活页乐谱 $32.99

原文

Complete Book of Harmony, Theory & Voicing. Guitar sheet music. Advanced.

译文

和谐完整的书，理论. 吉他乐谱. 先进.

原文

Complete Book of Harmony, Theory & Voicing composed by Bret Willmott. For Guitar. All. Perfect binding, Theory & Harmony. Complete. All Styles. Intermediate-Advanced. Book. 248 pages. Published by Mel Bay Publications, Inc. MB.95112. ISBN 9781562229948. All Styles. 8.75 x 11.75 inches. This is a very comprehensive text that combines theory, harmony and voicing material with emphasis placed on voice leading. Although this book's primary focus is on four-note chord voicings on the middle strings of the guitar, much of the knowledge conveyed here can be appreciated and used by all jazz musicians, not only guitarists. Topics covered include. Tensions, Voice Leading Chord Scales, Enharmonic Chordal Substitutions, Fourth Voicings, Chromatic Guide Lines, Triad Over Bass Voicings, and much more. The best part of this book, however, is the unique and practical way the author takes modern harmonic concepts and shows you how to apply them in real music situations. Written for the intermediate to advanced music theory enthusiast who wishes to master this facet of music. Introduction. Drop 2 type voicings. Construction of "drop 2" inversions on the middle four strings of the guitar. Construction of the various four-part chords. 6th and 7th chords. through chord spelling. Drop 2 inversion notation or "voice leading. Voice leading. - Included are various voice-led line patterns. Voicing Considerations. - Rules and considerations governing various voicing possibilities. - Included are "Low Interval Limits. Chord Symbol Notation. - Problems and suggested solutions to chord symbology. Tensions. Theory governing tension selections including tension addition chart. Voicing formulas for tension additions and substitutions to basic four-part structures. Incomplete structures formed by tension additions and substitutions. Dominant Substitute V7 Chords. Tension 9. Enharmonic chordal substitutions produced by the addition of tension 9 to a four-part harmonic structure. Introduction of non-drop 2 type voicings. 9th. no5. or 9th. no3. chords. 9th chords presented in various II - V - I examples. Tension 9 additions by string. 9th chords presented in extended musical examples. Tension 11. Enharmonic chordal substitutions produced by the addition of tension 11 to a four-part harmonic structure. 11th chords presented in various II - V - I examples. 11th chords presented in extended musical examples. Tension 13. 13th. and 6th. chords presented in various II - V - I examples. 13th chords presented in extended musical examples. Two Tensions. - Tensions 9 and 13. Theory. II - V - I examples. extended musical examples. - Tensions 9 and 11. - Tensions 11 and 13. Voice-leading Chord Scales. Three Tensions. 9, 11, and 13. - Theory. II - V - I examples. extended musical examples. Altered 9th Tensions. Flat 9 and Sharp 9. on Dom. 7th Chords. Enharmonic Chordal Substitutions. - An organized approach to the enharmonic realizations of the various chords presented in the tension addition chapters. Additional Enharmonic Chordal Substitutions. - New enharmonic possibilities of chords already presented. - Included at the end of this chapter is a list of the "incomplete" dominant-Sub V chords that were produced by their "Sub V" relation to the original dominant chords presented in the tension chapters. Relative Major - Minor. Examination of the relative major, minor, or minor 7 Flat 5 of selected chords. Newly discovered chords and functions are listed and presented in various II - V - I examples. Additional Substitutions in II - V - I examples. - The remaining new chordal discoveries from the "Additional Enharmonic Chordal Substitutions" chapter are presented in various II - V - I examples. New Voicings. - Completes the available voicings within this text's established framework on the middle four strings. Enharmonic Substitutions on 9th Chords with omitted third or fifth. - Examination of the various functions in these non-drop 2 type voicings. Tension Additions on Diminished 7th Chords. - Symmetrical and diatonic approach to the addition of tensions on diminished chords and examination of various functions. Constant Structure Harmonic Motion. Multi-function examination of a single voicing and chord type. Musical examples including II - V - I situations. Symmetrical Dominant Substitutions. - Dominant functions of whole-tone and diminished are examined. Altered Dominant. - Examination of harmonies derived from the "altered" scale. 1 Flat 2 Sharp 2 3 Flat 5 Sharp 5 Flat 7. Approach Voicings. - In depth examination of chromatic, diatonic, and dominant approach techniques relative to four-note voicings. Fourth Voicings. Modal and diatonic approaches to quartal harmony. Examination of various scales for their quartal harmonic potential. 32-bar song form demonstrating the various uses of fourth voicings. Different functions of fourth voicings derived from the Pentatonic scale. Chromatic Guidelines. - Examination of chromatic motion in each voice or voices of four-part harmonic structures. - Various parallel and. or contrary chromatic motion combinations are superimposed over different string combinations. Chromatic guidelines over a single chord. one line. two lines. three and four lines. Chromatic guidelines over chord changes. Contrary motion. various contrary chromatic combinations are presented in II - V - I examples and some extended chord progressions. Triad over Bass Voicings. Organization of major and minor triads over various bass notes. Enharmonic possibilities of each structure. "Upper-structure triads" - triads over different 7th and 6th chords. Triads over tensions. Triads over bass arpeggios. Symmetrical motion. Diatonic motion. Contrary motion. "Unavailable" half-steps. 10. Doublings. 11. Reharmonization. Song Examples. - A combination of the voicing techniques and substitutions presented in this text will be used to reharmonize various chord progressions found in different songs. Rhythm. Various rhythms and chord omissions. rests. are suggested to be used over the existing examples throughout this text. Different rhythms and string combinations are examined. Conclusion. - Suggestions for continued harmonic study including different voicing sizes and string combinations.

译文

和谐完整的书，理论. 对于吉他. 所有. 完美的结合，理论. 完整. 所有样式. 中级 - 高级. 书. 248页. 发布时间由梅尔海湾出版公司. MB.95112. ISBN 9781562229948. 所有样式. 8.75 x11.75英寸. 这是一个结合理论，和谐，清浊材料重点非常全面的文本放在语音龙头. 虽然这本书的主要重点是在吉他的弦中间四音符和弦声部，多的知识，在这里传达能够被理解和使用的所有的爵士音乐家，不仅吉他手. 涵盖的主题包括：. 紧张，领先的语音和弦音阶，异符同音的弦替换，第四声部，色辅助线，三合会在低音声部，以及更多. 这本书最好的部分，但是，是作者以现代谐波概念，并显示你的独特和实用的方法如何把它们应用到真正的音乐的情况下. 写为中级到高级音乐理论爱好者谁希望掌握这方面的音乐. 介绍. 下降2型声部. 跌落2倒在中间四根弦的吉他建设. 各由四部分组成和弦的建设. 第六和第七和弦. 通过和弦拼写. 滴2反转符号或“语音主导. 领先的语音. - 包括各种语音为主导的线条图案. 清浊注意事项. - 规则和注意事项管理各种发声的可能性. - 包括的是“低间隔限制. 和弦符号表示法. - 问题和建议的解决方案和弦符号. 紧张. 论执政紧张的选择，包括紧张除了图. 清浊公式张力增加和替换为四个基本部分结构. 张力增加和替换不完全形成​​的结构. 占主导地位的替代V7和弦. 9紧张. 通过加入张力9为四部分的谐波结构产生等音弦的取代. 非降2型声部简介. 9日. NO5. 或第9. NO3. 和弦. v - 输出 - 在不同II中第9和弦我的例子. 张力9添置通过字符串. 在扩展音乐的例子呈现第九和弦. 张力11. 通过加入张力11〜四部分谐波结构产生等音弦的取代. v - 输出 - 在不同II中11和弦我的例子. 在扩展音乐的例子给出11和弦. 张力13. 第13. 和第6. v - 输出 - 在不同的II中的和弦我的例子. 在扩展音乐的例子介绍第13和弦. 两个紧张. - 紧张9和13. 理论. 二 - 五 - 我的例子. 扩展音乐的例子. - 紧张9和11. - 紧张11和13. 话音领先的和弦秤. 三个紧张. 9，11，和13. - 理论. 二 - 五 - 我的例子. 扩展音乐的例子. 改变第九届紧张. 平9和夏普9. 在大教堂。第七和弦. 等音弦替换. - 有组织的方法来各种和弦的等音变现的张力另外的章节介绍. 其他异符同音的弦替换. - 和弦的新的可能性等音已经呈现. - 包含在本章的最后是由他们分V的关系产生了在紧张的章节介绍了原来的主导和弦的不完整的显性子V和弦列表. 相对大 - 小. 考试相对主要，次要，或次要7平5选择和弦的. 新发现的和弦和上市，并在各种II中的功能 - V - 我的例子. 其他替换第II - V - 我的例子. - 从其他等音弦替换章其余新发现的弦都在不同的II - V - 我的例子. 新声部. - 完成本文的既定框架内的可用声部的中间四根弦. 9日和弦等音替换与省略第三或第五. - 考试在这些非降2型声部的各种功能. 在减少7弦的张力增加. - 对称和全音阶的方法来减少对和弦和检查各种功能的添加紧张. 固定结构谐运动. 一个清浊及和弦类型的多功能检查. 音乐的例子包括二 - V - 我的情况. 对称优势换人. - 全音的主导功能，减少被检查. 主导改变. - 考试从“改变”的规模得出的和声. 1平2夏普2 3 5平5夏普平7. 声部的方法. - 在色，全音阶，哲科的方法技术深入检查相对于四音符声部. 第四个声部. 模态和全音阶的方法来quartal和谐. 检查各种规模为他们quartal调和势. 32杆的歌曲形式展示第四声部的各种用途. 第四个声部从五声音阶派生的不同功能. 色指南. - 考试彩色运动中的每个语音或四部分谐波结构的声音. - 各种并行和. 或违反色运动组合叠加在不同的字符串组合. 在一个单一的和弦音阶指引. 一行. 两行. 3和4线. 在和弦变化半音指引. 相反运动. 各种色相反组合呈现II - V - 我的例子和一些扩展和弦进行. 黑社会在低音声部. 组织的主要和次要黑社会在各种低音音符. 每个结构等音可能性. 上部结构黑社会 - 黑社会在不同的第7和第6弦. 黑社会紧张过度. 黑社会在低音琶音. 对称运动. 全音阶的议案. 相反运动. “不可用”半步骤. 10. 倍增. 11. Reharmonization. 宋例子. - 在本文呈现的发声技术和替代的组合将用于reharmonize在不同的歌曲中的各种和弦进行. 韵律. 各种节奏及和弦遗漏. 休息. 被建议使用在现有的例子在整个正文. 不同的节奏和字符串组合进行检查. 结论. - 建议继续谐波研究，包括不同的清浊大小和字符串的组合.