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原文

Creative Comping Concepts for Jazz Guitar. Electric Guitar sheet music. Advanced.

译文

创意文夹观看更大概念的爵士吉他. 电吉他乐谱. 先进.

原文

Creative Comping Concepts for Jazz Guitar composed by Mark Boling. For Guitar. All. Saddle-stitched, Rhythm. Backup. Private Lessons Series. Jazz. Intermediate-Advanced. Book. CD Set. 40 pages. Published by Mel Bay Publications, Inc. MB.20414BCD. ISBN 9780786671861. Jazz. 8.75 x 11.75 inches. Pianists are the main sources of inspiration for new developments in jazz guitar comping. Yet guitarists have been slow to develop a comping vocabulary with harmonic sophistication, subtle voiceleading, and rhythmic flexibility on the level of the best contemporary pianists. This book seeks to remedy the situation by articulating a comping vocabulary in the context of six of the most often played tunes in jazz. 12-bar blues, rhythm changes, minor blues, a modal tune, and a couple of standards. The comps are written out in notation and tablature and include rhythms with forward motion, chords built in fourth intervals, parallel constant structure voicings, polychords, slash chords, etc. The focus is on developing a contemporary approach to rhythm, phrasing, chord voicings, voiceleading, chord substitution, and reharmonization. A play-along CD recording of the guitar comps with bass and drums helps get the sounds and rhythms in your ear. The theory of how the comping concepts are applied to the music is explained, with ideas on how to use them creatively. Introduction. Acknowledgements. Rhythm. Phrasing. Texture. CHORD VOICINGS. Voicings in Thirds. Drop-2 and Drop-3 voicings. Guide Tone Voicings. Voicings in Fourths. Voicings in Fourths and Pentatonic Scales. Voicings Derived from the Minor 6 Pentatonic Scale. Voicings Using Combinations of Intervals. Slash Chords. Polychords. VOICELEADING. Common Tones. Direction of Top Voice. Parallel Motion with Constant Structure Voicings. Intervallic Voiceleading. CHORD SUBSTITUTION AND REHARMONIZATION. Diatonic Substitution from the Third. Diatonic Passing Chords. Add a Related Ilmi7 Before Any Dominant 7. Alter Dominant 7 Chords That Resolve Down a Perfect 5th. Chromatic Approach. Dominant Approach. Cycle of Dominants as a Reharmonization Technique. Cycle of II-Vs as a Reharmonization Technique. Chromatically Ascending 4th. Monet. C Minor Blues. Blues In F. Rhythmystic. Soul Three. Whole Nother Standard.

译文

创意作曲概念的爵士吉他马克组成博陵. 对于吉他. 所有. 骑马订，节奏. 备用. 私人课程系列. 爵士乐. 中级 - 高级. 书. CD套装。 40页. 发布时间由梅尔海湾出版公司. MB.20414BCD. ISBN 9780786671861. 爵士乐. 8.75 x11.75英寸. 钢琴家们灵感的新发展的主要来源在爵士吉他文夹观看更大. 然而，吉他手却迟迟没有制定一个作曲的词汇与谐波复杂，微妙voiceleading，并在最好的当代钢琴家的水平有节奏的灵活性. 这本书试图通过六个最经常播放的曲调在爵士乐的背景下阐述一个作曲的词汇来亡羊补牢. 12小节布鲁斯，节奏的变化，轻微蓝调，模态调，和一对夫妇的标准. 该谱曲写出来的符号和指法，并包括与节奏向前移动，建于第四区间，平行固定结构声部，po​​lychords，斜线和弦和弦等. 重点是发展现代方法的节奏，乐句，和弦声部，voiceleading，弦替换和reharmonization. 一出戏，沿CD录制吉他谱曲与贝司和鼓的帮助得到你的耳朵的声音和节奏. 如何作曲概念应用到音乐的理论进行了说明，与想法，关于如何使用这些创造性. 介绍. 致谢. 韵律. 措词. 质地. 和弦声部. 在三分之二的voicings. 落2和Drop-3声部. 导音声部. 在四分之三的voicings. 在四度和五音阶声部. 声部由未成年人6五声音阶衍生. 声部使用间隔的组合. 斜线和弦. Polychords. VOICELEADING. 常见的音. 热门语音方向. 平行移动与固定结构的voicings. 音程Voiceleading. 和弦替代与REHARMONIZATION. 从三全音替代. 全音阶和弦传递. 添加相关Ilmi7之前的任何显性7. 改变显性7和弦，以便于解决下一个完美的第5. 色法. 主要方法. 占优势的周期为Reharmonization技术. 二，比作为Reharmonization技术周期. 色递增4日. 莫奈. C小调蓝调. 蓝调使用F. Rhythmystic. 三魂. 整体诺特尔标准.