活页乐谱 $120.00

原文

Keep Silence. David Gillingham. B-Flat Trumpet sheet music. Bass Trombone sheet music. Horn sheet music. Grade 4.

译文

缄默. 大卫·吉灵厄姆. 降B大调小号乐谱. 低音长号乐谱. 喇叭乐谱. 四年级.

原文

Keep Silence composed by David Gillingham. For concert band. Piccolo, Flute 1. 2, Oboe 1. 2, Bassoon 1. 2, Bb Clarinet 1, Bb Clarinet 2. 3, Bass Clarinet, Eb Alto Saxophone 1. 2, Bb Tenor Saxophone, Eb Baritone Saxophone, Bb Trumpet 1, Bb Trumpet 2. 3, F Horn 1. 2, F Horn 3. 4, Trombone 1, Trombone 2, Bass Trombone, Euphon. Grade 4. Score and parts. Duration 8. 00. Published by C. Alan Publications. CN.09630. Keep Silence is a fantasy for band celebrating a broad range of moods ranging from wonder and mysteriousness to awe and celebration. Based on the French carol melody known as Picardy, the fluctuation between minor and major tonality enhances the broad range of emotions. Keep Silence is a fantasy for band to the tune known as Picardy, a French carol melody. The tune is found in most Protestant hymnals with the words taken from the 4th century liturgy of St. James. The fluctuation between minor and major tonality and the fluctuation between awe and wonder reflected by the words make this hymn particularly attractive. The fantasy attempts to show a broad range of mood from wonder and mysteriousness to awe and celebration. The work begins mysteriously with ascending and descending D-Aeolian. natural minor. lines in the clarinet which give way to the hymn tune presented by solo flute, solo muted trumpet, and bells. The modal passages eventually lead to a transition leading to a presentation of the hymn by the trombone choir accompanied by anxious sixteenths in the flutes, clarinets and keyboard percussion which are based on motivic material from the hymn tune. The timpani interjects some dramatic statements between phrases. This leads to a rather aggressive statement by the brass which doubles each note of the opening motive of the hymn and diminishes the note values to sixteenths. This leads joyously to G-flat major. The volume dramatically decreases and steady sixteenths in the bells and vibraphone accompany the hymn tune played by solo flute with an obligato by solo oboe. The harmony of the hymn tune changes significantly in this presentation, creating a sort of heavenly atmosphere. The aggressive sixteenth notes of the previous transitional section return quite suddenly and grow into fanfare-like majesty and segue into a presentation of the hymn that is predominantly in C-major. The section grows to a pinnacle, modulates to F-minor, and returns to mysteriousness. Muted trumpets present the aggressive transition material in ethereal fashion along with the vibraphone while the low brass and woodwinds play the hymn tune in plaintive somberness. At the end of the tune, the remaining brass burst forth with the transition material and lead to one final statement of the penultimate phrase of the hymn in F-major. A coda follows with brass and woodwinds playing the first and second phrases of the hymn. The brass then begin a sort of benediction loosely based on the penultimate phrase of the hymn followed by euphonium solo on the final phrase, followed by muted trumpet on the second phrase and ending with alto saxophone on the first phrase--the reverse order signifying a return to the reverence of the beginning.

译文

闭口组成，由大卫·吉林厄姆. 对于乐队演唱会. 短笛，长笛1. 2，双簧管1. 2，巴松管1. 2，降B调单簧管1，降B调单簧管2. 3，低音单簧管，降E中音萨克斯1. 2，降B次中音萨克斯，降E中音萨克斯，降B小号1，降B小号2. 3，女角1. 2，F 3角. 4，长号1，2长号，低音长号，Euphon. 四年级. 得分和零件. 持续8. 00. 发布时间由C.艾伦出版物. CN.09630. 保持沉默是一个幻想的乐队庆祝了广泛的情绪从惊讶和神秘性，以敬畏和庆祝. 根据法国颂歌旋律称为皮卡，主要和次要的音调之间的波动增强了范围广泛的情感. 保持沉默是一个幻想的乐队称为皮卡第，法国颂歌旋律的调. 这支曲子是在大多数新教赞美诗与圣雅各福群的第4个世纪的礼仪采取的话发现. 通过的话反映了敬畏和惊奇的主要和次要的音调和波动之间的波动使这首诗歌特别有吸引力. 幻想试图展示范围广泛的情绪从惊讶和神秘性，以敬畏和庆祝活动. 工作神秘始于升序和降序的D-伊奥利亚. 自然小调. 在单簧管线，以赞美诗通过调长笛独奏，独唱静音小号，和铃铛呈现让路. 该模式的通道，最终导致过渡导致演示赞美诗由长号合唱团伴随着这是基于从赞美诗曲调动机的材料的长笛，单簧管和打击乐键盘十六分之急. 定音鼓突然插入短语之间的一些引人注目的言论. 这导致了其中双打每个音符的赞歌开幕动机和削弱了音符值以十六分之黄铜相当积极的声明. 这欢悦导致到G大调. 体积显着减小，在钟声和电颤琴稳步十六分之陪独奏长笛与obligato由双簧管独奏演奏赞美诗曲调. 赞美诗曲调的和谐在此演示文稿显著的变化，营造出某种气氛天堂. 以前的过渡部分的侵略性十六分音符返回相当突然，成长为大张旗鼓般的威严和Segue公司到演示文稿中的赞美诗主要是在C大调的. 本节长到一个巅峰，调制到F小调，并返回到神秘性. 静音喇叭呈现积极的过渡材料随着电颤琴空灵时尚而低的黄铜和木管乐器演奏的哀怨严肃的赞美诗曲调. 在调整结束后，剩下的黄铜迸发的过渡材料，并导致在F-大赞歌的倒数第二句话最后一个语句. 次谓语如下黄铜和木管乐器演奏赞美诗的第一和第二个短语. 黄铜然后开始一种祝福松散的基础上的赞歌之后中音号独奏的最后一句倒数第二句话，其次是静音小号的第二阶段，并与前半句中音萨克斯结束 - 按相反的顺序标志着一个回到开头的崇敬.