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原文

Two Fantasias for Organ. Organ Solo sheet music. Advanced.

译文

两个幻想曲器官. 器官独奏乐谱. 先进.

原文

Two Fantasias for Organ composed by Robert Lind. For organ. General. Medium Difficult. Sheet music. Published by Paraclete Press. PL.0518. Fantasia in C. Inspired by J.S. Bach's "Fantasia in c" BWV 537, this attractive setting of "Fantasia in c" by Chicago composer, Robert Lind sets an appropriate tone for a meditative liturgy, or for use during the penitential season. Utilizing Eighteenth-century harmonic language, the Fantasia is constructed in an ABA form. The A section is replete of sighing motifs, leaps of a minor sixth and graceful melodic gestures. The B section is a short cleverly constructed fugue which, with a carefully chosen tempo and subtle registration, continues the meditative tone set by the opening section. Fantasia in d. Robert Lind's craftsmanship and integrity shine through in this exciting composition. Filled with scalic passage-work, contrary motion chordal passages and interspersed with short fugal sections, "Fantasia in d" traverses several keys, each key change adding to the improvisational momentum. This stately piece set in a romantic harmonic language is for the seasoned organist looking for a thrilling postlude or concert piece. --notes by Maxine Thevenot The counterpoint in both of these pieces is well thought out and could serve as a wonderful model for composition or improvisation. The C minor fantasy includes a short fugue. again, a good model of composition, and one of the better fugues I have seen in my reviewing tenure. These two fantasies are most welcome additions to the repertory. Both works will make one practice, but phrases flow easily and everything fits well under the hands and feet. Get the music and enjoy it. - Richard A. Konzen, D.M.A. "Journal of the Association of Anglican Musicians" March 2005.

译文

两个幻想曲器官由罗伯特·林德组成. 器官. 一般. 中等难. 乐谱. 出版圣灵出版社. PL.0518. 幻想曲C语言. 通过J.S.灵感巴赫的“幻想曲C”BWV 537的“幻想曲C”芝加哥作曲家这个迷人的环境,罗伯特·林德设置忏悔的季节适当的基调冥想礼仪,或使用. 利用十八世纪的和声语言,在幻想曲是在ABA的形式构建. 在一段充满叹息图案的,未成年第六和旋律优美的姿态跨越. B部分是一个简短的构造巧妙神游其中,有精心挑选的节奏和微妙的注册,延续了沉思基调开口部设置. 幻想曲在D. 罗伯特·林德的工艺和完整性彪炳在这个令人兴奋的成分. 充满scalic通道,工作,相反运动弦通道和穿插短遁走曲的部分,“幻想曲D”穿越几个按键,每个按键的变化增加了即兴的势头. 这庄严的一件浪漫的和声语言设置是经验丰富的风琴寻找一场惊心动魄的片尾曲或音乐会曲目. --notes通过玛克辛Thevenot在这两个部分的对位是经过深思熟虑的,并可以作为一个美好的模型组成,或即兴. 在C小调幻想包括短神游. 再次,组成一个很好的模式,以及更好的赋格曲之一,我看到在我的任期内检讨. 这两种幻想者居多增加的剧目. 这两部作品都将进行一次的做法,但短语容易流动和在手和脚都非常适合. 获取的音乐,欣赏它. - 理查德A.康升,D.M.A. “杂志圣公会音乐家协会”2005年3月.
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