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原文

Johann Sebastian Bach. Wehage Goldberg Variations, BWV 988, arranged for SATB saxophone Quartet, tenor saxophone part. Johann Sebastian Bach. Tenor Saxophone sheet music. Advanced.

译文

约翰·塞巴斯蒂安·巴赫. Wehage戈德堡变奏曲，BWV 988，安排SATB萨克斯四重奏，中音萨克斯管的一部分. 约翰·塞巴斯蒂安·巴赫. 次中音萨克斯乐谱. 先进.

原文

Johann Sebastian Bach. Wehage Goldberg Variations, BWV 988, arranged for SATB saxophone Quartet, tenor saxophone part composed by Johann Sebastian Bach. 1685-1750. Arranged by Paul Wehage. For Saxophone,Woodwind Quartet. Baroque Period,Repertoire. Advanced Intermediate. Individual Part. Published by Musik Fabrik. S0.31917. The Aria with 30 variations which form the work which is known as the « Goldberg » variations is one of the greatest works of Bach. It is his only work which uses the form of variations and through three series of ten variations each, it explores a myriad of musical genres and styles. The initial Aria, which seems to be rather trite and banal at the beginning of the work, is magnified through these transformations and the da capo at the end brings us back to the beginning, which has been changed by the musical journey itself. As a sort of musical « initiation », it has become a work which sparks the imagination and which creates an atmosphere all it’s own. The story of how the work came to be written has to come to us through Bach’s first biographer, Johann Nikolaus Forkel in 1805, seventy-five years after the death of Bach. It would seem that a certain Count Keyserlingk, the Russian Ambassador to the Court of Dresden, had difficulty sleeping and asked Bach to compose a work which his protégé, a harpsichord virtuoso by the name of Goldberg, could play in a salon near his bedroom to help him sleep in the evening. For this commission, Bach was to receive the largest fee of his life, a hundred louis d’or in a golden goblet. It would seem that this story is perhaps more of a legend than anything else, as no goblet was found in Bach’s estate at the end of his life and no documented proof of this story has been found. Goldberg was indeed a student of C. P. E Bach, Bach’s son and the son might have asked his father to write these works for his brilliant student. No manuscript for the Goldberg Variations exists, only a first edition corrected in the hand of Bach which contains certain tempo indications and other markings. The first edition also carried the following title. « Clavierübung, consisting of an Aria with diverse variations for the Harpsichord with two manuals composed for music lovers to refresh their spirits by J. S. Bach ». In this version for Saxophone Quartet, it is important to remember that Bach was writing for the harpsichord and not for the Piano-forte. Bach did indeed know of the Piano-forte and played one of the first instruments produced, but it would seem that he did not care much for this new instrument. To find something akin to the precise, clearly defined attacks of the harpsichord, precise articulation and clarity of sound must be the first priority. In general, even in the slowest movements, the attacks must take precedent over all other elements of performance. If the need for clarity of line and precision of attack is respected, the inherent musicality contained in the work should be evident, even in this new form. As Bach himself transcribed many of his own works and those of others, I would like to hope that he would find this question to be interesting and the results to be surprising. Digital Print is printable sheet music available anytime, anywhere. Just purchase, print and play. View your online sheet music at home, school, work or anywhere you have a computer connected to the Internet. Use our iPad app to view your digital sheet music on the go. With Digital Print, you can print your digital sheet music immediately after purchase, or wait until its convenient. And our software installation is easy - we'll guide you through the simple steps to make sure you have Adobe Flash Player, Adobe AIR and the Sheet Music Plus AIR application.

译文

约翰·塞巴斯蒂安·巴赫. Wehage Goldberg Variations, BWV 988, arranged for SATB saxophone Quartet, tenor saxophone part composed by Johann Sebastian Bach. 1685-1750. 由保罗Wehage安排. 对于萨克斯管，木管四重奏. 巴洛克时期，剧目. 高级中级. 个人部分. 出版MUSIK Fabrik公司. S0.31917. 30变异而形成被称为«戈德堡»变化工作的咏叹调是巴赫最伟大的作品之一. 这是他的，它使用的变化，并通过三个系列的每十几种变化的只是形式的工作，探索音乐流派和风格的无数. 最初的咏叹调，这似乎是相当陈腐老套，并在工作的开始，通过这些转换放大，并在年底的初音岛把我们带回到开始的时候，已经由音乐之旅本身的改变. 作为一种音乐«开始»，它已成为一个工作而火花的想象和创造的气氛都它自己的. 如何工作来写这个故事有过巴赫的第一传记，约翰·尼古拉斯Forkel于1805年，巴赫的死亡75年后，到我们这里来. 这似乎是某种计数Keyserlingk，俄罗斯驻德累斯顿法院，有困难的睡眠和要求巴赫谱写其中他的门生，大键琴演​​奏家由戈德堡的名称，可以在沙龙发挥靠近他的卧室里工作. 对于这个委员会，巴赫是接受他的生命中最大的费用，一个个路易D'或金色高脚杯. 这似乎是这个故事也许更多的是传说中比什么都重要的，因为没有高脚杯中发现了巴赫的房地产在他生命的结束，这个故事没有任何证据证明已经发现. 戈德堡，确实是CPË巴赫的学生，巴赫的儿子和儿子会问他的父亲写这些作品为他的高才生. 没有手稿的戈德堡变奏曲存在，在巴赫的手修正只是第一版，其中包含一定的速度指示等标志. 第一版还开展了以下标题. «Clavierübung，由一个咏叹调之一，在大键琴多样化的变化有两个手册组成的音乐爱好者通过JS巴赫刷新他们的精神». 在这个版本中的萨克斯四重奏，它要记住，巴赫写了大键琴，而不是为钢琴拿手好戏是非常重要的. 巴赫确实知道钢琴长处和发挥生产的第一手段之一，但它似乎他并不太关心这个新仪器. 为了找到一个类似于大键琴，吐字准确和清晰的声音的准确，清晰地定义攻击必须是首要任务. 在一般情况下，即使是在最慢的动作，这些攻击必须优先于对性能的所有其他元素. 如果有必要明确线和精确攻击的尊重，包含在工作中的固有的音乐性应该是显而易见的，即使在这种新形式. 巴赫亲自抄录了许多自己的作品和别人的，我想希望他会觉得这个问题很有趣，结果是令人惊讶. 数码打印是打印乐谱可随时随地. 刚刚购买，打印和播放. 查看您的在线乐谱在家庭，学校，工作或任何地方您有连接到Internet的计算机. 使用我们的iPad应用程序，以在路途中欣赏您的数字乐谱. 随着数码打印，你可以购买后立即打印您的数字乐谱，或者等到它的方便. 而我们的软件的安装是很容易 - 我们将引导您通过简单的步骤，以确保你有安装Adobe Flash Player，Adobe AIR和本乐谱加AIR应用程序.