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Piano Music for 6 Hands - Volume 3. Various. Piano sheet music.

译文

钢琴音乐为6手 - 第3卷. 各个. 钢琴乐谱.

原文

Piano Music for 6 Hands - Volume 3 composed by Various. Arranged by Franzpeter Goebels. For Piano Six Hands, 1 Piano, 6 Hands. Schott. 52 pages. Schott Music #ED7703. Published by Schott Music. HL.49007459. Piano-playing in partnership constitutes a significant and vital complement to solo performance. Since the 18th century, there have always been compositions “à quatre mains”, duets, in abundance, attracting aficionados. On the other hand, published work for piano for six hands remains peripheral. There is little original composition, mainly arrangements of well-known orchestral pieces. overtures, symphonic music. , offering music at home the possibility of “private” performance when there were no other options to hand. Nevertheless, there is enough to re-discover and experience anew. Charles Burney. 1726-1814. , to whom we owe the educational merit of “Duets for two performers”, also points out one of the difficulties of that entirely new genre. “and although at first sight the greater proximity of both players' hands seems restricting and confusing, a little practice and imagination as regards fingering and positioning of hands will eliminate these problems”. This applies particularly to these original. and adapted. piano pieces for six hands. They are intended for both school and home, and used appropriately and intelligently by a discerning teacher may offer pupils equal “study and leisure” opportunities. Apart from the first original compositon for six hands by Wilhelm Friedrich Ernst Bach. 1759-1845. , a grandson of J.S. Bach, this book contains in particular “pièces célèbres” in skilful arrangements by Theodor Herbert. first edition 1880. and Max Schultze. first edition 1888.

译文

钢琴音乐为6手 - 第3卷由多种组成. 通过Franzpeter Goebels安排. 钢琴六手,1钢琴,6手. 肖特. 52页. Schott Music. 出版肖特音乐. HL.49007459. 钢琴演奏合作构成了显著和重要补充独奏. 自18世纪以来,一直存在成分“à世嘉总管”,二重唱,丰富,吸引爱好者. 在另一方面,公布了钢琴工作6手依然周边. 很少有原组合物,主要是公知的管弦乐安排. 序曲,交响音乐. ,在家里提供的音乐的时候没有其他选择出手的“私人”的表现的可能性. 然而,有足够的重新发现和经验重新. 查尔斯·伯尼. 1726年至1814年. ,我们向他欠“双人舞两个表演者”的教育价值,也指出了这全新的体裁的难点之一. “虽然乍一看双方球员的手的更大的接近,似乎限制和混乱,一点点的做法和想象力至于指法和手的定位将消除这些问题”. 这特别适用于这些原. 和适应. 钢琴小品六手. 他们的目的是为学校和家庭,并适当巧妙地使用了一个挑剔的教师可以提供学生平等“的学习和休闲”的机会. 除了由威廉·弗里德里希·恩斯特·巴赫第一原compositon六手. 1759年至1845年. ,J.S.的孙子巴赫,这本书包含特别是在由西奥多·赫伯特巧妙安排“小品célèbres”. 第一版1880. 和马克斯舒尔茨. 第一版1888年.