活页乐谱 $5.50

原文

Antiphon op. 56b. Benjamin Britten. Choir sheet music. Organ Accompaniment sheet music.

译文

安提运. 56B. 本杰明·布里顿. 合唱乐谱. 风琴伴奏乐谱.

原文

Antiphon op. 56b. 1956. SATB with Optional Solos and Organ. Composed by Benjamin Britten. 1913-1976. For Choral, Chorus, Organ. SATB Score. Boosey & Hawkes Sacred Choral. 16 pages. Boosey & Hawkes #M060013904. Published by Boosey & Hawkes. HL.48008875. for SATB with three treble. soprano solos. which Britten indicates can be reduced to one soloist or a semi-chorus. and organ. Text. George Herbert. Publisher. Boosey & Hawkes. Difficulty level. This work was written for the centenary of St. Michael's College, Tenbury. As so often, Britten uses treble or soprano solos which he indicates should be sung preferably in a gallery apart from the choir. Ever the practical composer, however, he also allows that these solo parts can be reduced to one voice or be sung by a small group of voices. The anthem is an interesting conception and its structure takes its cue both from the early part of Herbert's text which says. 'Praise be the God of Love, Here below And here above. ', and the end of the poem which says. 'Praise be the God alone, Who has made of two folds one'. It is this division into two which led him into the idea of two groups of singers. It is more than this, though, as the first group, the main choir, has two roles, the singing of energetic phrases in a quicker tempo, and the quiet response to a slower solo line. Having moved backwards and forwards between these two characters the choir eventually sings an uplifting 'fugato' which builds up a terrific head of steam with the organ part growing into crashing alternate hand chords and the pedals taking wing from the bottom to the top. literally. of the pedal board. A brief silence, and a chorale-like line subsides into a magical quiet ending where the three soloists sing triads to the word 'one' whilst the chorus responds with a lower triad on the word 'two'. The whole thing resolves onto a widely-spaced chord of F major and everyone singing the word 'one'. A slightly sentimental or glib touch. No, take it at face value after all that has gone before and appreciate Herbert's imagery. It is a wonderful resolution of the two elements played out through the piece. As with many other such works, the Antiphon requires an accomplished organist. The choir also needs to be confident both in their notes and rhythm. This is a rarely performed work which should really be much better known and more often performed than at present. It is certainly within the grasp of a reasonably competent choir looking for less well-known music by a great composer. Duration. 6 minutes. Paul Spicer, Lichfield, 2011.

译文

安提运. 56B. 1956年. SATB与可选独奏和器官. 由本杰明·布里顿组成. 1913-1976. 对于合唱，合唱，管风琴. SATB得分. 布西. 16页. Буси. 出版布西. HL.48008875. 为SATB有三个高音. 女高音独唱. 其中布里顿表示可以降低到1独唱或半合唱. 和器官. 文本. 乔治·赫伯特. 发行人. 布西. 难度等级. 这项工作是为圣迈克尔学院，坦伯里韦百年书面. 正如经常，布里顿使用高音或女高音独唱，他表示应该最好是在一个画廊从合唱团除了演唱. 有史以来最实用的作曲家，但他也可以让这些独奏部分可以简化为一个声音，或由一小群的声音来唱. 国歌是一个有趣的概念及其结构发生了线索都来自赫伯特的文本的早期部分的说. “赞美是爱的神，在这里，下面在这里，上面. '，而这首诗说的结尾. '赞美上帝独自一人，谁取得了双重一个人. 正是这种一分为二，而导致分成两组歌手的想法. 这是比这更多，不过，由于第一组，主要合唱团，有两个作用，精力充沛的短语在更快的节奏唱歌，并以较慢的独奏线的宁静响应. 经移动前后这两个字符的唱诗班唱最后一个令人振奋的“Fugato动力”，这蒸汽的一个了不起的头建立了与器官的一部分成长为崩溃交替手的和弦和踏板服用翼从底部到顶部之间. 从字面上. 脚踏板. 短暂的沉默，和诗歌般的线条消退到一个神奇的安静的结局，其中三个独唱唱黑社会这个词'一'，而对单词“两化”较低的黑社会合唱响应. 整个事情解决到的F大调，每个人都唱这个词'一'一个广泛间距弦. 稍微感伤，或油腔滑调触摸. 不，把它按面值毕竟已经走了之前和欣赏赫伯特的意象. 这是一个美妙的分辨率发挥出过片两种元素. 如同许多其他类似的作品，安提需要一个多才多艺的风琴. 合唱团也需要自信无论是在他们的笔记和节奏. 这确实应该更好知道，更往往比目前执行的很少执行的工作. 这当然是一个有能力的合唱团在寻找不太知名的音乐由一个伟大的作曲家的掌握之中. 长短. 6分钟. 保罗·斯派塞，利奇菲尔德，2011.