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原文

Contre qui, rose. Against whom, rose. Morten Lauridsen. A Cappella sheet music.

译文

抵销上涨. 针对谁，玫瑰. 莫滕LAURIDSEN. 无伴奏合唱乐谱.

原文

Contre qui, rose. Against whom, rose. from Les Chansons des Roses. Composed by Morten Lauridsen. 1943-. For Choral. SATB a cappella. Peermusic Classical. Softcover. 8 pages. Peermusic #61843-121. Published by Peermusic. HL.228802. In addition to his vast output of German poetry, Rainer Maria Rilke. 1875-1926. composed nearly 400 poems in French. His poems on roses struck me as especially charming, filled with gorgeous lyricism, deftly crafted and elegant in their imagery. These exquisite poems are primarily light, joyous and playful, and the musical settings are designed to enhance these characteristics and capture the delicate beauty and sensuousness of the poetry. Distinct melodic and harmonic materials recur throughout the cycle, especially between Rilke's poignant “Contre qui, rose”. set as a wistful nocturne. and his moving “La rose complète. ” The final piece, “Dirait-on,” is composed as a tuneful chanson populaire, or folksong, that weaves together two melodic ideas first heard in fragmentary form in preceding movements. --Morten Lauridsen.

译文

抵销上涨. 针对谁，玫瑰. 离Les歌谣des Roses酒店. 通过莫滕LAURIDSEN组成. 1943 - . 对于合唱. SATB清唱. Peermusic古典. 简装. 8页. Peermusic. 出版Peermusic. HL.228802. 除了他丰富的德国诗歌的输出，里尔克. 1875年至1926年. 由近400名诗在法国. 他对玫瑰的诗给我的印象格外迷人，充满了华丽的抒情性，巧妙地制作和优雅在他们的图像. 这些精美的诗歌主要是光，欢乐和童趣，和音乐设置旨在提高这些特性，捕捉细腻的美感和诗意的感性. 独特的旋律和和声材料再次出现在整个周期中，尤其是与里尔克的凄美“驳魁，玫瑰”. 设置为怅惘夜曲. 和他的移动“香格里拉玫瑰完成. “最后一块，”Dirait上，“是由作为一个和谐的香颂POPULAIRE，或民歌，这在前面的走势零碎的形式第一次听到两个旋律的想法交织在​​一起. - 莫滕LAURIDSEN.