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原文

Nanie, Op. 82. Johannes Brahms. Voice sheet music. Choir sheet music. Piano Accompaniment sheet music.

译文

Nanie,作品。 82. 布拉姆斯. 声音的乐谱. 合唱乐谱. 钢琴伴奏乐谱.

原文

Nanie, Op. 82 composed by Johannes Brahms. 1833-1897. Edited by Eusebius Mandyczewski. Choir and piano. For SATB Choir, Piano. This edition. Paperback. Secular Cantata, Transcriptions, Original Works, Choral. Romantic Period. German. Vocal Score. Text Language. German, English. Composed 1881. 24 pages. Duration 14 minutes. Published by Serenissima. SA.Z1344. ISBN 9781932419443. With Text Language. German, English. Romantic Period. German. 6.69 x 9.61 inches. Brahms enriched the genre of chorus and orchestra with two impressive works from the early 1880s. In 1881, he set a text to Schiller's Nanie. Op. 82, four-part chorus and orchestra. and the next year. 1882. he set Goethe's Song of the Fates. Op. 89, six-part chorus and orchestra. Brahms composed the piece in 1881, in memory of his deceased friend Anselm Feuerbach. "Nanie". Song of Lamentation. is not about simple despair or mere complaint. Even in such dark moments, Schiller's romanticism is expressed as a yearning for the unattainable. The work opens with "Auch das Schone muss sterben. Even Beauty must die. , and the tension between the veracity of the message and the yearning of the human spirit for the timelessness of temporality and the eternal recurrence of beauty can be sensed in the sheer beauty of Brahm's music. Unabridged digitally enhanced reprint of the composer's own vocal score that was issued by Breitkopf and Hartel in the early 20th century.

译文

Nanie,作品。 82组成,由约翰内斯·勃拉姆斯. 1833-1897. 由优西比乌Mandyczewski编辑. 合唱和钢琴. 对于SATB合唱团,钢琴. 此版本. 平装. 世俗康塔塔,抄录,原创作品,合唱. 浪漫主义时期. 德语. 声乐分数. 文字语言. 德语,英语. 由1881. 24页. 时间14分钟. 发布时间由威尼斯共和国. SA.Z1344. ISBN 9781932419443. 用文字语言. 德语,英语. 浪漫主义时期. 德语. 6.69 x9.61英寸. 勃拉姆斯丰富合唱和乐队的曲风有两个令人印象深刻的作品从19世纪80年代初. 1881年,他创下了一个文本席勒的Nanie. 运算。 82,四部分的合唱和乐队. 并于次年. 1882. 他成立了命运的歌德之歌. 运算。 89,六部分的合唱和乐队. 勃拉姆斯组成的片于1881年,在他已故的朋友安塞姆费尔巴哈的记忆. “Nanie”. 悲叹之歌. 是不是简单的绝望或仅仅投诉. 即使在这种黑暗的时刻,席勒的浪漫主义表现为一个向往遥不可及. 这项工作以“奥赫DASSCHÖNE一团糟sterben打开. 甚至美容必须死. ,消息和人类精神的向往和时间性的永恒轮回美的永恒的真实性之间的紧张关系可以在布拉姆的音乐的纯粹的美来检测. 作曲家自己的声乐分数由Breitkopf和哈特尔在20世纪初发出了删节数字增强转载.