活页乐谱 $24.95

原文

John Fahey in Concert and Interviews 1969 & 1996. Acoustic Guitar sheet music. Fingerpicking Guitar sheet music.

译文

约翰·费伊在演唱会和1969年访谈. 木吉他乐谱. 指弹吉他乐谱.

原文

John Fahey in Concert and Interviews 1969 & 1996 composed by John Fahey. For Guitar. Fingerpicking. Boxed, Concert. Documentary. Vestapol. Acoustic Music. DVD. Duration 118 minutes. Published by Grossman's Guitar Workshop. MB.13065DVD. ISBN 9781579409838. Acoustic Music. 5.25 x 7.5 inches. John Fahey. Blind Joe Death. has been called the father of American Primitive Guitar. He brought a force and inventiveness to his compositions and playing that is firmly rooted in country blues and folk traditions. We open this DVD with a 1969 appearance on Laura Weber's Guitar, Guitar TV show. John talks about his sources of inspiration, guitar styles and techniques and general thoughts on playing. He performs In Christ There Is No East Or West, The Death Of The Clayton Peacock, Red Pony, Farther Along and other solos. We then jump thirty years to a concert John gave at the Freight & Salvage in Berkeley, California. His physical appearance has changed but his approach and guitar style are still the same. John performs his "hits" but he is not afraid to explore and extend these compositions to new areas and boundaries. Together with his audience he travels the musical highways that have influenced his playing and composing. This is the magic of John Fahey. "I try to keep changing my pieces each performance. If I get to having fun changing it, especially the syncopation and dynamics, then the audience really gets off on it, and it sounds like an orchestra. City of Refuge. Mexico Discarded. Guitar Rag. Who Will Rock The Cradle. Blueberry Hill. Sea Of Love. Special Rider. On The Sunnyside Of The Ocean. St. Vitus Dance. Dorothy And Evening Not Night.

译文

约翰·费伊在演唱会和1969年采访. 对于吉他. 指弹. 盒装，音乐会. 记录片. Vestapol. 音乐声. DVD。时间118分钟. 出版格罗斯曼的吉他研讨会. MB.13065DVD. ISBN 9781579409838. 音乐声. 5.25 x7.5英寸. 约翰·费伊. 盲乔死亡. 被称为美国的原始吉他之父. 他带来了力量和创新能力与他的作品和演奏，是牢牢扎根于乡村蓝调及民间传统. 我们打​​开这张DVD与1969外观上的劳拉·韦伯的吉他，吉他电视节目. 约翰谈论他的灵感来源，吉他风格和技巧以及一般的想法打. 他的表现在基督里有没有东方还是西方，对克莱顿孔雀，红小马，进一步推及其他独奏死亡. 然后，我们跳三十年演唱会约翰给在货运. 他的外貌发生了变化，但他的做法和吉他的风格仍然是相同的. 约翰进行了“点击”，但他并不害怕去探索和扩展这些组合物到新的领域和边界. 连同他的听众他踏遍已经影响了他的演奏和作曲的音乐道路. 这是约翰·费伊的魔力. “我尽量保持改变我的作品每场演出. 如果我去玩乐改变它，特别是切分音和动力，那么观众真的就可以下车，这听起来像一个乐团. 逃城. 墨西哥废弃. 吉他抹布. 谁就能摇摇篮. 蓝莓山. 大海的爱. 特别骑士. 在海洋中的恩光. 圣维特舞蹈. 多萝西和晚上不夜.