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原文

So Too, Fell Daedalus. Bassoon sheet music.

译文

也是如此，代达罗斯下跌. 巴松管乐谱.

原文

So Too, Fell Daedalus composed by Kevin Timothy Austin. For Bassoon Duet. Published by Imagine Music. IG.CMS147. As can be inferred from the title, So Too, Fell Daedalus, I seek to evoke in this piece the story of Icarus and Daedalus from Greek mythology with the added inference that Daedalus saw his own demise out of grief for his son. The piece is then a reinterpretation of the well-established tradition of tone poetry. However, I chose to extract this practice from its original orchestral setting and instead employ two bassoons to embody the characters in the story. I digress from the traditional use of theme and motive, and instead use realism to an all-encompassing degree. The two bassoons soar, swoop, dive, flit and flutter, in moments of parallel motion and varied repetition, as if they were themselves riding on wings of feathers and wax. They begin from the depths of the labyrinth, out of which they climb to the heights of their hubris, and once again recede to their point of origin. Formally then, the piece is through composed and at times improvisatory, but the focus should be on the overarching contour, which follows the aforementioned pattern. With regard to pitch, I use a mode of non-western origin not to imply tonal function or centricity â“ any perceived instance of such is not intentional â“ but to arouse in the listener the same sense of intrigue felt by the protagonists, which brought them closest to the sun and that sent them ultimately to their end.

译文

也是如此，代达罗斯下降组成由凯文·蒂莫西·奥斯汀. 巴松管二重奏. 出版想象音乐. IG.CMS147. 由于可以从标题可以推断，所以也跌代达罗斯，我寻求在这片唤起伊卡洛斯和代达罗斯的故事来自希腊神话的补充推论代达罗斯看到了自己的灭亡了悲痛的儿子. 这件作品是那么完善的音诗传统的重新解释. 不过，我选择从原来的交响乐设置提取这种做法，而是采用两个巴松管体现人物的故事. 我是从传统使用的主题和动机离题，而是使用现实主义到无所不包度. 这两个巴松管飙升，一举，潜水，稍纵即逝，并扑在平行运动和各种重复的瞬间，好像他们是自己骑在羽毛和蜡翅膀. 他们开始从迷宫，深处其中的出来，他们爬上他们的狂妄自大的高度，并再次回落到他们的起点. 正式那么，这块是通过组成，有时即兴，但重点应该是总体轮廓，它遵循上述图案. 对于球场，我用的非西方产地模式并不意味着色调功能或为中心的一个“等任何察觉情况下是不是故意的了”，但听者唤起阴谋感受到的主角，同样的意义上.