活页乐谱 $14.99

原文

Vivaldi Concerto Op. 3 No. 10 - L'Estro Armonico. Acoustic Guitar sheet music. Classical Guitar sheet music. Intermediate.

译文

维瓦尔第协奏曲作品3第10号 - L'雌ARMONICO. 木吉他乐谱. 古典吉他乐谱. 中间.

原文

Vivaldi Concerto Op. 3 No. 10 - L'Estro Armonico. Arranged for Guitar Quartet. Composed by Elias Barreiro. For Guitar. Classical. Perfect binding, Ensemble. Mixed. Bill's Music Shelf. Classic. Intermediate. Book. 40 pages. Published by Mel Bay Publications, Inc. MB.95577. ISBN 9780786606757. Classic. 8.5 x 11 inches. The tenth concerto in B minor in L'Estro Armonico. best translated as The Harmonious Inspiration. , which is edited here in A minor - for four solo guitars - is one of the most famous in the entire collection -- indeed, in Vivaldi's entire output. Scored for four solo violins, two solo violas, solo violoncello, and an strings orchestra. Johann Sebastian Bach not only admired Vivaldi's Opus 3. he copied it openly. In a general sense the Vivaldi pieces gave impetus to much that is in the German master's Brandenburg Concertos. More particulary, six concertos of Vivaldi's Opus 3 were copied by Bach as the basis for six of his concertos. two for 0rgan. BWV 593 and 596 based on Opus 3 nos. 8 and 11 respectively. , three for solo harpsichord. BWV 978, 972, and 976 based on Opus 3 nos. 3, 9, and 12 respectively. , and one for four harpsichords and orchestra, in A minor. BWV 1065 based on Opus 3 no. 10. Bach frequently rewrote concertosscored for one kind of instrument, substituting another. It is evident that Bach thought not so much in terms of the violinistic nature of the originals but in their harmonic and rhythmic potential which could be realized on any instrument. Since Bach has already justified an arrangement of Opus 3 number 10 by the great aesthetic success of his four-harpsichord version, it serves to reason that an arrangement for four guitars is equally valid. Just as Bach preserved everything of the original Vivaldi and added only a few doubling to accomodate the left hands of the harpsichordists, so in this version the substitution of guitars is done with little or no change of original-notes. The arpeggios especially prominent in the second movement lend themselves ideally to guitar playing, and the ability of the guitar to play both lyrical lines as well as passage work suits the violinistic lines and passages of the original.

译文

维瓦尔第协奏曲作品3第10号 - L'雌ARMONICO. 安排了吉他四重奏. 埃利亚斯巴雷罗组成. 对于吉他. 古典. 完美的结合，合奏. 混合. 比尔的音乐保质. 经典. 中间. 书. 40页. 发布时间由梅尔海湾出版公司. MB.95577. ISBN 9780786606757. 经典. 8.5 x 11英寸. 第十协奏曲B小调的L'雌ARMONICO. 最佳翻译为和谐的启示. ，这是编辑在这里A小调 - 四独奏吉他 - 是最有名的整个集合于一体 - 实际上，在维瓦尔第的整个输出. 拿下四个独奏小提琴，二独奏中提琴，大提琴独奏，以及弦乐团. 约翰·塞巴斯蒂安·巴赫不仅钦佩维瓦尔第的作品3. 他抄了一遍公开. 在一般意义上的维瓦尔第作品曾推动许多是在德国大师的勃兰登堡协奏曲. 更格外，维瓦尔第的作品3六协奏曲是巴赫复制为基础，他的六个协奏曲. 二为0rgan. 基于作品3号BWV 593和596. 分别为8和11个. ，三为大键琴独奏. 基于作品3号BWV 978，972，和976. 3，图9和12分别. ，一个四个大键琴与乐队，A小调. BWV 1065基于作品3无. 10. 巴赫经常重写了concertosscored的一种仪器，以另一. 显然，巴赫认为没有那么多的原稿的violinistic性质而言，但在他们的和声和节奏潜力，可以实现在任何设备. 由于巴赫已经有道理的作品3号10由他的四个大键琴版的巨大成功审美的安排，它的作用是合乎道理的四个吉他安排是同样有效. 正如巴赫保存了原始的维瓦尔第的一切，只加了几个一倍以适应harpsichordists的左手，所以在这个版本的吉他的替代是与原始票据很少或没有做改变. 该琶音在第二乐章尤为突出借给自己的理想，以吉他演奏和吉他的演奏​​既抒情线以及通道工作的能力适合原来的violinistic线和通道.