活页乐谱 $11.00

原文

Bushido. The Way of the Warrior. Percussion sheet music. Timpani sheet music.

译文

武士道. 战士之路. 锣鼓乐谱. 定音鼓乐谱.

原文

Bushido. The Way of the Warrior composed by John Willmarth. Timpani Solo. For timpani solo. timpani. Book. Duration 9 minutes. Published by Innovative Percussion. IP.T-JW-BUS. Composer's notes. The samurai of Japan were not merely trained assasins but lived by a strict ethical code known as Bushido. literally meaning "the way of the warrior". This code influenced all aspects of life and is comparable to the Western concept of chivalry. The samurai were, of course, fierce warriors but also strongly believed in honor, kindness, frugal living, and above all, loyalty to their lord. The ultimate honor was to die in service to one's master. In fact, the samurai considered suicide, called seppuku, a brave and admirable alternative to being defeated in battle. As the samurai began their decline and eventual abolishment in 1871, Bushido became the moral standard of the Japanese culture. There are seven principals that embody the spirit of Bushido including. Gi. recitude. , Rei. respect. , Makoto. honesty. , and Chugi. loyalty. The three movements of this piece represent the Bushido principals of Jin. benevolance. , Meiyo. honor and glory. and Yu. courage. Each movement is intended to emphasize a different facet of the timpani and aspect of Japanese music. Jin is a soundscape and therefore deals primarily with color and timbre. It should convey a meditative and reflective mood as well as the kind and wise nature of the samurai. Meiyo focuses on the melodic potential of the timpani and utilizes pedaling to create an "eastern" tonality. It is song-like in character and should exemplify the proud tradition and history of the samurai. Yu explores the rhythmic potential of the timpani and is strongly influenced by the Taiko drumming tradition. It is intended to depict the fierce nature of the samurai in battle. "This nine-minute, four-drum composition represents the final three principles in its three movements. Each movement is intended to emphasize a different facet of the timpani and a different aspect of Japanese music. Movement 1. -Jin-. is a soundscape and therefore deals primarily with color and timbre. It conveys a meditative and reflective mood with its many caesuras, fermatas, and graphic and spatial notation. Numerous special effects are employed in this movement, such as use of fingers as well as mallets, finger trills, finger grace notes, playing in the center of the heads, glissandi, and pitch bends. achieved by depressing the head in the center with the heel of the hand. Movement 2. -Meiyo-. focuses on the melodic potential of the timpani and utilizes pedaling to create an "eastern" scale of six tones. F, G-flat, B-flat, C, D-flat, F. among the four drums. The movement is song-like in character and reflects the proud tradition and history of the Samurai. Although the movement begins rubato, it soon becomes dance-like and stays primarily in duple meter thereafter. Numerous special percussive effects are employed, such as stick clicks, rim clicks, striking the timpani struts, and rimshots. stick on stick. Movement 3. -Yu-. uses the same four starting pitches and basic tonality as both previous movements. It explores the rhythmic potential of the timpani and is strongly influenced by the Taiko drumming tradition. It is intended to depict the fierce nature of the Samurai in battle. The movement is aggressive, rhythmic, accented, and has many changes of meter. Mutes are eventually added to the drums for rhythmic clarity as the music turns "ferocious" and highly technical. The timpanist is often required to play passages of fast double stops and in the center of the heads. " - Mario Gaetano Percussive Notes, October 2006.

译文

武士道. 战士由约翰·Willmarth组成的路. 定音鼓独奏. 对于定音鼓独奏. 定音鼓. 书. 时间9分钟. 出版创新的打击乐. IP.T-JW-BUS. 作曲家的音符. 日本的武士不仅训练刺客，但在生活称为武士道严格的道德准则. 字面意思是“战士之路”. 此代码影响了生活的各个方面，足以媲美西方骑士精神的概念. 武士是的，当然，凶猛的战士也坚信在荣誉，善良，节俭的生活，和高于一切，忠诚于自己的主人. 最终的荣誉是服务于死一个人的主. 事实上，武士考虑过自杀，被称为切腹，勇敢和令人钦佩的替代品被打败的战斗. 由于武士开始了他们的衰落和最终废止于1871年，武士道成为日本文化的道德标准. 有七个校长体现武士道精神，包括. GI. recitude. ，川. 尊重. ，诚. 诚实. 和Chugi. 忠诚. 这件作品的三个乐章代表金的武士道校长. benevolance. ，明洋. 荣誉与荣耀. 和宇. 勇气. 每一次动作都意在强调不同的方面日本音乐的定音鼓和方面. 金是一个音景，因此，主要的颜色和音色处理. 它应该传达一个冥想和反思的情绪，以及种类和武士的明智性质. 明洋专注于定音鼓的旋律潜力和利用蹬创建一个“东方”调性. 这首歌是类似的，应体现的光荣传统武士和历史. 宇探讨了定音鼓的节奏潜力，由太鼓传统的强烈影响. 它的目的是描绘武士的凶性在战斗. “这9分钟，四鼓组成代表其三个乐章的最后三个原则. 每一次动作都意在强调不同的方面定音鼓和日本的音乐的不同方面. 动作1. 金 - . 是一个音景，因此，主要的颜色和音色处理. 它传达了一个冥想和反射的心情与它的许多caesuras，fermatas，以及图形和空间的符号. 众多特效受雇于这个运动，如使用手指以及手槌，手指颤音，手指的装饰音，在头，滑音的中心玩耍，弯音的. 通过用手掌根部按压头的中心达到. 动作2. - 明洋 - . 专注于定音鼓的旋律潜力和利用蹬创建一个“东方”规模六个声调. F，G大调，降B，C，D大调，F. 四鼓中. 运动是歌般的性格，反映了光荣传统的武士和历史. 虽然运动开始散板，它很快变得舞蹈样，主要在二拍子之后停留. 许多特殊的撞击效果采用，如棒点击，点击辋，引人注目的定音鼓支柱，并rimshots. 粘在棒. 运动3. 宇. 使用相同的四个首发球场和基本色调为先前的两个动作. 它探讨了定音鼓的节奏潜力，由太鼓传统的强烈影响. 它的目的是描绘武士的凶性在战斗. 运动是积极的，有节奏，重音，并且有米的许多变​​化. 静音最终会加入到鼓的节奏清晰的音乐变成“凶猛”和技术性很强的. 定音鼓手，往往需要发挥快速双站通道，并在头的中心. 马里奥 - 加埃塔诺撞击注意，2006年10月.