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原文

Emerald Necklace. The Story of Frederick Law Olmsted. 2009. for narrator and orchestra. Thomas Oboe Lee. Voice sheet music.

译文

翡翠项链. 弗雷德里克·劳·奥姆斯特德的故事. 2009. 对于叙述者和乐队. 托马斯·李双簧管. 声音的乐谱.

原文

Emerald Necklace. The Story of Frederick Law Olmsted. 2009. for narrator and orchestra composed by Thomas Oboe Lee. For Voice,Chamber Orchestra. 21st Century,20th Century,Romantic Period,Classical Period,Baroque Period. Score. Published by Thomas Oboe Lee. S0.35409. Instrumentation. narrator plus 1111-2110-perc-stringsProgram note. Maestro Charles Ansbacher has been a devoted supporter of my work for many years. In the past 6 years he has commissioned me to write two works for his ensemble, the Boston Landmarks Orchestra. Mambo. 2003. Pluto. The Lord of the Underworld. 2005. This year, 2009, he asked me if I would be interested in writing a work for narrator and chamber orchestra like Prokofiev’s “Peter and the Wolf. ” I said, “Yes. I would be delighted to do so. ” He told me that the subject for this work would be Boston’s own landscape architect, Frederick Law Olmsted. “Sure,” I said, “why not. ” Charles told me he had a poet in mind who would provide the text, Nancy Stevenson. I said, “Great. ”The work is in four parts, following Ms. Stevenson’s poetic design. I wrote a marching music in Part One depicting Mr. Olmsted when as a child he walked from his home to his aunts and uncles who “lived far away. ” As a young man, Mr. Olmsted went through many jobs until he decided that as a landscape architect he could make cities a better place for children and adults alike. The mayor of Boston hired him to do just that, to “make Boston more livable. ” In Part Two, I wrote “presto” music depicting the dredging of the Charles River and the planting of trees along its shores. In Part Three, the text describes the Boston Emerald Necklace – the paths that lead from the Fens to the Arboretum to Franklin Park. For this section I chose music that is bucolic and pastoral, a setting that evokes “the country side with a flock of sheep, complete with a shepherd and his dog. ”In the last section the text describes Mr. Olmsted’s dream that in his parks there would be “tranquility and rest to the mind. a place where the rich and the poor would play together. ” The music returns to the legato march that began the work. Digital Print is printable sheet music available anytime, anywhere. Just purchase, print and play. View your online sheet music at home, school, work or anywhere you have a computer connected to the Internet. Use our iPad app to view your digital sheet music on the go. With Digital Print, you can print your digital sheet music immediately after purchase, or wait until its convenient. And our software installation is easy - we'll guide you through the simple steps to make sure you have Adobe Flash Player, Adobe AIR and the Sheet Music Plus AIR application.

译文

翡翠项链. 弗雷德里克·劳·奥姆斯特德的故事. 2009. 为叙述者和乐队由托马斯·李双簧管组成。. 21世纪，20世纪，浪漫主义时期，古典时期，巴洛克时期. 得分. 发布时间由托马斯·李双簧管. S0.35409. 仪器仪表. 解说员​​加上2111至10年-PERC-stringsProgram记. 大师查尔斯·安斯巴赫一直是我工作多年的忠实支持者. 在过去的6年里，他已经委托我写两件作品为他的乐团，波士顿交响乐团的地标. 曼波. 2003. 冥王星. 冥界之王. 2005. 今年，2009年，他问我是否有兴趣写的叙述者和室内乐团的作品像普罗科菲耶夫的“彼得与狼. “我说，”是的。. “他告诉我，对这项工作的主题将是波士顿自己的景观设计师弗雷德里克·劳·奥姆斯特德. “当然，”我说，“为什么不. “查尔斯告诉我他心目中一个诗人谁也提供文本，南希·史蒂文森. 我说，“大. “这项工作是四个部分，下面的史蒂文森女士的诗意设计. 我在第一部分描绘奥姆斯特德先生时作为一个孩子，他从他的家到他的姑姑和叔叔走写了一个踏着音乐的谁“住得很远. “作为一个年轻人，奥姆斯特德先生通过大量的就业机会去，直到他决定，作为一个景观设计师，他可以使城市的儿童和成年人都变得更美好. 波士顿市长聘请他能够做到这一点，“让波士顿更宜居. “在第二部分，我写了”急“的音乐描写查尔斯河的疏浚和树木沿其海岸种植. 在第三部分，文字描述波士顿翡翠项链 - 路径，导致从沼泽到植物园富兰克林公园. 对于这一部分我选择了音乐这是田园风光和田园，唤起的“乡村与羊群的设置，完成与一个牧羊人和他的狗. “在最后一节的文本描述奥姆斯特德先生的梦想，在他的公园将有”安宁和休息的心灵. 一个地方，穷人和富人将同场竞技. “音乐返回到连奏进行曲开始工作. 数码打印是打印乐谱可随时随地. 刚刚购买，打印和播放. 查看您的在线乐谱在家庭，学校，工作或任何地方您有连接到Internet的计算机. 使用我们的iPad应用程序，以在路途中欣赏您的数字乐谱. 随着数码打印，你可以购买后立即打印您的数字乐谱，或者等到它的方便. 而我们的软件的安装是很容易 - 我们将引导您通过简单的步骤，以确保你有安装Adobe Flash Player，Adobe AIR和本乐谱加AIR应用程序.