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原文

Piano Concerto. Mozartiana. 2007. for piano solo and chamber orchestra. Thomas Oboe Lee. Piano Solo sheet music. Advanced.

译文

钢琴协奏曲. Mozartiana. 2007. 钢琴独奏和室内管弦乐队. 托马斯·李双簧管. 钢琴独奏乐谱. 先进.

原文

Piano Concerto. Mozartiana. 2007. for piano solo and chamber orchestra composed by Thomas Oboe Lee. For Piano,Orchestra. Baroque Period,Classical Period,Romantic Period,20th Century,21st Century. Advanced Intermediate. Score. 2 Flute. also piccolo. 2 Oboes 2 Clarinets in Bb 2 Bassoons 2 French horns 2 Trumpets in Bb 2 Trombones Timpani Piano solo. Published by Thomas Oboe Lee. S0.10957. With 2 Flute. also piccolo. 2 Oboes 2 Clarinets in Bb 2 Bassoons 2 French horns 2 Trumpets in Bb 2 Trombones Timpani Piano solo. Baroque Period,Classical Period,Romantic Period,20th Century,21st Century. Instrumentation. 2 Flute. also piccolo. 2 Oboes2 Clarinets in Bb 2 Bassoons2 French horns 2 Trumpets in Bb2 TrombonesTimpaniPiano solo 1st Violin2nd ViolinViolaCelloDouble bass Program note. It is with great pleasure that I have had this opportunity to write my very first piano concerto for my next-door neighbor and friend, Robert Levin. The virtuoso pianist Robert Levin and the music of Mozart are an inseparable pairing. I knew immediately that I had to include some Mozart in this stew. For my “Mozartiana,” I went to the complete Mozart edition and looked for some incomplete melodic or thematic fragments that I could “steal” as themes and motives for my concerto. The concerto is in four sections – slow-fast, slow-fast. Perhaps I should say that the work is in two movements – in each movement the music begins slowly, then shifts gear and becomes fast. Out of the four themes in this work, three of them are based on Mozart fragments. The first movement begins with a slow theme in D-minor. The material is derivative of a Mozart fragment in D-major – a “Kyrie” theme for chorus and orchestra. At 80 measures the orchestra goes into a fast romp. The material for this section has nothing to do with Mozart. Texturally, it sounds like a four-part counterpoint display in the style of Bach. The second movement theme is taken from a Mozart fragment originally intended for an orchestral overture. Its main characteristic is a melodic turn followed by a zig-zagging arpeggio theme. The fast music that follows, a mad scherzo, once again at measure 80, is based on a Mozart fragment in triple meter that he sketched for an unfinished string quintet. When I showed Robert Levin the score recently, he said he was quite surprised that he did not recognize the Mozart fragments. “When I read through the score,” he told me, “it sounded like your characteristic TOL music. ” Well, I have to say I was quite relieved and pleased. It is OK to “steal” from the Salzburg Genius, but it is more important that the stolen material should go through a filtering process resulting in something that is recognizably my music and not Mozart’s. Incidentally, Mr. Levin is well known for his improvised cadenzas in concertos by Mozart and Beethoven. Toward the end of the second movement, I gave him ample room to improvise to his heart’s content. Digital Print is printable sheet music available anytime, anywhere. Just purchase, print and play. View your online sheet music at home, school, work or anywhere you have a computer connected to the Internet. Use our iPad app to view your digital sheet music on the go. With Digital Print, you can print your digital sheet music immediately after purchase, or wait until its convenient. And our software installation is easy - we'll guide you through the simple steps to make sure you have Adobe Flash Player, Adobe AIR and the Sheet Music Plus AIR application.

译文

钢琴协奏曲. Mozartiana. 2007. 钢琴独奏和室内乐团由托马斯·李双簧管组成。. 巴洛克时期，古典时期，浪漫时期，20世纪，21世纪. 高级中级. 得分. 2长笛. 还小. 2双簧管2单簧管降B 2巴松管2法国号2小号降B 2长号定音鼓钢琴独奏. 发布时间由托马斯·李双簧管. S0.10957. 随着2长笛. 还小. 2双簧管2单簧管降B 2巴松管2法国号2小号降B 2长号定音鼓钢琴独奏. 巴洛克时期，古典时期，浪漫时期，20世纪，21世纪. 仪器仪表. 2长笛. 还小. 2 Oboes2单簧管降B 2 Bassoons2法国号2喇叭在Bb2即TrombonesTimpaniPiano单飞第一Violin2nd ViolinViolaCelloDouble低音程序说明. 这是非常高兴，我有这个机会来写我的第一个钢琴协奏曲为我的隔壁邻居和朋友，罗伯特·莱文. 演奏家钢琴家罗伯特·莱文和莫扎特的音乐是不可分割的配对. 我立刻知道我必须包括一些莫扎特在这个炖. 对于我的“Mozartiana，”我去了完整版的莫扎特和寻找一些不完整的旋律或专题片，我可以“偷”为主题和动机我协奏曲. 协奏曲是四个部分 - 慢 - 快，慢 - 快. 也许我应该说，这项工作是两个动作 - 在每一个动作在音乐开始慢慢地，然后转移齿轮变快. 出了四个主题在这项工作中，他们三人都是基于莫扎特片段. 第一乐章一开始就缓慢的主旋律在d小调. 该材料是衍生莫扎特片段D-主要的 - 一个“垂怜”为主题的合唱团和管弦乐团. 在80措施乐团进入一个快速欢蹦乱跳. 本节的材料无关，与莫扎特. 质构，这听起来像巴赫风格的四部分对位显示. 第二乐章的主题取自莫扎特片段原本是为管弦乐序曲. 其主要特点是旋律依次后跟一个锯齿zagging琶音主题. 在快节奏的音乐后面，一个疯狂的谐谑曲，再次在测量80，是基于莫扎特片段三米，他描绘为一个未完成的弦乐五重奏. 当我发现罗伯特·莱比分最近，他说他很惊讶，他没认出莫扎特片段. “当我在阅读的分数，”他告诉我，“这听起来像你的特点TOL音乐. “好吧，我不得不说我很欣慰和高兴. 它是确定从萨尔茨堡天才“偷”，但失窃的材料应通过导致一些过滤过程，是可辨别我的音乐，而不是莫扎特的更重要. 顺便说一句，莱文先生是深受莫扎特和贝多芬为他的即兴变奏的协奏曲. 朝第二乐章的结尾，我给了他足够的空间，以即兴为他的心脏的内容. 数码打印是打印乐谱可随时随地. 刚刚购买，打印和播放. 查看您的在线乐谱在家庭，学校，工作或任何地方您有连接到Internet的计算机. 使用我们的iPad应用程序，以在路途中欣赏您的数字乐谱. 随着数码打印，你可以购买后立即打印您的数字乐谱，或者等到它的方便. 而我们的软件的安装是很容易 - 我们将引导您通过简单的步骤，以确保你有安装Adobe Flash Player，Adobe AIR和本乐谱加AIR应用程序.