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原文

Westward Sentinel. score only. Kimberly Archer. C Trumpet sheet music. Euphonium sheet music. Grade 5.

译文

大话哨兵. 只有得分. 金佰利射手. Ç小号乐谱. 次中音号的乐谱. 五年级.

原文

Westward Sentinel. score only. Euphonium Feature. Composed by Kimberly Archer. For Soloist. with Concert Band. Solo Euphonium, Piccolo, Flute 1, Flute 2, Oboe 1, Oboe 2, Bassoon 1, Bassoon 2, Bb Clarinet 1, Bb Clarinet 2, Bb Clarinet 3, Bb Bass Clarinet, Eb Alto Saxophone 1, Eb Alto Saxophone 2, Bb Tenor Saxophone, Eb Baritone Saxophone, C Trumpet 1, C Trumpet 2,. Band Music. Grade 5. Score only. Duration 14. 45. Published by C. Alan Publications. CN.15751. From its connections to Thomas Jefferson and the Lewis and Clark expedition,to the amazing architectural, engineering, and construction work that brought it to life, Westward Sentinel celebrates the magnificent Gateway Arch in St. Louis. This showpiece for solo euphonium and concert band was written for the USAF Band of Mid-America. From the very first time I saw it with my own eyes, driving through St. Louis in 2000, I have been enthralled by the Gateway Arch. its almost incomprehensible size, its timeless simplicity. When asked to write a piece of music celebrating the Arch and its 40th anniversary, I was overwhelmed. There's simply too much to express, from its connections to Thomas Jefferson and the Lewis and Clark expedition to the amazing architectural, engineering, and construction work that brought it to life. How is it possible, in only one musical work, to capture all of that, much less the majesty of the Arch on a perfect fall day, or backlit by July fireworks, or gently illuminated, silent in the snow. Finally, I realized that rather than try to merely describe the Arch or comment on its history, I would need to explore my personal relationship with it, as a resident of the St. Louis metro area. Therefore, although Westward Sentinel is not exactly programmatic, there are a few images that stayed in my mind as I composed. The first section of the piece speaks to my relationship with the Midwest. I am a native of northern Illinois, where I grew up surrounded by cornfields. This is a significant personal image, of which I have only recently become aware. to stand alone and at peace in the center of a July cornfield under an endless blue sky, breathing the warm summer air, where the only sounds are the subtle hum of insects and the wind rustling the leaves. Now, in my southern Illinois home, there is still corn, but I can also actually see the Arch on the western horizon. Obviously, that changes the feel of my home. with the presence of the Arch, however distant, comes the promise of bustling, urban St. Louis. It is a stark contrast to what I feel as my roots and my place in the world, and yet the Arch definitely calls to me. I love to drive into St. Louis on I-64. The second section of the piece speaks to this journey. Along that stretch of highway between Edwardsville and downtown St. Louis, the Arch teasingly ducks behind hills and buildings, only to burst back into sight, sparkling in the sun. Then, where I-64 crosses the Mississippi River, the first sight of the Arch in its entirety - steadfast at its post on the western bank, looming over the highway - is nothing short of glorious. Finally, there is the first breathless moment of standing at the base of the Arch, trying to take in its enormity. That's impossible - it's so big. I will always remember the first time I did this, though. all I could think was, 'Wow '. ' And then the trip home, with the Arch at my back. a reassuring guardian, a westward sentinel.

译文

大话哨兵. 只有得分. 上低音号功能. 由金佰利弓箭手组成. 对于独奏者. 与乐团. 上低音号独奏,小,长笛1,2长笛,双簧管1,2双簧管,巴松管1,巴松管2,降B调单簧管1,降B调单簧管2,降B调单簧管3降B​​低音单簧管,降E中音萨克斯1,2降E中音萨克斯,降次中音萨克斯,降E上低音萨克斯,小号C 1,C 2小号,. 乐队音乐. 五年级. 分数只. 持续时间14. 45. 发布时间由C.艾伦出版物. CN.15751. 从它的连接到托马斯·杰斐逊和刘易斯和克拉克探险队,到把它带到生活中惊人的建筑,工程和施工,大话哨兵庆祝宏伟的大拱门圣路易斯. 此为样板低音号独奏音乐会和乐队的美国中部的美国空军乐队写. 从我第一次看到它我自己的眼睛,通过圣路易斯在2000年开车,我一直着迷的拱门. 它几乎是不可理解的大小,其永恒的简单. 当被要求写一首乐曲庆祝凯旋门和它的40周年之际,我不堪重负. 原因很简单,太多的表达,从它的连接到托马斯·杰斐逊和刘易斯和克拉克探险队的带到了这个世界的神奇建筑,工程和建设工作. 这怎么可能,只在一个音乐作品,在七月烟花捕捉到了这一切,拱上一个完美的秋日,或背光少得多的威严,或轻轻地照亮,寂静的雪. 最后,我意识到,而不是试图仅仅描述拱门或在其历史评价,我需要去探索我与它的个人关系,圣路易斯大都市区的居民. 因此,虽然大话哨兵是不完全编程,还有一些住在我的脑海里,因为我组成的一些图片. 片的第一部分讲的我与中西部地区的关系. 我是伊利诺斯州北部,并在那里长大的当地人被玉米田包围. 这是一个显著的个人形象,而我最近才意识到. 孤独与和平站在7月玉米地的下一个无尽的蓝天中心,呼吸着温暖的夏季空气,这里唯一的声音是昆虫的细微的嗡嗡声,风沙沙作响的树叶. 现在,在我的伊利诺斯州南部的家,还有玉米,但我也可以真正看到拱门上的西方地平线. 显然,这改变了我家的感觉. 与拱的存在,但是遥远,自带繁华,城市圣路易斯的承诺. 这是一个鲜明的对比什么,我觉得我的根,我在世界上的地位,但拱肯定电话给我. 我喜欢开车到圣路易斯在I-64. 片的第二部分讲的这段旅程. 沿着那舒展爱德华兹维尔和圣路易斯市中心之间的公路,拱挑逗鸭背后的山丘和建筑物,只爆回进入人们的视线,在阳光下熠熠生辉. 然后,在I-64穿过密西西比河,首先映入眼帘的凯旋门整的 - 坚定其对西方银行后,笼罩公路 - 是不折不扣的光荣. 最后,还有一个站在拱门的基础上,试图利用其庞大的第一瞬间喘不过气来. 这是不可能的 - 它是如此之大. 我会永远记得第一次我这样做,虽然. 所有我能想到的是,'哇'. ',然后回家一趟,与凯旋门在我背后. 令人放心的守护者,一个向西定点.