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原文

Concerto in One Movement for Marimba. piano reduction. Emma Lou Diemer. Marimba sheet music. Percussion sheet music. Piano sheet music. Advanced.

译文

协奏曲一个乐章的马林巴. 钢琴减少. 艾玛娄DIEMER. 马林巴琴乐谱. 锣鼓乐谱. 钢琴乐谱. 先进.

原文

Concerto in One Movement for Marimba. piano reduction. composed by Emma Lou Diemer. 1927-. Percussion Ensemble. For Marimba Concerto. marimba. 4.5-octave. piano. Concertos. Medium difficult. Piano reduction. Duration 18. 00. Published by C. Alan Publications. CN.01832. So much music in a single. fast-slow-fast. movement. This concerto should be top priority for the serious marimbist. Perfect for a university concerto competition. perfect for the professional. The marimba part is difficult, but accessible, and the orchestra beautifully complements the soloist. A world-class composer demonstrates the height of her craft with this concerto. Emma Lou Diemer's Concerto in One Movement for Marimba was premiered in its original version March 21, 1991 at Mills College, Oakland, California by the Bay Area Women's Philharmonic with JoAnn Falletta conducting and Deborah Schwartz soloist. It was repeated on March 23 in San Francisco. The concerto was commissioned for the 10th anniversary season of the orchestra. The concerto was also performed April 13 and 14, 1991 by the Santa Barbara Symphony conducted by Varujan Kojian with Deborah Schwartz as soloist. It was recorded in June 2002 by Nathan Daughtrey with the Slovak Radio Symphony conducted by Joel Suben, and this recording is available from the publisher, C. Alan Publications, of Greensboro, North Carolina. In October, 2006, the composer made the wind ensemble version of the concerto, and this version was premiered March 1, 2007 in the Saint Vincent De Paul Church in Albany, New York with Felicity Cashman as soloist and The College of Saint Rose Wind Ensemble conducted by Robert Hansbrough. The instrumentation and general style of the concerto are imbued with the individuality of the tone color and technique of the marimba, reflected in the tremolos and glissandos as well as rhythms and melodic motives that echo or reinforce the ideas expressed by the solo instrument. There are two cadenzas and an extended solo passage for marimba in the slow middle section. In the last cadenza the soloist is joined by the percussion section of the orchestra. The spirit of the work is related somewhat to Vivaldi in its use of floating harmonic rhythms. slow-moving harmonies evolved through figuration. , and bears some harmonic relation to another of the composer's favorite writers of music, Ravel. The dynamic virtuoso, Deborah Schwartz, for whom the work was written, offered excellent editorial suggestions in the writing of the marimba part. The concerto was written to be enjoyed by all concerned, including first and foremost the audience who will hear it for the first time.

译文

协奏曲一个乐章的马林巴. 钢琴减少. 由艾玛娄DIEMER组成. 1927 - . 打击乐合奏. 对于马林巴协奏曲. 马林巴. 4.5倍频程. 计划. 协奏曲. 中等难度. 钢琴减少. 持续18. 00. 发布时间由C.艾伦出版物. CN.01832. 这么多的音乐在一个单一的. 快 - 慢 - 快. movement. 这部协奏曲应该是最优先考虑的严重marimbist. 完美的一所大学协奏曲比赛. 完美的专业. 马林巴部分是困难的，但访问，和乐团精美的补充独奏. 世界级作曲家展示她的手艺与此协奏曲的高度. 艾玛娄DIEMER的协奏曲中的一个运动马林巴在其原始版本首播1991年3月21日在米尔斯学院，奥克兰，加州的湾区女子爱乐乐团与乔安Falletta进行和德博拉·施瓦茨独奏. 它被重复3月23日在旧金山. 这首协奏曲是委托为乐团10周年的季节. 还进行4月13日和14日，1991年协奏曲由Varujan Kojian狄波拉与施瓦茨作为独奏家进行圣巴巴拉交响乐团. 它被记录在2002年6月由Nathan Daughtrey与乔尔SUBEN进行的斯洛伐克广播交响乐团，该记录可发行，C.艾伦出版物，格林斯博罗，北卡罗来纳. 2006年10月，作曲家所作的协奏曲风合奏版本，而这个版本首播2007年3月1日在圣文森特德保罗教堂在奥尔巴尼，纽约与富临卡什曼作为独奏家和圣玫瑰管乐团学院由罗伯特·汉斯布鲁进行. 仪器仪表及协奏曲的风格一般都充满了音色的木琴和技术的个性，体现在呼应或加强了独奏乐器所表达的思想的颤音和滑奏以及节奏和旋律动机. 有两个变奏和在慢中间部分的扩展独奏通路马林巴. 在过去的华彩乐段的独奏是由乐队的打击乐部分加盟. 这项工作的精神有点关系，以维瓦尔第在其使用浮动谐波节奏. 滞销和声通过进化成形. ，并承担一定的谐波关系作曲家的喜爱的音乐，拉威尔的作家到另一个. 动态演奏家，德博拉·施瓦茨，对他们来说，工作是写的，木琴部分的写作提供了出色的编辑建议. 协奏曲是写给所有关注，包括首先是观众谁将会听到它的第一次享用.