活页乐谱 $60.00

原文

Chameleon Music. Dan Welcher. Glockenspiel sheet music. Marimba sheet music. Percussion sheet music. Vibraphone sheet music. Xylophone sheet music.

译文

变色龙音乐. 丹Welcher. 钟琴乐谱. 马林巴琴乐谱. 锣鼓乐谱. 电颤琴乐谱. 木琴乐谱.

原文

Chameleon Music composed by Dan Welcher. Percussion ensemble. For player 1. crotales - upper octave, glockenspiel, xylophone. , player 2. vibraphone, glass wind chimes, crotales - shared w. , player 3. 4.3-octave marimba, ceramic wind chimes, glockenspiel - shared w. , player 4. 4.3-octave marimba, tom-toms - may. 10 players. Difficulty. Difficult. Duration 10. 10. Published by C. Alan Publications. CN.15. Chameleon Music, composed for ten percussionists by Dan Welcher, is based on a short story by Truman Capote, entitled "Music for Chameleons. " Welcher writes. "More a vignette about a person and a place than an actual story, the piece described a visit by Capote to Martinique, and the home of a woman there. She lives on the edge of the jungle, and had on her terrace a grand piano that had been played by a number of famous visitors. The music she played for Capote was Mozart, and the result of the little recital was the inspiration for my Piece. It seemed that the little lizards living nearby had become accustomed to her playing and had grown to be quite discerning in their taste. The composer they responded most to was Mozart whenever she would play a sonata of his, the chameleons came out in droves from the jungle. They would sneak tentatively forward at first, then. emboldened by Wolfgang. come right up to lie at her feet while she played. When she finished, she'd stamp her feet on the tiles, and the lizards would 'scatter, like the shower of sparks from an exploding star. "The music describes this scene, but more than that. It attempts to show in a rather abstract fashion how music Mozart's music, specifically can cast a spell over otherwise uncivilized beings. The piece has four subtitled sections. 'The Jungle at Night,' 'The Chameleon Circle,' 'The Spell,' and 'The Retreat. In the first section, marimbas provide a chordal curtain of sound, with four kinds of wind chimes adding a scent of the tropics. After the atmosphere of the place has been established, the second section proceeds immediately. 'The Chameleon Circle' presents the cast of characters, in the form of three different motives. played on xylophone, glockenspiel, and bass marimba respectively. These could be thought of as some of the chameleons waiting at the edge of the jungle but they carry within themselves the seeds of the music of their 'favorite composer. ' In the ensuing passage, the tempo picks up and we hear these characters growing bolder. When the tempo slows again, we are in "The Spell. " No fewer than four Mozart sonatas are quoted. K. 279, K. 281, K. 330, and K. 332. Elements of the melodic turns in these fragments seem somehow familiar, and in fact we've just heard them slightly disguised in 'The Chameleon Circle. ' As the Mozart music overlaps and combines in ways in which Mozart never intended. but which, I think, he might have approved. the night is filled with charmed animals, crickets, and of course, chameleons. At the height of their reverie, though, there is a stamping of feet a scattering of tiny legs and the sounds of the jungle at night return, with the barest echoes of Mozart still lingering in the breeze. About the OU Percussion Press. In 1977 the OU Percussion Orchestra and Ensemble embarked on a project that developed into a national model for the encouragement and development of new music for percussion ensemble. The OU Percussion Ensemble Commissioning Series regularly engages outstanding composers to write works for this medium. The Commissioning Series is responsible for the creation of some of today's staples in the percussion ensemble repertoire. In 1983 the University of Oklahoma funded the establishment of the OU Percussion Press, a non-profit extension of the percussion area. Through the Percussion Press, the commissioning series compositions plus other works expressly written for the OU Percussion Orchestra and Ensembles have been made available for purchase and performance by the world's leading percussion ensembles. The Percussion Press' catalog numbers more than 50 works, all published in a non-profit venture as a service to the profession.

译文

变色龙音乐由Dan Welcher组成. 打击乐合奏. 对于玩家1. crotales - 高八度，钟琴，木琴. ，玩家2. 电颤琴，玻璃风铃，crotales - 共享瓦特. ，播放器3. 4.3倍频程木琴，陶瓷风铃，钟琴 - 共享瓦特. ，播放器4. 4.3倍频程木琴，手鼓 - 可能. 10名球员. 困难. 难. 持续时间10. 10. 发布时间由C.艾伦出版物. CN.15. 变色龙音乐，组成了十打击乐手丹Welcher，是基于一个短篇小说由杜鲁门·卡波特，题为“音乐的变色龙. “Welcher写道：. “更多的是关于一个人，一个地方的小插曲不是一个实际的故事，作品描述马提尼克访问由卡波特，和一个女人的家里还有. 她住在丛林的边缘，有她的露台已经发挥了一些著名游客的三角钢琴上. 她打了卡波特的音乐是莫扎特，而很少演奏会的结果是启发为我的作品. 它似乎是住在附近的小蜥蜴已经习惯了她的演奏，并已成长为他们的口味很挑剔. 他们的反应最作曲家莫扎特是，每当她会发挥他的奏鸣曲中，变色龙出来了从丛林趋之若鹜. 他们会偷偷试探着在第一，然后. 由Wolfgang底气. 来直到躺在她的脚，而她扮演. 当她完成，她会戳她的脚在地砖上，和蜥蜴会“散，像火花从爆炸的恒星淋浴. “音乐描述了这一幕，但更重要的是. 它试图在一个相当抽象的方式来展示如何音乐莫扎特的音乐，特别是可以施展法术，否则过不文明的众生. 这件作品有四个部分字幕. “丛林之夜”，“变色龙圈”，“咒语”和“撤退. 在第一部分中，木琴提供完善的弦窗帘，用四种风铃加热带的香味. 的地方的气氛已经建立之后，第二部分立即进. “变色龙圈”呈现的人物，在三个不同的动机形式. 分别演奏木琴，钟琴，低音木琴. 这些可以被认为是一些在丛林的边缘等待的变色龙，但他们在自己随身携带最喜爱的作曲家的音乐的种子. “在随后的通道，速度好转，我们听到这些字符越来越大胆. 当速度再次减慢，我们在“的法术. “没有少于四个莫扎特奏鸣曲报价. K. 279，K. 281，K. 330，和K. 332. 旋律轮流在这些片段中的元素似乎在某种程度上熟悉的，而事实上，我们刚刚听到他们稍微伪装“变色龙圈. “作为莫扎特音乐重叠并结合的方式，其中莫扎特从来没有打算. 但是，我认为，他可能已批准. 夜晚充满了魅惑动​​物，蟋蟀，当然，变色龙. 在他们遐想的高度，不过，有一个冲压脚的小脚和丛林，晚上返回的声音散射，与莫扎特的最起码的回响犹在微风. 关于欧打击乐新闻. 在1977年的OU敲击乐团和合唱团走上了发展成为鼓励和发展新的音乐发展，打击乐合奏国家级示范项目. 该OU敲击乐合奏调试系列定期从事优秀的作曲家写的作品这个媒介. 调试系列是负责在打击乐合奏的曲目创建一些今天的主食. 1983年俄克拉何马大学出资成立的欧打击乐出版社，敲击区域的非营利性扩展. 通过敲击出版社，调试一系列成分加为OU打击乐乐团和合唱团明确书面等作品已可以购买和性能世界领先的打击乐合奏. 敲击按“目录号50多个作品，均发布在一个非营利性企业，以专业服务.