活页乐谱 $9.95

原文

Missa Beatissimae Virginis Mariae. Michael Haydn. Voice sheet music. B-Flat Trumpet sheet music. Choir sheet music. Percussion sheet music. Piano and Keyboard sheet music. Timpani sheet music. Trombone sheet music.

译文

弥撒Beatissimae室女座Mariae. 迈克尔·海顿. 声音的乐谱. 降B大调小号乐谱. 合唱乐谱. 锣鼓乐谱. 钢琴和键盘乐谱. 定音鼓乐谱. 长号乐谱.

原文

Missa Beatissimae Virginis Mariae composed by Michael Haydn. 1737-1806. Edited by Charles H. Sherman. For SATB vocal soli, SATB choir, 2 trumpets, 2 trombones, timpani, 2 violin, basso continuo. C-Dur. C major. Sacred music from Salzburg. Score available separately - see item CA.5030500. Latin Masses, Sacred music from Salzburg Feasts of the Blessed Virgin Mary, Hymns in praise of the Virgin Mary. Cello. double bass part. Language. Latin. Composed circa 1758-1760. MH 15. 16 pages. Duration 30 minutes. Published by Carus Verlag. CA.5030513. With Language. Latin. Latin Masses, Sacred music from Salzburg Feasts of the Blessed Virgin Mary, Hymns in praise of the Virgin Mary. The Missa Beatissimae Virginis Maria was composed ca. 1758-1760, between the end of his tenure as a singer in the choir of St. Stephen's in Vienna and the beginning of his first position as violinist and music director for the Bishop of Grosswardein. The scoring of SATB. for soli as well as choir. and "church trio" was augmented by two trumpets. clarini. and timpani, as well as two trombones. The latter instruments double the alto and tenor voices in tutti passages but in the "Et incarnatus est" they are also employed in an obbligato role. On the one hand, as an early work this Mass is in the style of the festive baroque tradition, as practiced in south-German regions until the middle of the eighteenth century. on the other hand it already shows the subjective inspiration which distinguished it from many of the mass settings by Haydn's contemporaries.

译文

弥撒Beatissimae室女座Mariae由迈克尔·海顿组成. 1737至1806年. 由Charles H.谢尔曼编辑. 对于SATB声乐实木门，SATB合唱团，2小号，长号2，定音鼓，2小提琴，数字低音. C-总指数. C大调. 从萨尔茨堡圣乐. 另分数可 - 见项目CA.5030500. 拉丁群众，从圣母玛利亚萨尔茨堡节日神圣的音乐，在圣母玛利亚的赞美赞美诗. 大提琴. 双低音部分. 语. 拉丁. 由大约1758-1760. MH 15. 16页. 时间30分钟. 出版卡鲁斯出版社. CA.5030513. 随着语言. 拉丁. 拉丁群众，从圣母玛利亚萨尔茨堡节日神圣的音乐，在圣母玛利亚的赞美赞美诗. 在弥撒Beatissimae室女座玛丽亚是由CA. 1758年至1760年，他担任在圣士提反在维也纳合唱团歌手和他的第一个位置，小提琴家和音乐总监Grosswardein主教开始结束之间. SATB的得分. 对于孤子以及合唱团. 和“教会三人组”增添了两个小号. clarini. 和定音鼓，以及2长号. 后者仪器一倍中音，他们还聘请在伴奏的作用，合奏段落，但在“ET外星人incarnatus EST”的男高音的声音. 在一方面，作为早期工作这台弥撒是在喜庆的传统巴洛克式的风格，实行的德国南部地区，直到十八世纪中叶. 在另一方面，它已经显示了海顿同时代的区别它从许多的质量设定主观灵感.