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原文

Capture of the U-505. Percussion sheet music. Timpani sheet music.

译文

在U-505的捕获. 锣鼓乐谱. 定音鼓乐谱.

原文

Capture of the U-505 composed by John Willmarth. Timpani Solo. For timpani solo. timpani. Book. Duration 8 minutes, 50 seconds. Published by Innovative Percussion. IP.T-JW-505. Composer's notes. "Capture of the U-505" is a programmatic piece influenced by Wagner's use of Leitmotif. a musical device in which a character, place, or idea is depicted through a musical theme. Throughout the work the top two drums represent the American Naval forces and the bottom drums the German U-boat, the U-505. The piece is comprised of four sections. The U-boat, The Chase, The Battle, and The Capture. The opening reveals the U-boat theme including the characteristic sound of the sonar ping. The one-handed roll technique depicts the rumble of the U-boat engines. The Chase is written in a canonic style in which one hand "chases" the other. The left hand plays the bottom drums in the key of Bb while the right hand plays the top drums in the key of F. Eventually an ostinato is unveiled which rhythmically spells out the distress signal "S.O.S." in Morse code. In The Battle, small cloth bags filled with coins are placed in the center of the drumhead producing an explosion sound when the head is struck. At "agitato" the performer should improvise for 10-20 seconds using, but not limited to, the given motives in a fragmented rhythmic style. devoid of an easily discernable pulse center. The texture of the improvisation should become increasingly dense throughout. The drums can be tuned to any pitch throughout this section. based on where the performer chooses to end the glissando effects. but should end with the drums in mid-range. A 4-line staff is also used to represent the four drums rather that delineate a specific pitch set. This section should depict the chaos, aggression, and ferocity of battle. An elongated glissando up the drums is used to portray the U-boat surfacing thus ending the battle. this phrase should be performed on the 32" and 29" drums. The Capture brings some of the beginning themes full circle. This time, however, the rumble of the engines is on the high drums representing the American convoy. The drums are tuned to a major tonality depicting a resolution of the conflict throughout. The sonar ping is no longer present but the motive carries on as the sub is towed away. In 1941, the United States entered World War II in response to Japan's surprise attack on Pearl Harbor. At this point in the war, the Germans had already unleashed their Blitzkrieg attack on London and, along with Japan and Italy, formed the Axis powers. Because shipping was the primary means of delivering supplies to Great Britain and Africa, the German submarine or U-boat became a major factor in what has come to be known as the Battle of the Atlantic. German U-boats were sinking merchant ships at an alarming rate. In fact the U-boats effect on the war was so profound that in a speech British Prime Minister Winston Churchill stated, "The only thing that ever really frightened me during the war was the U-boat peril. " In response to this threat, the United States formed hunter-killer task groups designed to seek out and destroy enemy subs. Captain Daniel Gallery led the group known as the 22.3 which was comprised of five destroyer escorts. USS Chatelain, USS Jenks, USS Flaherty, USS Pillsbury, USS Pope, and the aircraft carrier the USS Guadalcanal. Through intercepted radio transmissions the 22.3 was able to ascertain the general location of a U-boat off the coast of West Africa. After 2 weeks of searching unsuccessfully, the 22.3 broke off the hunt. On June 4th, 1944, as they headed towards Casablanca to refuel, the USS Chatelain suddenly made sonar contact with the U-505 less than 800 yards away. The American destroyer fired on the sub as it took evasive action. Wildcat fighters from the Guadalcanal marked the position of the U-505 by firing their machine guns into the water. The Chatelain was able to severely damage the U-505 using depth charges, forcing her to surface. It was a short but fierce battle in which the U-505 was only able to launch one torpedo. Once the sub surfaced, the U.S. convoy surrounded the sub and covered her in artillery fire. The crew abandoned ship and 58 German sailors were captured with only one casualty. Although the Germans took measures to scuttle the ship, an American salvage crew managed to board the boat, remove classified materials, and save the U-505 from sinking. The boat was secretly towed over 2,500 miles to a U.S. base at Bermuda in order to study German U-boat technology. Because of the bravery, courage, and daring of Commander Gallery and his team, the U.S. Navy was able to capture an enemy vessel at sea for the first time since the War of 1812. Admiral Royal E. Ingersoll, Commander in Chief, U.S. Atlantic Fleet, released the following statement. "The Task Group's brilliant achievement in disabling, capturing, and towing to a United States base a modern enemy man-ofwar taken in combat on the high seas is a feat unprecedented in individual and group bravery, execution, and accomplishment in the Naval History of the United States.

译文

Capture of the U-505 composed by John Willmarth. 定音鼓独奏. 对于定音鼓独奏. 定音鼓. 书. 持续8分50秒. 出版创新的打击乐. IP.T-JW-505. 作曲家的音符. “在U-505的捕获”是一个纲领性的一块瓦格​​纳的使用主旋律的影响. 其中一个人物，地点或想法通过音乐主题所描绘的音乐设备. 在整个工作中的前两名鼓代表了美国海军部队和底鼓的德国U艇，在U-505. 这件作品是由四个部分. U艇，追逐，争斗和捕捉. 开幕揭示了U艇的主题，包括声纳平特有的声音. 单手滚法描绘了U艇的发动机的隆隆声. 大通是写在一个法服样式，其中一方面“追逐”其他. 左手演奏底部鼓降B的键，同时，右手扮演的顶级鼓F的关键最终的固定音型亮相的节奏阐明了求救信号“SOS”在莫尔斯电码. 在战斗中，小布袋装满硬币被放置在鼓面产生爆炸声的中心时，头部被击中. 在“激动的”表演者应该凑合使用10-20秒，但不限于，在一个分散的有节奏的样式给出的动机. 缺乏一个容易辨别的脉冲中心. 即兴的质地应在整个变得越来越密集. 该鼓可以调整到任何球场在本节. 根据那里的表演选择终止滑奏效果. 但应与中档的鼓点结束. 一个4线的工作人员也被用来代表四个鼓宁可划定一个特定的音调集. 这部分应该描绘的混乱，侵略和凶猛的战斗. 细长的滑奏起来鼓是用来描绘U艇堆焊从而结束战斗. 这句话应该在32“和29”鼓进行. 捕捉带来了一些主题，开始整圆的. 这一次，但是，发动机的隆隆声是对高鼓代表美国车队. 鼓都调整到一个主要的色调描绘了冲突的整个解决. 该声纳平不再存在，但动机进行作为子被拖走. 1941年，美国进入第二次世界大战以回应日本对珍珠港偷袭. 此时，在战争中，德军已经发动对伦敦的闪电战攻击，而且随着日本和意大利，形成轴心国. 因为运输是运送物资到英国和非洲，德国潜艇或U艇成为什么已经到了被称为大西洋战役的主要因素的主要手段. 德国U艇被击沉的商船以惊人的速度. 其实对战争的U型艇影响是如此深刻，在一次讲话中，英国首相温斯顿·丘吉尔说，“是有史以来在战争中真的把我吓坏了的唯一的事情就是U艇的危险. “为了应对这一威胁，美国成立，旨在寻找和摧毁敌方潜艇猎杀任务组. 队长丹尼尔画廊领导称这是由五个护航驱逐舰的22.3组. USS查特莱兰，詹克斯号航空母舰，美国海军弗莱厄蒂，皮尔斯伯里号航空母舰，USS教皇，和航母的瓜达尔卡纳尔岛号. 通过截获无线电传输的22.3能够确定一个U艇的大致位置西非海岸. 2周寻找未果后，22.3断绝追捕. 于1944年6月4日，他们攻向卡萨布兰卡加油，在USS Chatelain的突然来了声纳接触与U-505不到800码的距离. 美国驱逐舰上发射的子，因为它采取规避动作. 从瓜达尔卡纳尔岛野猫战斗机标志着炒机枪入水的U-505的位置. 该Chatelain的是能够严重损坏的U-505使用深水炸弹，迫使她浮出水面. 这是一个短暂而激烈的战斗中，在U-505仅能够推出一颗鱼雷. 一旦分浮出水面，美国车队包围的子覆盖在她的炮火. 船员弃船和58德国水兵被抓获，只有一人伤亡. 虽然德国人采取措施，天窗船，一个美国救助船员成功地登上了船，删除机密材料，并从下沉保存在U-505. 小船偷偷拖走超过2,500公里至美军基地在百慕达以研究德国U艇技术. 因为勇敢，勇气和大胆的指挥官库和他的团队中，美国海军能够捕捉敌人船只在海上航行以来，1812年战争的第一次. 皇家海军上将E.英格索兰，三军总司令，美国大西洋舰队，发布了如下声明. “该工作小组的辉煌成就禁用，捕捉，并拖着一个美国基地的现代化敌人人为ofwar在战斗在公海采取的是一个壮举前所未有的个人和团体的勇敢，执行，并在海军历史成就美国.