活页乐谱 $7.95

原文

Missa in honorem Sanctae Ursulae. Michael Haydn. Voice sheet music. B-Flat Trumpet sheet music. Choir sheet music. Percussion sheet music. Piano and Keyboard sheet music. Timpani sheet music.

译文

弥撒在honorem Sanctae Ursulae. 迈克尔·海顿. 声音的乐谱. 降B大调小号乐谱. 合唱乐谱. 锣鼓乐谱. 钢琴和键盘乐谱. 定音鼓乐谱.

原文

Missa in honorem Sanctae Ursulae. Chiemsee-Messe. Composed by Michael Haydn. 1737-1806. Edited by Armin Kircher. For SATB vocal soli, SATB choir, 2 clarinos. trumpets, timpani, 2 violins, basso continuo. Score available separately - see item CA.5454600. Latin Masses. Choral score. Language. Latin. Composed 1793. MH 546. 20 pages. Duration 40 minutes. Published by Carus Verlag. CA.5454605. ISBN M-007-10987-5. With Language. Latin. Latin Masses. Among Haydn's over thirty settings of the Latin Ordinary, the Missa in honorem Sanctae Ursula occupies an outstanding position, which, according to the autograph, was completed on 5 August 1793. This Mass has been referred to as the most "Mozartian" of all his masses. With its song-like melodic character, the unity of the motivic material and the harmonius balance between festive and reflective sections this Mass is one of Haydn's most successful and inspired works. This work, which in addition to the usual Salzburg "church trio" includes two trumpets and timpani, belongs to the category of "Missa solemnis. " The popular nickname Chiemsee-Messe is bound up with the history of the origins of the work. Haydn wrote the Mass for the musically gifted nun, Sebastiana Oswald, who belonged to the Benedictine cloister of Frauenchiemsee. This work soon found widespread acceptance beyond the originally intended sphere of its origins, as is indicated by the numerous copies found in Austrian convents.

译文

弥撒在honorem Sanctae Ursulae. 基姆湖 - 展览. 由迈克尔·海顿组成. 1737至1806年. 由阿明编辑基歇尔. 对于SATB声乐实木门，SATB合唱团，2 clarinos. 小号，定音鼓，2把小提琴，低音部. 另分数可 - 见项目CA.5454600. 拉丁群众. 合唱得分. 语. 拉丁. 由1793. MH 546. 20页. 时间四十分钟. 出版卡鲁斯出版社. CA.5454605. ISBN M-007-10987-5. 随着语言. 拉丁. 拉丁群众. 其中的拉丁普通海顿的超过三十设置，弥撒中honorem Sanctae乌苏拉中占有突出的位置，其中，根据该签名，是1793年8月完成了5. 这个质量已经被称为最“莫扎特”他所有的群众. 凭借其歌般的旋律特点，对动机的材料的统一，这喜庆的质量和反光部分之间的和谐的画面平衡是海顿的最成功和灵感的作品之一. 这项工作，这除了通常的萨尔茨堡“教会三人组”包括两个小号和定音鼓，属于“庄严弥撒曲的类别. “流行的昵称基姆 - 展览势必与工作的起源历史. 海顿写了海量的音乐天赋的尼姑，Sebastiana奥斯瓦尔德，谁属于Frauenchiemsee的本笃会修道院. 这项工作很快得到广泛认可超越了它的起源本来打算领域，如在奥地利修道院中发现的众多副本显示.