活页乐谱 $65.00

原文

Air Mail Special. Benny Goodman. Guitar sheet music. B-Flat Trumpet sheet music. Clarinet Solo sheet music. Drums sheet music. Percussion sheet music. Piano sheet music. Trombone sheet music. Advanced.

译文

空邮特. 本尼·古德曼. 吉他乐谱. 降B大调小号乐谱. 单簧管独奏乐谱. 鼓乐谱. 锣鼓乐谱. 钢琴乐谱. 长号乐谱. 先进.

原文

Air Mail Special by Benny Goodman. Edited by Jeffrey Sultanof. Arranged by Jimmy Mundy. For big band. Solo Clarinet, 2 Alto Saxophones, 2 Tenor Saxophones, Baritone Saxophone, 4 Trumpets, 2 Trombones, Guitar, Piano, Bass, Drums. Swing. Medium Difficult. Score and parts. Published by Jazz Lines Publications. JL.JLP-8206. In 1941, Benny Goodman led the second of his great ensembles. Only Teddy Wilson, Irving Goodman, and arranger Jimmy Mundy remained from the 1935-39 band that jump-started the swing era of popular music. This band still played the music of Fletcher Henderson, but Eddie Sauter was contributing a great deal to its musical personality. This band would also highlight the early work of pianist. arranger Mel Powell. Air Mail Special was originally titled Good Enough To Keep , which was recording session-speak for "This may not be the performance that we want to release to the public, but let's hold on to it just in case. " Many of these alternate performances were eventually released to the public, in many cases to the consternation of the musicians themselves, who didn't enjoy some of their lesser efforts being heard. Of course, some alternate performances are better than the ones that were released, only held back because of a single mistake. It was Mundy who arranged this for the Goodman band, and he is even cut in on composer credit, a generous gesture on Benny's part, who also took a piece for himself. As we know, the tune was the sole creation of guitarist Charlie Christian, who wrote a number of pieces that Goodman played mostly in small-group settings. Mundy also arranged this for Count Basie and Harry James, and played it when he led his own big band in 1946. Please note that this is the complete arrangement from the original parts in the Benny Goodman library. Some sections were cut by Goodman, but restored here. Mundy makes interesting use of stop-time in this arrangement, and these sections should get extra attention so that the band sounds like one person. This arrangement, like all of Goodman's arrangements, was meant to be danced to, so it really should not be played too fast.

译文

航空邮件由特殊本尼·古德曼. 由Jeffrey Sultanof编辑. 由吉米·瑟曼安排. 对于大乐队. 独奏单簧管，2中音萨克斯風，2次中音萨克斯，上低音萨克斯，小号4，2长号，吉他，钢琴，贝斯，鼓. 摇摆. 中等难. 得分和零件. 发布者：Jazz线出版物. JL.JLP-8206. 1941年，本尼·古德曼带领他的伟大乐团第二. 只泰迪威尔逊，欧文·古德曼和编曲吉米·瑟曼仍从1935年至1939年的乐队，跳开始了流行音乐的摇摆时代. 该乐队还演奏弗莱彻亨德森的音乐，但埃迪·绍特是造成了很大的它的音乐个性. 这个乐队也将凸显钢琴家的早期工作. 编曲梅尔·鲍威尔. 空邮特殊最初题为好足以让，这是记录会话代言“这可能不是我们想要向公众公布业绩，但是让我们抓住它，以防万一. “许多这些替代的表演最终被公布于众，在很多情况下，以音乐家自己，谁不享受被听到了他们的努力较轻的惊愕. 当然，一些备用的表演是因为一个错误就比被释放，只有忍住了那么一点点. 这是芒迪谁安排这对于古德曼乐​​队，他是连斩在作曲家的信用，在Benny的一部分，谁也拿了一块给自己一个慷慨的姿态. 正如我们所知，调是吉他手查理基督徒，谁写一个数字，古德曼在小团体设置大多扮演作品的唯一创作. 芒迪还安排这对贝西伯爵和哈里·詹姆斯，并发挥它，当他率领自己的大乐队在1946年. 请注意，这是从原来的零件在本尼·古德曼库的完整安排. 有些部分是由古德曼削减，但在这里恢复. 芒迪使得这种安排有趣的应用停止时间，并且这些部分应该得到格外的关注，使乐队听起来像一个人. 这样的安排，像所有的古德曼的安排，是为了要跳舞来，所以它真的不应该打的太快.