活页乐谱 $40.00

原文

Concerto No. 1 in D Minor for Marimba. piano reduction. Marimba sheet music. Percussion sheet music. Piano sheet music. Advanced.

译文

协奏曲D小调第1号马林巴. 钢琴减少. 马林巴琴乐谱. 锣鼓乐谱. 钢琴乐谱. 先进.

原文

Concerto No. 1 in D Minor for Marimba. piano reduction. composed by Noah D. Taylor. Percussion Ensemble. For Marimba Concerto. marimba. 5-octave. piano. Concertos. Medium difficult. Piano reduction. Duration 30. 00. Published by C. Alan Publications. CN.10920. Taylor's Concerto displays confident youth as the composer ambitiously recalls the Romanticism of the past. The work is a large-scale undertaking for the soloist and the ensemble. Taylor has truly constructed a solo part of transcendental technique and virtuosity. The Concerto is tangible and tuneful, visually captivating and memorable from the first encounter. The Marimba Concerto No. 1 in D Minor was completed in August 2003. This concerto was composed for marimbist Brenton Dunnington and was Taylor's first work for a solo mallet-percussion instrument. Taylor's Concerto displays confident youth as the composer ambitiously recalls the Romanticism of the past. The work is a large-scale undertaking for the soloist and the orchestra. Taylor has truly constructed a solo part of transcendental technique and virtuosity. The Concerto is tangible and tuneful, visually captivating and memorable from the first encounter. The first movement employs late 19th century harmony blended with Taylor's personal aesthetics. The full and rich orchestration is most evident here. The movement also displays the endurance and facility of the soloist. The opening fanfare and romantic theme form the basis for shaping the movement. Taylor thoroughly develops the theme in a romantically expanded sonata form. The solo cadenza. with improvisational intent. emerges from the end of the development and drives on to explore the theme. It demands intricate, complete command of the marimba and fearless composure from the soloist to accomplish the aggressively fluctuating tempi, the broad dynamic spectrum, and perilous octave descents. After a brief adagio, the first movement reaches an exhilarating orchestral conclusion. The slow second movement, still rooted in romanticism, slips in and out of 20th century harmonies. The movement is a tale of love and passion. Titled Adagio, the movement, opening in C major, is monothematic, but for a brief recapitulation of the first movement's main theme. The movement's poignant melody is carried by each of the oboe, clarinet, and flute solos with marimba. There is a tender, recurring duo between solo marimba and harp followed by a dramatic, climactic chorale where the soloist employs six-mallet technique. The movement culminates in a vivid new statement of the movement's main melody and fades off into the distance. A thematic transformation develops several stages further in the third movement. The Finale is a hero's tale of battle, danger, love, and triumph. Each section evokes a different account on the journey. Taylor reemphasizes the D minor tonality of the opening movement. The third movement bursts into the exhilarating and vigorous first subject, which features a thrilling rhythmic motif and interchange between the soloist and orchestra. The tale moves through a central, lyrical episode in place of a development section. Again, earlier material is recalled. As the final Vivace builds to a climax, the soloist unleashes fiery virtuosity with the orchestra. The majestic recapitulation, now in D major, surveys all of the Finale's opening material concluded by the coda in a brilliant presto and fortissimo. - Noah D. Taylor.

译文

协奏曲D小调第1号马林巴. 钢琴减少. 诺亚D.泰勒组成. 打击乐合奏. 对于马林巴协奏曲. 马林巴. 5倍频程. 计划. 协奏曲. 中等难度. 钢琴减少. 时间30. 00. 发布时间由C.艾伦出版物. CN.10920. 泰勒的协奏曲显示自信的青年作为作曲家雄心勃勃地回忆起过去的浪漫主义. 这项工作是一个大型的承诺的独奏和合奏. 泰勒已经真正构建超越的技术和精湛的独奏部分. 协奏曲是有形的和和谐的，在视觉上迷人的，从第一次相遇难忘. D小调的马林巴协奏曲1号于2003年8月完成. 这部协奏曲是由为marimbist布伦顿的Dunnington，是泰勒的一个独奏槌打击乐器的第一部作品. 泰勒的协奏曲显示自信的青年作为作曲家雄心勃勃地回忆起过去的浪漫主义. 这项工作是一个大型的承诺的独奏家和乐团. 泰勒已经真正构建超越的技术和精湛的独奏部分. 协奏曲是有形的和和谐的，在视觉上迷人的，从第一次相遇难忘. 第一乐章采用了19世纪后期的和谐融合了泰勒的个人美学. 全面，丰富的配器是最明显的在这里. 该运动还显示独奏者的耐力和设施. 开放大张旗鼓和浪漫的主题形成的基础，塑造运动. 泰勒深入开展以浪漫扩展奏鸣曲式的主题. 独奏华彩乐段. 与即兴的意图. 出现从发展的结束和驱动器上的探索主题. 它要求从独奏马林巴和无畏沉着复杂的，完整的命令来完成积极波动的拍子，在宽广的动态范围，和危险的八度下坡. 一个简短的慢板后，第一乐章达到一个令人振奋的管弦乐结论. 缓慢的第二乐章，仍然植根于浪漫主义，滑倒在20世纪的和声和出. 运动是爱和激情的故事. 标题为慢板，运动，开放在C大调，是monothematic，但对于第一乐章的主旋律简要概括. 运动的凄美的旋律是由每个双簧管，单簧管，长笛和独奏与木琴的进行. 有一种温柔，木琴独奏和竖琴其次是戏剧性的，高潮合唱团所在的独奏采用六槌技术之间的经常性朵. 该运动的高潮在运动的主旋律的生动新的语句和淡化到了距离. 的专题转型发展的几个阶段进一步在第三乐章. 压轴的是战斗，危险，爱情和胜利的英雄的故事. 每一节唤起的征程上不同的帐户. 泰勒再次强调开放运动的D小调调性. 第三乐章闯进了令人振奋和活力的第一个主题，它采用了独奏和乐队之间的一场惊心动魄的节奏动机和交换. 故事通过一个中央，抒情插曲移动在一个地方发展部. 同样，早期的材料是回忆. 由于最终Vivace公司建立了一个高潮，独奏释放出火热的精湛技艺与乐团. 雄伟的重演，现在在D大调，调查所有决赛的开幕材料在一个辉煌的急缔结的尾声和极强. - 诺亚D.泰勒.