活页乐谱 $19.95

原文

Concerto b minor, Op. 104. Antonin Dvorak. Cello Solo sheet music. Piano sheet music.

译文

协奏曲B小调，作品。 104. 德沃夏克. 大提琴独奏乐谱. 钢琴乐谱.

原文

Concerto b minor, Op. 104 composed by Antonin Dvorak. 1841-1904. For solo cello, orchestra. cello solo, orchestra. Stapled. The Complete Works of Antonin Dvorak III. 12. Czech title. Koncert pro violoncello a orchestr h moll op. 104. Classical. Piano reduction. Publication language. Czech. German. English. French. Opus 104. Published by Editio Baerenreiter Praha. PA.H1200. ISBN 9790260103320. With Publication language. Czech. German. English. French. Classical. 31 x 23.5 cm inches. The concerto for Cello and Orchestra in B minor Op. 104 is undoubtedly one of the most popular works from the worldwide cello repertoire, and it is the last composition by Dvorak. 1841-1904. composed in America during his three year stay there when he worked as the Head of the National Conservatoire of Music in New York. 1892-1895. It is interesting to note that the composer, who was not particularly fond of the cello as a solo instrument since he was convinced that this instrument can be beautiful only in the orchestra and chamber music as it is only the instrument's central pitch which is refined. as he once commented 'up there it mumbles and down there it rumbles'. composed for the cello this concerto which is sincerely and heartily admired by artists and the public all over the world. The published work is a critical edition following the composer's manuscript. the presented edition uses the newer way of notation for the cello only exceptionally at the direct transition points from the bass clef to the treble clef, in these cases the cello sounds as it has been noted down.

译文

协奏曲B小调。 104德沃夏克组成. 1841-1904. 为独奏大提琴，管弦乐团. 大提琴独奏，管弦乐团. 装订. 德沃夏克三全集. 12. 捷克冠军. Koncert亲大提琴一个orchestrħ莫尔运. 104. 古典. 钢琴减少. 出版语言. 捷克语. 德语. 英语. 法国人. OPUS 104. 出版Editio Baerenreiter布拉格. PA.H1200. ISBN 9790260103320. 随着出版语言. 捷克语. 德语. 英语. 法国人. 古典. 31 x 23.5公分英寸. B小调作品的b小调大提琴协奏曲和管弦乐团。 104无疑是来自世界各地的大提琴曲目中最受欢迎的作品之一，它是由德沃夏克的最后一个组成. 1841-1904. 他3年的呆在那里，当时他担任国立音乐音乐学院在纽约期间，负责在美国组成. 1892-1895. 这是值得注意的作曲家，谁是不是特别喜欢大提琴的独奏乐器，因为他深信，这种仪器只能在乐队和室内乐是美丽的，因为它是唯一的乐器的中心节点即为成品. 因为他曾说“在那里它喃喃自语，下有它隆隆'. 组成的大提琴协奏曲这是真诚和衷心的艺术家推崇和公众在世界各地. 出版工作是按照作曲家的手稿一个关键版. 所提出的版本使用符号的大提琴唯一例外的从低音谱号的高音谱号的直接转换点的新方式，在这些情况下，大提琴的声音，因为它已经被记录下来.