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原文

Ernesto Nazareth Guitar Solo Anthology. Acoustic Guitar sheet music. Classical Guitar sheet music. Guitar Solo sheet music. Intermediate.

译文

埃内斯托·拿撒勒吉他独奏文集. 木吉他乐谱. 古典吉他乐谱. 吉他独奏乐谱. 中间.

原文

Ernesto Nazareth Guitar Solo Anthology. 28 Guitar Solos on Compositions. Composed by Flavio Henrique Medeiros and Carlos de Lemos Almada. For Guitar. Classical. Perfect binding, Solos. Bill's Music Shelf. Classic. Intermediate. Book. 136 pages. Published by Mel Bay Publications, Inc. MB.99178. ISBN 9780786659821. Classic. 8.5 x 11 inches. A collection of 28 Ernesto Nazareth compositions expertly transcribed for classic guitar solo. One of the major difficulties in trying to arrange Ernesto Nazareth's themes for any instrument, but the piano, is to separate the melodic line from its accompaniment. both are so closely together. that is one of the strongest characteristics of his pianistic style of composition. that it becomes almost impossible to treat one of the features disregarding the other. If one did that, the result would be only a pale and incomplete portrait of what was intended by the composer. That thought has guided us in the making of this book. In spite of the huge obstacles that resulted from the transposition of a piece originally written for the piano - a very rich instrument regarding the expressive recourses - to the more "modest" guitar, we always kept in mind our principal intention. to preserve at the most all the melodic dialogues of the scores, in special the ones between the melody and the bass line, both the elements that form the soul of Nazareth's compositions. We obviously had to do some changes. Thus, for instance, in some arrangements it was necessary to transpose the original key to a more appropriate one. at the guitar view-point, of course. Some phrases or fragments had also to be written an octave higher or lower. that can be perfectly understandable if we consider the very wide melodic range of the piano and the extensive way with which Nazareth uses it. Needless to say that all those recourses were used only when it has been strictly necessary. Despite the fact that those 28 pieces are only a little portion of Nazareth's work, this group of arrangements represents a good and representative panel. Among them there are some of Nazareth's greatest hits. "Apanhei-te Cavaquinho", "Odeon", "Brejeiro", "Ameno Reseda", etc. as well as other not so known compositions- but no less beautiful and important. Listening to those pieces one can observe the compositional talent of Nazareth and his incredible harmonic, melodic and - especially - rhythmic versatility. Each of them has its own and unmistakable personality. The most part of the scores of this book - as well as in Nazarethian repertoire - is composed by tangos brasileiros. , Brazilian tangos. , but there are also some polcas and some of his most expressive valsas, like "Confidencias" and "Coracao que Sente".

译文

埃内斯托·拿撒勒吉他独奏文集. 28吉他独奏的成分. 由弗拉维奥·恩里克·梅代罗斯和卡洛斯·莱莫斯德组成阿尔马达. 对于吉他. 古典. 完美的结合，独奏. 比尔的音乐保质. 经典. 中间. 书. 136页. 发布时间由梅尔海湾出版公司. MB.99178. ISBN 9780786659821. 经典. 8.5 x 11英寸. 28埃内斯托·拿撒勒组成的集合，熟练地抄录经典吉他独奏. 其中一个在试图安排埃内斯托·拿撒勒的主题，对于任何乐器，但钢琴的主要困难，是将旋律线从它的伴奏分离. 两者是如此紧密地联系在一起. 那是他的钢琴组成的风格最强烈的特征之一. 它变得几乎无法治疗的特征之一不顾其他. 如果一个人这样做，其结果将是什么样的目的是由作曲家只是一个苍白的和不完整的肖像. 这种思想一直指导我们在这本书的制作. 尽管这是由于最初是为钢琴写了一块换位的巨大障碍 - 关于追索权的表现非常丰富的工具 - 为更“温和”的吉他，我们始终牢记我们的主要意图. 保存在分数的最全的旋律对话，在特殊的旋律和低音线之间的那些，既形成的拿撒勒的成分灵魂的元素. 很明显，我们必须做一些改变. 因此，举例来说，在一些配置中，有必要进行转原始密钥到一个更合适的一个. 在吉他视点，当然. 一些短语或片段也被写入一个八度较高或较低. 如果我们考虑的很宽范围的旋律钢琴和拿撒勒使用它的广泛的方式，可以是完全可以理解的. 不用说，所有这些追索只用来当它已经严格必要. 尽管这28个作品是拿撒勒的工作只有一点点部分，本组的安排是一个很好的和有代表性的面板. 其中有一些拿撒勒的最巨大的命中. Apanhei-TE Cavaquinho，国宾，Brejeiro，诺浅绿色等. 以及其他不那么已知的组合物，但同样美丽和重要的. 听着这些作品可以观察到拿撒勒的成分才能和他难以置信的谐波，旋律和 - 特别是 - 有节奏的多功能性. 他们每个人都有自己的明确无误的和个性. 这本书的得分大部分 - 以及在Nazarethian剧目 - 由探戈brasileiros组成. ，巴西探戈. ，但也有一些polcas和他的一些最传神的valsas，像Confidencias和Coracao阙森特.