力的语句暗示的灵性和意义大家都寻求. 安静的祝福带给普罗维登斯了帷幕. 普罗维登斯是委托美国密歇根州立大学乐队，约翰·Whitwell中，导体. 这项工作最初是为了纪念很久理论教授特德·约翰逊博士的退休. 不幸的是，约翰逊博士逝世于2003年4月21日的新作任何草图开始之前. 我在他的死亡有关，这将是在他的荣誉工作几个月前已经采访了约翰逊博士，问他什么样的工作，他认为我应该写. 他的回答是基本上离开了创造性的努力在我的手里，因为他知道，欣赏我的音乐. 然而他补充，他是有点老土，不得不对戏剧性的音乐浪漫主义时期的，尤其是飞升喇叭部分写的理查·施特劳斯的亲和力. 事实证明，我已经刊登在这项工作的号角节. 约翰逊博士在他的职业生涯感动了许多人的生命. 我只不过是数百名研究生被正由他的人性感动和高超的教学技巧之一. 我会永远感激，也将这么多的人. 理查德Blatti，乐队在美国俄亥俄州立大学副主任总结了自己的感情，约翰逊博士如下. 它更重要的是你教我的理论概念或分析技术. 你给了我这样的灵感，对学习重新爱，一种新的方法来解决问题，和所有你最好的礼物教我怎么教. “约翰逊博士过着平凡的生活，并有这么多其他的生活有重大影响. 他的精彩生活和礼物，他就通过无事故. 约翰的Whitwell，乐队在密歇根州立大学主任，告诉因为“神的指引”或“天意”我说，这样的事情发生. 这是推导的作品的标题. 特德·约翰逊撰写了两本书，这是巴赫的两部分和三部创意的分析. 我们都知道他是多么崇敬巴赫的作品. 三部作品巴赫在他的追悼会上2003年进行了4月24日，. 其中的一个作品，唱腔BIST杜北MIR. “你住附近的”. ，也许是巴赫最心爱的旋律1. 我选择了这个工作，是对核心普罗维登斯中的所有材料的旋律. 这项工作在一种质疑的时装开始，作为一个男人怀疑自己生命的意义. 双簧管唱的前四个音符的咏叹调. 你与我. 与第四音符的八度位移. 这个动机是响彻整个片. 神秘和质疑的增长和由单簧管和马林巴指一个可以从派生的咏叹调随之而来的动机继续入杂音. 在佳能的结论，低黄铜注明唱段的开始和前四个音符的咏叹调的Fugato专业如下. 该Fugato动力总结了不和谐的混乱，但分解为灵犀，并导致一个可爱的声明独奏长笛伴随着竖琴. 长笛独奏旋律材料是新的，它的抒情和表现的品质暗示灵性和生命，我们都寻求的意义. 风暴如下仿佛在提醒生活中的磨难最终现实的我们. 位与不和谐比比皆是，在本节还有一个冲击独奏定音鼓导致暗游行的咏叹调前三笔记. 这次游行不断增长，最终导致的咏叹调主题的牛角欢乐的入口，现在听到的笛子独奏加盟所说，这一次在黄铜低. 木管乐器陪在某种固定音型的咏叹调从老式的​​动机. 本节申明天意呢，其实，存在于我们的生活. 安静的祝福带来的工作结束.