活页乐谱 $10.95

原文

Rejoice in the Lamb, Op. 30. Benjamin Britten. Choir sheet music. Organ Accompaniment sheet music.

译文

飘柔的羔羊，作品。 30. 本杰明·布里顿. 合唱乐谱. 风琴伴奏乐谱.

原文

Rejoice in the Lamb, Op. 30. 1943. Composed by Benjamin Britten. 1913-1976. For Choral, Chorus, Organ Accompaniment. SATB. BH Large Choral. Sacred. 48 pages. Boosey & Hawkes #M060015120. Published by Boosey & Hawkes. HL.48008987. ISBN 1458424510. Sacred. 6.75x10.5 inches. for SATB with SATB solos and organ. Imogen Holst orchestrated the work for wind quintet, percussion, organ. ad lib. and strings. 1952. , and there is also a version for SSAA and organ arranged by Edmund Walters. 1966. Text. Christopher Smart. Publisher. Boosey & Hawkes. Difficulty level. One of Britten's most popular and performed works in this genre, Rejoice in the Lamb was written for the 50th anniversary of St. Matthew's church, Northampton in 1943. The remarkable vicar, Walter Hussey, was a great patron of the arts. His vision for St. Matthew's and later for Chichester Cathedral, where he moved to become Dean, is one of the most fascinating stories in the history of the Anglican Church in the last century. Britten called his work a Festival Cantata and it is structured with choral and solo movements. The text by the supposedly mad Christopher Smart. 1722-1771. is part of a poem called Jubilate Agno which he composed in a mental asylum having been committed there by his father-in-law for apparent religious mania. He died in a debtors' prison. It was W.H. Auden who brought the poem to Britten's attention. It is easy to see why Britten was so attracted to Smart's poem. It has great colour, drama, bizarre imagery, and the central issue of the individual against the crowd, or against authority, was one to which Britten was to return repeatedly in his works. Britten had developed a deep interest in Purcell's music at this time and had made keyboard realisations of accompaniments for a number of songs which he performed with Peter Pears. Purcell's influence can easily be heard in the Hallelujah sections. The challenges in this work are many and varied though the difficulty level is not great overall. It is an ideal concert work and is popular with performers and audiences alike. Practical issues include really quiet singing while projecting the voice at the start. dealing with the rhythmic complexities of the first quick section. 'Let Nimrod the mighty hunter'. and getting the most out of the words and the dynamic contrasts here. the unanimity of the dotted rhythms in the Hallelujah sections. the fielding of four soloists who can put across the character of these zany movements. the cat, the mouse, flowers. the realisation of the depth of passion in the 'For I am under the same accusation as my Saviour' section. the brilliance of the final quick section with all the bizarre musical instrument rhymes. and finally realising the 'stillness and serenity' of the slow music before the final Hallelujah. There is much to consider and much devil in the detail. However, the work is emphatically worth any amount of effort to realise Britten's inspiration. Duration. 17 minutes. Paul Spicer, Lichfield, 2011.

译文

飘柔的羔羊，作品。 30. 1943. 由本杰明·布里顿组成. 1913-1976. 对于合唱，合唱，管风琴伴奏. SATB. BH大型合唱. 神圣. 48页. Буси. 出版布西. HL.48008987. 国际标准书号1458424510. 神圣. 6.75x10.5英寸. 为SATB与SATB独奏和器官. 伊莫霍尔斯特策划工作的管乐五重奏，打击乐，器官. 即兴. 和字符串. 1952年. 以及还有一个版本为SSAA和器官布置由Edmund沃尔特斯. 1966. 文本. 克里斯托弗智能. 发行人. 布西. 难度等级. 其中布里顿的最流行的和完成的工程在这一流派，飘柔的羔羊是为圣马修教堂，北安普顿50周年于1943年写的. 卓越的副主教，沃尔特·赫西，是艺术的伟大的守护神. 他的远见为圣马太后来的奇切斯特大教堂，在那里他感动，成为院长，是在圣公会在上个世纪历史上最引人入胜的故事之一. 布里顿称他的作品一节大合唱，它的结构与合唱和独唱的动作. 由所谓疯狂的克里斯托弗·智能文本. 1722年至1771年. 是一首诗叫做欢喜阿格诺这是他在精神病院由已犯有由他的父亲在法律的明显的宗教狂热的一部分. 他在债务人死于狱中. 这是W.H.奥登谁带来的诗布里顿的关注. 这是很容易看到为什么布里顿是如此吸引灵动的诗. 它具有强大的色彩，戏剧，离奇的图像，以及个人的核心问题，针对的人群，或反对权威，是一到这布里顿是在他的作品多次返回. 布里顿曾开发赛尔的音乐有浓厚的兴趣在这个时候，做了伴奏键盘变卖了数首歌曲，他与彼得梨进行. 赛尔的影响可以很容易地听到哈利路亚节. 在这项工作中所面临的挑战是多种多样的，虽然难度不是很大整体. 这是一个理想的音乐会作品，深受表演者和观众的一致好评. 实际的问题包括非常安静唱歌的同时突出了声音的开始. 处理的第一款快速有节奏的复杂性. “让宁录威武猎人”. 并获得了最出的单词和动态对比这里. 带点节奏的哈利路亚部分一致通过. 四个独唱谁可以在这些滑稽的动作角色把守备. 猫，鼠标，鲜花. 激情的深度“因为我在同样的指控作为我的救主”一节中的实现. 最后一节快与所有的怪异乐器押韵的辉煌. 最终实现缓慢的音乐的“寂静与宁静”的最终哈利路亚前. 有一个在很多细节要考虑和许多魔鬼. 然而，工作重点是值得的努力，实现布里顿的灵感任何金额. 长短. 17分钟. 保罗·斯派塞，利奇菲尔德，2011.