活页乐谱 $26.99

原文

American Primitive Guitar. Fingerpicking Guitar sheet music. Intermediate.

译文

美国原始吉他. 指弹吉他乐谱. 中间.

原文

American Primitive Guitar composed by John Fahey. For Guitar. Fingerpicking. Saddle-stitched, Solos. Grossman Audio. American. Intermediate. Book. 3-CD Set. 56 pages. Published by Grossman's Guitar Workshop. MB.99802BCD. ISBN 9780786662081. American. 8.5 x 11 inches. In this series for the intermediate guitarist, John Fahey teaches a wide variety of instrumental solos. Critics have called John's style American Primitive Guitar. The book includes tablature and notation with three compact discs featuring note-by-note, phrase-by-phrase instruction. LESSON ONE. A general discussion of pattern picking and the use of the alternate bass. In Christ There Is No East Or West, Take A Look At That Baby and Some Summer Day. LESSON TWO. One of John's most requested multi-sectioned composition is Indian Pacific Railroad Blues, also known as Beverley. This tune demonstrates how John composes in the fingerpicking idiom. Also taught is another very requested and imitated instrumental, John's The Last Steam Engine Train. LESSON THREE. When The Springtime Comes Again and The Approaching Of The Disco Void. A discussion of improvisational ideas in relationship to fingerstyle compositions concludes this lesson. BOOK CONTENTS. Blood On The Tracks by Edwin Pouncey. Explanation of the Tab System. In Christ There Is No East Or West. Take a Look at That Baby. Some Summer Day. Indian Pacific Railroad Blues. The Last Steam Engine Train. When The Springtime Comes Again. The Approaching Of The Disco Void. CD Track Listings. LESSON ONE. Track 1. Introduction and discussion on fingerpicks. Track 2. Performance of In Christ There Is No East or West played slowly. Track 3. Performance of In Christ There Is No East or West played fast. Track 4. Introduction to In Christ There Is No East or West. Track 5. Tuning. Track 6. Teaching of first eight bars of In Christ There Is No East or West. Track 7. Plays slowly first eight bars of In Christ There Is No East or West. Track 8. Plays slowly from end of eighth bar to end of In Christ There Is No East or West. Track 9. Plays slowly complete arrangement of In Christ There Is No East or West. Track 10. Plays at medium tempo complete arrangement of In Christ There Is No East or West. Track 11. Plays up tempo complete arrangement of In Christ There Is No East or West. Track 12. Discussion of alternating bass and pattern picking. Track 13. Performance of Take A Look At That Baby. Track 14. Tuning. Track 15. Teaching of Take A Look At That Baby. Track 17. Closing thoughts on Take A Look At That Baby. Track 18. Performance of Some Summer Day. Track 19. Tuning. Track 20. Teaching of first eight bars of first section of Some Summer Day. Track 21. Plays slowly first eight bars of first section of Some Summer Day. Track 22. Teaching from ninth bar to end of first section of first eight bars of first section of Some Summer Day. Track 23. Plays slowly first section of Some Summer Day. Track 24. Teaching of first eight bars of second section of Some Summer Day. Track 25. Plays slowly first eight bars of second section of Some Summer Day. Track 26. Plays first eight bars of second section again of Some Summer Day. Track 27. Teaching from ninth bar to end of second section again of Some Summer Day. Track 28. Plays slowly second section of Some Summer Day. Track 29. Teaching of Coda and closing thoughts on Some Summer Day. LESSON TWO. Track 1. Introduction to Indian Pacific Railroad Blues. Track 2. Performance of Indian Pacific Railroad Blues. Track 3. Tuning. Track 4. Teaching of first four bars of first section of Indian Pacific Railroad Blues. Track 5. Plays slowly first six bars of first section of Indian Pacific Railroad Blues. Track 6. Teaching of seventh and eighth bars of first section of Indian Pacific Railroad Blues. Track 7. Plays slowly first eight bars of first section of Indian Pacific Railroad Blues. Track 8. Teaching of ninth bar to end of first section of Indian Pacific Railroad Blues. Track 9. Teaching of second section of Indian Pacific Railroad Blues. Track 10. Plays slowly first, second and third sections of Indian Pacific Railroad Blues. Track 11. Teaching of fourth section of Indian Pacific Railroad Blues. Track 12. Plays slowly fourth section of Indian Pacific Railroad Blues. Track 13. Plays slowly again fourth section of Indian Pacific Railroad Blues. Track 14. Teaching of fifth section of Indian Pacific Railroad Blues. Track 15. Plays slowly fifth section of Indian Pacific Railroad Blues. Track 16. Teaching of sixth section of Indian Pacific Railroad Blues. Track 18. Plays slowly again sixth section of Indian Pacific Railroad Blues. Track 19. Plays slowly seventh section of Indian Pacific Railroad Blues. Track 20. Plays up to tempo second section of Indian Pacific Railroad Blues. Track 21. Performance of The Last Steam Engine Train. Track 22. Teaching of Intro and first section of The Last Steam Engine Train. Track 23. Plays slowly end of first section of The Last Steam Engine Train. Track 24. Plays slowly intro and first section of The Last Steam Engine Train. Track 25. Teaching of opening bars of second section of The Last Steam Engine Train. Track 26. Plays slowly second section of The Last Steam Engine Train. Track 27. Teaching of second section of The Last Steam Engine Train. Track 28. Plays second section slowly of The Last Steam Engine Train. Track 29. Discussion of origins of The Last Steam Engine Train. Track 30. Plays at medium tempo complete arrangement of The Last Steam Engine Train. Track 31. Closing thoughts on The Last Steam Engine Train. LESSON THREE. Track 1. Introduction to When The Springtime Comes Again. Track 2. Tuning. Track 3. Performance of When The Springtime Comes Again. Track 4. Teaching of first section of When The Springtime Comes Again. Track 5. Plays slowly first section of When The Springtime Comes Again. Track 6. Teaching of opening second section of When The Springtime Comes Again. Track 7. Plays slowly opening of second section of When The Springtime Comes Again. Track 8. Teaching of first to forty first bars of second section of When The Springtime Comes Again. Track 9. Plays slowly second section of When The Springtime Comes Again. Track 10. Teaching of third section of When The Springtime Comes Again. Track 11. Plays slowly third section of When The Springtime Comes Again. Track 12. Performance of The Approaching of the Disco Void. Track 13. Tuning to D A D F A D. Track 14. Teaching of first section of The Approaching of the Disco Void. Track 15. Plays slowly first section of The Approaching of the Disco Void. Track 17. Plays slowly second section of The Approaching of the Disco Void. Track 18. Plays slowly again second section of. Track 19. Teaching of third section of The Approaching of the Disco Void. Track 20. Plays slowly third section of The Approaching of the Disco Void. Track 21. Plays variations in third section of. Track 22. Plays up to tempo variations for The Approaching of the Disco Void. Track 23. Teaching of coda of The Approaching of the Disco Void. Track 24. Teaching of variations for The Approaching of the Disco Void. Track 25. Plays slowly examples of variations for The Approaching of the Disco Void. Track 26. Plays more examples of variations for. Track 27. Plays yet more examples of variations for. Track 28. Closing thoughts on The Approaching of the Disco Void.

译文

美国原始吉他由约翰·费伊组成. 对于吉他. 指弹. 骑马订，独奏. 格罗斯曼音频. 美国人. 中间. 书. 3-CD套装。 56页. 出版格罗斯曼的吉他研讨会. MB.99802BCD. ISBN 9780786662081. 美国人. 8.5 x 11英寸. 在这一系列的中间吉他手，约翰·费伊教授各种器乐独奏. 评论家们称为约翰的美国风格原始吉他. 这本书包括指法和符号有三个光盘特色钞由音符，词组的短语指令. 第一课. 图案采摘和一般讨论使用备用低音. 在基督里有没有向东或向西，看看那个婴儿和一些夏季的一天。第二课. 一个约翰的最要求的多分段组成是印度太平洋铁路蓝调，也被称为贝弗利. 这首曲子演示约翰如何组成的指弹成语. 还教是另一种非常要求和模仿乐器，约翰是最后的蒸汽机火车. 第三课. 当春天再来时和即将到来的迪斯科虚空. 即兴想法关系指弹组成的讨论总结本节课. 本书内容. 血液在由Edwin Pouncey该曲目. 该选项卡系统的说明. 在基督里有没有向东或向西. 看看那婴儿. 一些夏季的一天. 印度太平洋铁路蓝调. 最后的蒸汽机火车. 当春天又来了. 即将到来的迪斯科虚空. CD专辑曲目：. 第一课. 音轨1. 介绍和讨论fingerpicks. 轨道2. 在基督里的表现也没有东方或西方慢慢玩. 轨道3. 在基督里的表现也没有东方或西方打得风生水起. 轨道4. 介绍了在基督里有没有东方还是西方. 轨道5. 调音. 轨道6. 没有东方或西方的第一个八小节在基督里的教学. 轨道7. 慢慢地播放前八条在基督里的，没有东方还是西方. 轨道8. 播放慢慢地从第八栏年底在基督到底有没有东方还是西方. 轨道9. 播放在基督里慢慢完整的安排，没有东方还是西方. 轨道10. 戏剧在在基督里的中等节奏的安排完全没有东方还是西方. 轨道11. 发挥了在基督里的节奏完全布置有没有东方还是西方. 音轨12. 讨论交流低音和模式采摘. 音轨13. 性能以看看这个宝贝. 音轨14. 调音. 音轨15. 教学以看看这个宝贝. 音轨17. 在闭幕的想法就拿看看那个婴儿. 音轨18. 有些夏日的表现. 音轨19. 调音. 轨道20. 第一八小节一些夏日的第一部分教学. 音轨21. 慢慢地起着开头八小节一些夏日的第一部分. 音轨22. 从第九栏教学的第一个八小节一些夏日的第一部分的第一部分结束. 音轨23. 播放一些夏日慢慢第一节. 轨道24. 第一八小节一些夏日的第二部分教学. 音轨25. 慢慢地起着开头八小节一些夏日的第二部分. 轨道26. 再次播放一些夏日的第一个八小节第二部分. 音轨27. 从第九栏教学结束第二部分又有些夏季的一天. 轨道28. 播放一些夏日的徐徐第二部分. 音轨29. 科达的教学和关闭的一些夏日的想法. 第二课. 音轨1. 介绍了印度太平洋铁路蓝调. 轨道2. 印度太平洋铁路蓝调的表现. 轨道3. 调音. 轨道4. 第一四间酒吧印度太平洋铁路蓝军首节教学. 轨道5. 播放印度太平洋铁路蓝军首节缓缓前六棒. 轨道6. 印度太平洋铁路蓝调第一部分第七和第八条教学. 轨道7. 慢慢地起着开头八小节的印度太平洋铁路蓝调第一节. 轨道8. 第九栏教学印度太平洋铁路蓝军首节结束. 轨道9. 印度太平洋铁路蓝调的第二部分教学. 轨道10. 慢慢地起着首先，印度太平洋铁路蓝调的第二和第三部分. 轨道11. 印度太平洋铁路蓝调第四节教学. 音轨12. 播放印度太平洋铁路蓝调慢慢第四节. 音轨13. 播放印度太平洋铁路蓝军再慢慢第四节. 音轨14. 印度太平洋铁路蓝调第五部分教学. 音轨15. 播放印度太平洋铁路蓝调慢慢第五部分. 轨道16. 印度太平洋铁路蓝调第六部分教学. 音轨18. 播放印度太平洋铁路蓝军再慢慢第六部分. 音轨19. 播放印度太平洋铁路蓝调慢慢第七部分. 轨道20. 播放长达节奏印度太平洋铁路蓝调第二部分. 音轨21. 的最后的蒸汽机火车的性能. 音轨22. 介绍和教学的最后蒸汽机火车第一节. 音轨23. 的最后的蒸汽机火车首节戏剧慢慢结束. 轨道24. 戏剧的最后蒸汽机火车慢慢介绍和第一节. 音轨25. 的最后的蒸汽机火车第二部分的开头几个小节的教学. 轨道26. 戏剧的最后蒸汽机火车缓缓第二部分. 音轨27. 的最后的蒸汽机火车第二部分的教学. 轨道28. 播放慢慢的最后蒸汽机火车第二部分. 音轨29. 讨论的最后的蒸汽机火车起源. 轨道30. 播放在最后的蒸汽机火车中等节奏完全安排. 轨道31. 在最后的蒸汽机火车闭幕的想法. 第三课. 音轨1. 简介当春天再来时. 轨道2. 调音. 轨道3. 的当春天再来时的表现. 轨道4. 的当春天又来了首节的教学. 轨道5. 播放的，当春天再来时慢慢第一节. 轨道6. 打开的时候春天又来了第二部分的教学. 轨道7. 播放缓缓开口的时候春天又来了第二部分的. 轨道8. 的当春天又来了第二部分的第一个第四十一条教学. 轨道9. 播放的，当春天再来时慢慢第二部分. 轨道10. 的当春天又来了第三部分的教学. 轨道11. 播放的，当春天再来时慢慢第三部分. 音轨12. 的迪斯科虚空的性能接近. 音轨13. 调谐到D A D F A D. 音轨14. 的迪斯科虚空的临近首节教学. 音轨15. 播放的迪斯科虚空的临近慢慢第一节. 音轨17. 播放的迪斯科虚空的慢慢逼近第二部分. 音轨18. 播放慢慢再第二部分. 音轨19. 的迪斯科虚空的临近第三部分教学. 轨道20. 播放的迪斯科虚空的慢慢接近第三部分. 音轨21. 播放在第三部分的变化. 音轨22. 播放长达节奏变化的迪斯科虚空的临近. 音轨23. 的迪斯科虚空的临近尾声教学. 轨道24. 变化的迪斯科虚空的临近教学. 音轨25. 播放变化的迪斯科虚空的临近慢慢的例子. 轨道26. 起着变化更多的例子. 音轨27. 起着变化还为更多的例子. 轨道28. 在迪斯科虚空的临近闭幕的想法.