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原文

Trombone Concerto. Derek Bourgeois. Horn sheet music. Trombone sheet music. Grade 5.

译文

长号协奏曲. 德里克·布尔乔亚. 喇叭乐谱. 长号乐谱. 五年级.

原文

Trombone Concerto. Trombone Feature. Composed by Derek Bourgeois. 1941-. For Soloist. with Concert Band. Solo Trombone, Piccolo, 1st Flute, 2nd Flute, Oboes, Eb Clarinet. , 1st Bb Clarinet, 2nd Bb Clarinet, 3rd Bb Clarinet, Eb Alto Clarinet. , Bb Bass Clarinet, Eb Alto Saxophone, Bb Tenor Saxophone, Eb Baritone Saxophone. , 1st. 2nd F Horn, 3rd. 4th F Horn, 1st B. Band Music. Grade 5. Score only. Duration 20. 00. Published by C. Alan Publications. CN.S11024. Derek Bourgeois' Trombone Concerto is a substantial twenty-minute piece in three movements, "Allegro," "Adagio," and "Presto. " Because trombonists from the worlds of pop and jazz would attend the premiere as well as classical artists, Bourgeois decided to make his new concerto musically ecumenical, and it was deliberately tailored to have an appeal wider than the usual classical audience. The third movement, in particular, was a great hit. The first movement of Derek Bourgeois' Trombone Concerto is constructed Classically. the solo trombone immediately launches into the opening theme in F minor, conceived harmonically in a sequence of descending thirds and it is the solo trombone too that introduces the lyrical second idea, in A flat, presented over chords which are given mobility by dark-toned alto and bass clarinets. These contrasting subjects give the composer ample opportunity to let loose his fertile imagination, whether expanding on the Baroque qualities of the opening material in a fugato section for woodwinds, or boldly stating the romantic second theme on brass leading to cascading sextuplets, or with the soloist presenting the first theme in augmentation against a ripple of semi-quavers. After this development, there is virtually a formal recapitulations in the woodwinds and the soloist repeats the second theme in tonic. major. The movement closes with pianissimo chords - no great bravura here, but leading us in mood to the second movement which opens a tone lower in E-flat. Here, the rich tone of the soloist is matched by three accompanying trombones - with the writing equaling the expressiveness of a cello quartet. Gradually, the rest of the low brass join as the solo trombone weaves a seamless, almost Wagnerian theme, extending phrases sequentially. This movement has two separate thoughts and a solo clarinet answers the trombone with a new theme accompanied only by three horns, euphonium, and pizzicato string bass. Whilst most of the slow movement is contemplative, Bourgeois allows the band to unleash the full fortissimo passion implied in the second, clarinet theme, before the movement closes as it began - but this time only two trombones accompany the soloist, and all three are muted. After the passion of the slow movement, Bourgeois adopts a Classical rondo form as a 6. 8 Scherzo, marked Presto, which gives the release we need. It is fun, to be thrown off lightly as we enjoy the semitone shifts with a wry smile. Towards the end of the movement is a cadenza which alludes to the thematic content of the first movement, but aurally the hard work has been done. For the soloist however, the music requires a virtuoso combination of slide and tongue. Derek Bourgeois' Trombone Concerto was commissioned by the British Trombone Society for the International Trombone Workshop at Eton, England, July 1989 with gratefully acknowledged assistance from Southern Arts. The world premiere was given by Christian Lindberg.

译文

长号协奏曲. 长号功能. 德里克资产阶级组成. 1941 - . 对于独奏者. 与乐团. 长号独奏，短笛，长笛第一，第二长笛，双簧管，单簧管的Eb. ，第一降B调单簧管，2降B调单簧管，三降B调单簧管，降E中音单簧管. ，降B低音单簧管，降E中音萨克斯，降B次中音萨克斯，降E上低音萨克斯. ，第1. 2楼角，第3. 4 F喇叭，一乙. 乐队音乐. 五年级. 分数只. 持续20. 00. 发布时间由C.艾伦出版物. CN.S11024. 德里克·布尔乔亚“长号协奏曲是一个庞大的20分钟片在三个乐章，”快板“，”慢板“和”普雷斯托. “因为从流行音乐和爵士乐的世界trombonists将出席首映式，以及古典艺术家，资产阶级决定把他的新协奏曲音乐合一，这是故意针对有吸引力比一般的传统观众更广泛. 第三乐章，尤其是一个伟大的命中. 德里克·布尔乔亚“长号协奏曲的第一乐章构成经典. 的长号独奏会立即启动进入F小调的开幕式主题，在降三分之二序列谐波构思，它是长号独奏太，介绍了抒情的第二个想法，在平坦，提出了和弦的暗色调，给出的流动性中音及低音单簧管. 这些对比鲜明的主题给作曲家充分的机会，放开他丰富的想像力，无论是在为木管乐器一个Fugato动力部分扩大在开料的巴洛克气质，还是大胆地陈述对黄铜导致级联6胞胎浪漫的第二个主题，或与独奏呈现在隆胸的第一个主题对半八分音符纹波. 这方面的发展后，几乎在木管乐器正式和段重新独奏者在重复进补第二个主题. 主要. 这里没有伟大的炫耀的表现，但我们领先的心情将打开一个音调较低的E大调第二乐章 - 移动关闭与弱音和弦. 在这里，独奏的丰富的色调相匹配三个随行长号 - 与写作追平的大提琴四重奏的表现. 渐渐地，低铜的其余部分加入成为长号独奏编织无缝，几乎是瓦格纳的主题，依次扩展短语. 这个动作有两个独立的思想和独奏单簧管回答长号的新主题只有三个角，次中音号，并拨奏弦贝司陪同. 虽然大部分的慢运动是沉思，资产阶级允许带发动全面极强的激情暗示在第二，单簧管主题，运动结束前，因为它开始了 - 但这次只有两个长号陪独奏，三个人都处于静音状态. 缓慢运动的激情后，资产阶级采用古典回旋曲式为6. 8谐谑曲，标志着普雷斯托，这给我们需要释放. 这是有趣，被揭去掉以轻心，因为我们享受半音变化苦笑着. 向运动的结束是一个华彩乐段的暗示第一乐章的主题内容，但听觉上的辛勤工作已经完成. 对于独奏然而，音乐需要滑舌的组合炫技. 德里克·布尔乔亚“长号协奏曲是委托英国长号协会国际长号研讨会在伊顿公学，英国，1989年7月从南艺表示感谢援助. 世界首演由Christian给出林德伯格.