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原文

String Quartet No 5. Donald Martino. Cello sheet music. Viola sheet music. Violin sheet music. Advanced.

译文

弦乐四重奏5号. 唐纳德·马蒂诺. 大提琴乐谱. 中提琴乐谱. 小提琴乐谱. 先进.

原文

String Quartet No 5 composed by Donald Martino. 1931-2005. For Violin, Violin, Viola, Cello. This edition. Study Score. Contemporary Classical. Conservatory. Sheet music. Published by Dantalian, Inc.. DA.DSE535. "Donald Martino has produced five string quartets that pretty much span his career. Thirty years passed between the early quartets and number four which appeared in 1984. for the Juilliard Quartet and recorded by them. Saturday night. Jan 28. brought the premiere of the fifth, in a skilled and sympathetic performance by the Lydian String Quartet. The Pulitzer Prize-winning composer turns 74 this year, and has survived a series of illnesses that would have knocked the music out of most of the rest of us. Instead Martino continues regularly to compose works characterized by feeling, color, imagination and depth, all of it articulated by complex and impeccable workmanship. The Fifth Quartet begins with a solemn duet between violin and cello that soon draws the others into its sonorous discourse. The second movement begins in whizzing unisons, then pits pairs of instruments against each other in a fairly intricate game of tag. The third movement sounds like a kind of intricate reflection and development of the opening as the finale appears to be a more intricate reflection of the second. There is playfulness, edge, sensuousness and soulfulness in the piece. It was revealing to hear Op 131. Beethoven. in the context of the Martino -- they begin in similar ways, move across contrasting emotional landscapes with similar fluidity, and accumulate internal memories they can relate to. " - Boston Globe. 2004, 20 minutes.

译文

弦乐四重奏5号由唐纳德·马蒂诺组成. 1931至2005年. 对于小提琴，小提琴，中提琴，大提琴. 此版本. 研究分数. 当代古典. 温室. 乐谱. 出版Dantalian公司. DA.DSE535. “唐纳德·马蒂诺已经产生了几乎跨越了职业生涯5弦乐四重奏. 早期的四重奏和排名第四的出现于1984年间通过三十年. 为茱莉亚四重奏，并记录他们. 周六晚. 1月28日. 由吕底亚弦乐四重奏带来了第五的首映，在熟练和同情的表现. 普利策奖得主，作曲家变成74今年，并已存活了一系列病症，将敲音乐了我们大多数人的休息. 相反马蒂诺定期继续谱写特点的感觉，颜色，想象力和深度的作品，这一切由复杂和做工无可挑剔铰接式. 第五四重奏开始，小提琴和大提琴之间的庄严对唱很快吸引别人进入它的铿锵话语. 第二乐章开始在嗖嗖unisons，然后在坑标签的相当复杂的游戏对对对方仪器. 第三运动听起来就像是一种复杂的反射和开口的发展，作为压轴似乎是所述第二的一个更复杂的反射. 有嬉闹，边，感性和soulfulness在一块. 它揭示听到运算131. 贝多芬. 在马蒂诺的背景 - 他们开始以类似的方式，将整个对比情感的风景类似的流动性，并积累内部存储器，他们可以涉及到. “ - 波士顿环球报. 2004年20分钟.