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原文

Choral No. 2 for Organ. Percy Aldridge Grainger. Choir sheet music. English Horn sheet music. Organ sheet music. Grade 5.

译文

器官合唱2号. 珀西阿尔德里奇格兰杰. 合唱乐谱. 英语角乐谱. 管风琴乐谱. 五年级.

原文

Choral No. 2 for Organ composed by Percy Aldridge Grainger. 1882-1961. Arranged by Percy Aldridge Grainger. For concert band. Piccolo, 1st Flute, 2nd Flute, Oboe, English Horn, Bassoon, Contrabassoon, Eb Clarinet, 1st Bb Clarinet, 2nd Bb Clarinet, 3rd Bb Clarinet, Eb Alto Clarinet, Bb Bass Clarinet, Contrabass Clarinet, Soprano Saxophone, Alto Saxophone, Tenor Saxophone, Bariton. Band Music. Grade 5. Score and parts. Duration 11. 00. Published by C. Alan Publications. CN.R10039. Grainger's passionately humanistic setting of Franck's Chorale No. 2 is uniquely suited to the resources of the modern concert band. He did not want the band to sound like an organ. Instead, he created a rich, voice like sonority similar to the orchestral timbre of the D minor Symphony. It is by far his most ambitious scoring. At the age of 15, Cesar Franck. 1822-1890. traveled from his native Belgium to study organ and composition at the Paris Conservatoire. He remained in Paris for the rest of his life, working as a church organist and teaching piano and organ. In 1872, at the age of 50, he was named professor of organ at the Conservatoire. The same year he composed his popular Panis Angelicus, and as a result became more widely known as a composer. During the last eleven years of his life he wrote most of his compositions including the Symphonic Variations, the Violin Sonata, and the Symphony in D Minor. At a time when French music was often light in character, his was serious and profound. Franck's final and culminating achievement was the Three Chorals for Organ. The completed manuscript was at his fingertips as the priest arrived to administer last rites. The Three Chorals are organized in variation form. They are not as brief as the church chorals of Bach, but rather, extended symphonic compositions. Albert Schweitzer has commented that "the chorale in modern French organ literature means simply a fantasy on a formal, noble theme. " The Organ Choral No. 2 fits Schweitzer's description. The music contains references to the D Minor Symphony, Heroic Piece for Organ, and the Violin Sonata, as well as settings of the Christ motive of Franck's The Beatitudes. bar 115 and bar 274. The 2nd Choral opens with a chaconne-style bass theme. The melody passes successively through bass and treble voices leading to a lyrical second subject. bar 65. This new theme develops through a series of interspersed interludes arriving at a grand, virtuosic cadenza. bar 127. The chaconne variations resume, continuing to unfold until the first and second themes are combined. bar 195. More intense and complex variants lead to a powerful final statement of the opening theme. bar 259. The music concludes with a tender and poignant coda based on the "Christ motive. " Grainger's setting of the Choral No. 2 was first performed by the Interlochen Band on July 12, 1942. Grainger conducted. It is interesting to note that five years earlier at Interlochen, Grainger had conducted the 1st Franck Organ Choral in a band arrangement by his friend Ralph Leopold. Leopold's arrangement may have been an impetus for Grainger's setting of the 2nd Choral. Quite another factor may have been the composer's apprehension over the onset of World War II. In 1940, Percy and Ella Grainger moved away from their home in White Plains to escape the supposed vulnerability of the New York City area. They chose Springfield, Missouri, presumed safe from enemy air and naval attacks. It is not hard to imaging that he wanted his students to share Franck's healing message of love, hope, reaffirmation, and peace. The Interlochen program cover for the premier features Grainger's picture with the following inscription. a man of genius, force and achievement, renowned and honored throughout the world- who comes to us for the entire season with the sweet simplicity of a true gentleman and the rare patience of the exceptional teacher, with a gigantic intellect projected far beyond our petty problems but with a wide and sympathetic understanding for the lowliest among us. His visit is a privilege we humble hope to merit.

译文

合唱2号器官由珀西阿尔德里奇组成的格兰杰. 1882-1961. 由Percy阿尔德里奇格兰杰安排. 对于乐队演唱会. 短笛，第一长笛，第二长笛，双簧管，英国管，巴松管，Contrabassoon，降E单簧管，一降B调单簧管，2降B调单簧管，三降B调单簧管，降E中音单簧管，降B低音单簧管，低音提琴单簧管，高音萨克斯，中音萨克斯，次中音萨克斯，Bariton. 乐队音乐. 五年级. 得分和零件. 持续时间11. 00. 发布时间由C.艾伦出版物. CN.R10039. Grainger的热情人文弗兰克的合唱团第2的设置是唯一适合于现代音乐会乐队的资源. 他不想乐队听起来像一个器官. 相反，他创造了一个丰富的，声音如响度类似于D小调交响曲的管弦乐音色. 这是迄今为止他最雄心勃勃的得分. 在15分钟，塞萨尔弗兰克岁. 1822-1890. 从他的家乡比利时游历，研究机构和组成在巴黎音乐学院. 他留在巴黎，他的余生，担任教堂的管风琴和钢琴教学和器官. 1872年，在50岁的时候，他被任命机关在音乐学院教授. 同年，他创作了他受欢迎的潘尼斯Angelicus，并因此变得更广为人知作为一个作曲家. 在过去十一年他的生活，他写了大部分他的作品包括交响变奏曲，小提琴奏鸣曲，以及D小调交响曲. 而此时的法国音乐往往在光的性格，他是认真的，深刻的. 弗兰克的最后和最终的成就是三Chorals器官. 已完成的手稿是在他的指尖为牧师赶到管理最后的仪式. 三Chorals被组织形式的变化. 他们不是尽量简短巴赫的教堂chorals，而是扩展交响成分. 史怀哲曾评论说：“在现代法国文学器官的诗歌仅仅意味着一个正式的，高尚的主题是幻想. “管风琴合唱2号适合施韦泽的描述. 音乐包含对D小调交响曲，英雄片的器官，和小提琴奏鸣曲，以及对弗兰克的八福基督动机的设置. 115酒吧和酒吧274. 第二届合唱打开一个夏康舞曲风格的低音主题. 旋律先后通过低音和高音的声音导致了抒情的第二主题. 酒吧65. 这个新的主题，通过一系列穿插穿插到达了盛大，名家华彩的发展. 127吧. 在恰空变化恢复，继续展开，直到第一和第二主题组合. 195吧. 更加激烈和复杂的变异导致的开头题材强大的最后陈述. 259吧. 音乐与总结的基础上，“基督的动机招标，凄美的结尾. “首先执行由特洛肯乐队的合唱2号Grainger的设定上1942年7月12日. 进行格兰杰. 有趣的是要注意，五年前在特洛肯，格兰杰曾经在一个乐队的安排由他的朋友拉尔夫·利奥波德进行的第一次弗兰克管风琴合唱. 利奥波德的安排可能是一种动力，为第二届合唱的Grainger的设置. 完全是另一因素可能是作曲家的忧虑超过第二次世界大战的爆发。 1940年，珀西和Ella格兰杰离开他们的家在White Plains逃离纽约市地区的所谓漏洞. 他们选择了斯普林菲尔德，密苏里州，假定从敌人的空中安全和海军攻击. 这是不难想像，他希望他的学生分享爱情弗兰克的愈合消息，希望重申，和平. 甄特洛计划覆盖的专业版功能，Grainger的图片与下面的题字. 一个人的天才，力量和成就，并享誉整个荣获世界谁到我们整个赛季的一个真正的绅士和优秀的老师的耐心难得的甜蜜简洁，具有巨大的智力预计远远超出了我们的小问题，但具有广泛同情和理解我们之间的最低级. 他的访问是一种特权，我们卑微的希望优点.