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原文

Assumpta est Maria. Choir sheet music.

译文

Assumpta EST玛丽亚. 合唱乐谱.

原文

Assumpta est Maria. No. 2 from Three Marian Motets. Composed by Ko Matsushita. For SSAA choir. Carus Contemporary. Contemporary choral music. Advent, Feasts of the Blessed Virgin Mary, Hymns in praise of the Virgin Mary. Full score. Text language. Latin. 8 pages. Published by Carus Verlag. CA.964300. ISBN M-007-14352-7. With Text language. Latin. Advent, Feasts of the Blessed Virgin Mary, Hymns in praise of the Virgin Mary. Matsushita sets each section of the Offertorium text vividly, in keeping with the style of Renaissance motets. The opening motif soars powerfully upwards over a pedal point in leaps of a fifth and fourth from the starting note of C, before pausing on a chord of superimposed fourths at the word coelo. heaven. In the corresponding place at the end of the work, the same tender chord is heard en passant at the word "Maria", a beautiful musical portrayal of the mystery of the Assumption of Mary into heaven. The angels' rejoicing and the alleluia forms the greater part of the motet. imbued with playful repetitions and eighth note rests, the emphasis in the words is displaced and individual, dance-like syncopations are created. The dynamic climax of the work is in three upswings at the words "cum Christo regnat in aeternum", arriving at a radiant B flat major at the word "aeternum". eternity. , chanted forte hymnically over five measures.

译文

Assumpta EST玛丽亚. No. 2 from Three Marian Motets. 由高松下组成. 对于SSAA合唱团. 当代卡鲁斯. 当代合唱音乐. 问世，圣母玛利亚，赞美诗在圣母玛利亚的好评节日. 全部得分. 语言文字. 拉丁. 8页. 出版卡鲁斯出版社. CA.964300. ISBN M-007-14352-7. 与文本语言. 拉丁. 问世，圣母玛利亚，赞美诗在圣母玛利亚的好评节日. 松下设置Offertorium文本的每个部分生动，符合文艺复兴时期的经文歌的风格. 开幕主题腾飞有力向上了在第五和第四，从起点音符C的跨越式踏板点，在字coelo暂停上叠加四分之三的和弦前. heaven. 在工作​​结束的相应地方，同样的招标和弦的一声顺便在词“玛丽亚”，玛利亚升天进入天堂的神秘美​​丽的音乐写照. 天使的欣喜和哈里路亚形成经文歌的大部分. 充满童趣的重复和八分音符休息，在词的重点是移动和个人，都创造了舞蹈般的syncopations. 工作动态高潮是在三个高涨的话“暨克里斯托regnat在aeternum”，到达辐射B大调的词“aeternum”. 永恒. , chanted forte hymnically over five measures.