活页乐谱 $38.00

原文

War Requiem, Op. 66. Benjamin Britten. Choir sheet music.

译文

战争安魂曲，作品。 66. 本杰明·布里顿. 合唱乐谱.

原文

War Requiem, Op. 66. 1961-62. Choral Score. Composed by Benjamin Britten. 1913-1976. For Choral, Chorus, Orchestra. CHORAL SCORE. BH Large Choral. 80 pages. Boosey & Hawkes #M060015571. Published by Boosey & Hawkes. HL.48009030. for soprano, tenor and baritone solos, chorus, orchestra, chamber orchestra, boys' choir and organ. Scoring. 3picc. , 2, ca, 3. IIIcl in Eb and bass cl. , 2, dbl bn. 6, 4, 3, 1. timps, 4 perc. 2 sd, td, bd, tamb, trgl, cymb, castanets, whip, Chinese blocks, gong, bells in C and F#, vibr, antique cymbals in C and F#. piano, grand org. ad lib. strings. Chamber orch. fl. picc. , ob. ca. , cl, bn. hn. perc. timp, sd, bd, cymb, gong. harp, string quintet. 2 vl, vla, vc, db. Chamber organ. or harmonium. to accompany boys' choir. Text. Missa pro defunctis and Wilfred Owen. Publisher. Boosey & Hawkes. Difficulty level. In many ways this magnum opus, one of the 20th century's defining works, was also Britten's defining moment. For a long time Britten had felt that the gap in his output was a major choral. orchestral work. When Coventry mounted an Arts Festival to celebrate the dedication of its new cathedral in 1962 Britten was an obvious choice to ask for a major work. This, for Britten, was the opportunity for which he had been waiting. As a lifelong, passionate pacifist it was his opportunity to write a work which reminded its audience of the reason for the building of this new cathedral, but also, and far more importantly, to demonstrate in the most powerful way possible the horror, devastation, futility and utter waste of war. His inspired idea was to mix the words of the Missa pro defunctis. Mass for the Dead. in Latin with the poems of one of the greatest of the First of the spirit War poets, Wilfred Owen. He uses nine of Owen's poems which form a kind of song cycle which weaves in and out of the formal sections of the Latin Mass. When Britten's recording was released the following year it sold 200,000 copies within the first five months which was almost unheard of for a classical work, and possibly unique for a large-scale contemporary one. This was the moment of destiny for which Britten had been preparing all his adult life. The peace movements of the 1960s, the Cuban missile crisis, nuclear testing, anti-nuclear protests, the war-weariness of the seemingly endless conflict in Vietnam, all these things contributed to the public's readiness to hear this message which Britten so powerfully addressed. Duration. 85 minutes. Paul Spicer, Lichfield, 2011.

译文

战争安魂曲，作品。 66. 1961-62. 合唱得分. 由本杰明·布里顿组成. 1913-1976. 对于合唱团，合唱团，管弦乐团. 合唱分数. BH大型合唱. 80页. Буси. 出版布西. HL.48009030. 为女高音，男高音和男中音独唱，合唱，管弦乐团，室内乐团，童声合唱团和器官. 进球. 3picc. ，2，约3. IIIcl在Eb和低音CL. ，2，DBL亿. 6,4，3，1. TIMPs的，4 PERC. 2 SD, TD, BD, TAMB, TRGl, cymb, кастаньеты, кнут, китайские блоки, гонг, колокольчики в С и F. 钢琴，盛大的组织结构. 即兴. 串. 室ORCH. FL. 人保财险. 是否. CA. ，CL，十亿. HN. 四氯乙烯. TIMP，SD，BD，cymb，锣. 竖琴，弦乐五重奏. 2 VL，VLA，VC + +，数据库. 腔器官. 或风琴. 陪男孩合唱团. 文本. 弥撒亲defunctis和威尔弗雷德·欧文. 发行人. 布西. 难度等级. 在许多方面，这巨著，20世纪的界定作品之一，也是布里顿的决定性时刻. 很长一段时间布里顿曾认为在其输出该间隙是一个重大的合唱. 管弦乐作品. 当考文垂安装在艺术节，以庆祝其新教堂的奉献精神于1962年布里顿是一个显而易见的选择提出了主要工作. 这对布里顿，是为他一直在等待机会. 作为终身，充满激情的和平，这是他的机会来写它提醒观众的原因新教堂的建设工作，还和远远更重要的是，在最有力的方式尽可能恐怖，破坏演示，徒劳和战争的极度浪费. 他的灵感想法是混合弥撒亲defunctis的话. 质量为死者. 在拉丁美洲与最大的首先是精神战争诗人，威尔弗雷德·欧文之一的诗. 他使​​用的这形成了一种首歌周期的编织拉丁弥撒的正式部分进出欧文的诗歌9. 当布里顿的录音是次年发布了它卖了20万册首五个月这几乎是前所未闻的古典作品中，可能唯一的一个大型现代化的单. 这是命运的时刻，而布里顿已经准备了所有的成年生活. 20世纪60年代的和平运动，古巴导弹危机，核试验，反核抗议，厌战的看似无尽的冲突在越南，这一切促成了公众愿意听到这个消息的布里顿如此有力解决. 长短. 85分钟. 保罗·斯派塞，利奇菲尔德，2011.