活页乐谱 $30.00

原文

Zarabanda. Joseph Turrin. B-Flat Trumpet sheet music. Double Bass sheet music. Euphonium sheet music. Horn sheet music. Percussion sheet music. Trombone sheet music. Tuba sheet music. Grade 4.

译文

Zarabanda. 约瑟夫Turrin. 降B大调小号乐谱. 低音提琴乐谱. 次中音号的乐谱. 喇叭乐谱. 锣鼓乐谱. 长号乐谱. 图拔乐谱. 四年级.

原文

Zarabanda. Xylophone. Marimba Feature. Composed by Joseph Turrin. 1947-. For Soloist. with Concert Band. Solo Percussion, Piccolo, Flute 1-2, Oboe 1-2, Bassoon 1-2, Clarinet in Eb, Clarinet in Bb 1-3, Bass Clarinet, Alto Saxophone 1-2, Tenor Saxophone, Baritone Saxophone, Horn in F 1-4, Trumpet in Bb 1-5, Trombone 1-3, Euphonium, Tuba, Contrabass, Percussion. Grade 4. Score only. Duration 5. 00. Published by C. Alan Publications. CN.16431. The piece is in several sections with a Latin style rhythm that occasionally gets interrupted by accented outbursts from the ensemble. As the piece develops and moves from section to section, new rhythmic and melodic ideas are introduced. The piece culminates with a bravura mallet cadenza and an optional cadenza, which calls for the additional skills of playing the timbales, bongos, tom-toms, and conga drum. I composed Zarabanda for a Latin American recording project with RCA Records and percussionist Evelyn Glennie. Although the recording project was never realized by RCA, I decided that the work would make a wonderful vehicle for Ms. Glennie along with wind ensemble accompaniment. The piece is in several sections with a Latin style rhythm that occasionally gets interrupted by accented outbursts from the ensemble. The soloist alternates between the xylophone, for the more accented staccato passages and scales, and the marimba, for the more melodic material. As the piece develops and moves from section to section, new rhythmic and melodic ideas are introduced. The piece culminates with a bravura cadenza - the soloist performing rapid-fire staccatos and scales on the xylophone. There is also an optional cadenza, which calls for the additional skills of playing the timbales, bongos, tom-toms, and conga drum. The piece concludes with a quick coda as the solo xylophone and ensemble build a fiery rhythmic syncopation. There are more rapidly accented staccatos, a quick scale, and the final bar. The zarabanda is a late 16th and 17th century Spanish dance in a lively alternating 6. 8 and 3. 4 time. Some evidence suggests that the zarabanda originated in the Spanish colonies in America, making it the first popular Latin American dance. Other evidence seems to suggest an African origin. A possible scenario might be that the zarabanda was brought to Spain by the Moors during the 12th Century, but was heavily modified by American influences during the early 16th Century. The zarabanda and its French descendant, the sarabande, were very different dances. While the French dance was a slow dance in 3. 4 time, the Spanish original was very lively, alternating between 6. 8 and 3. 4 time. In the beginning, the zarabanda was considered very indecent. Cervantes writes about the "diabolic zarabanda" in one of his short stories, and in 1583, a law was passed against singing the zarabanda. The penalties for breaking it were banishment for women and 200 whiplashes and 6 years of galley service for men.

译文

Zarabanda. 木琴. 马林巴功能. 由约瑟夫Turrin组成. 1947年 - . 对于独奏者. 与乐团. 只有打击乐，短笛，长笛1-2，双簧管1-2，1-2巴松管，单簧管降E大调单簧管降B 1-3，低音单簧管，中音萨克斯1-2，次中音萨克斯，上低音萨克斯管，圆号F大1 -4，小号降B 1-5，1-3长号，上低音号，大号，低音提琴，打击乐器. 四年级. 分数只. 持续时间5. 00. 发布时间由C.艾伦出版物. CN.16431. 这件作品是在几个部分与拉丁风格的节奏，偶尔得到由重音爆发的合奏中断. 由于片的发展，并从部分移动到部分，新的节奏和旋律的想法进行了介绍. 这件作品的高潮与炫耀的表现木槌华彩乐段和一个可选的华彩乐段，要求的打巴鼓的附加技能，手鼓，手鼓，和康加鼓. 我由Zarabanda与RCA唱片公司和打击乐伊夫林Glennie拉丁美洲记录项目. 虽然记录项目由RCA从来没有意识到，我决定，这项工作将使一个美妙的车辆Glennie女士随着风乐团伴奏. 这件作品是在几个部分与拉丁风格的节奏，偶尔得到由重音爆发的合奏中断. 木琴，为更多的重音断奏段落，规模各异，木琴，为更多的旋律材料之间的交替独奏. 由于片的发展，并从部分移动到部分，新的节奏和旋律的想法进行了介绍. 这件作品的高潮与炫耀的表现华彩乐章 - 对木琴表演速射断奏和规模的独奏. 还有一个可选的华彩乐段，要求打的巴鼓，手鼓，手鼓，和康加鼓的额外技能. 这件作品最后提出了一个快速的结尾作为木琴独奏和合奏建立一个火热的节奏切分音. 还有更迅速重音断奏，快速的规模，而最终的酒吧. 该zarabanda是一个迟到的16世纪和17世纪的西班牙舞蹈在一个热闹的交替6. 8和3. 4时间. 一些证据表明，zarabanda起源于美国的西班牙殖民地，使其成为第一个流行的拉丁舞. 其他证据似乎表明非洲起源. 一个可能的方案可能是，zarabanda是12世纪时带到西班牙的摩尔人，而是由美国的影响16世纪初期间大量修改. 该zarabanda和它的法国后裔，在萨拉班德，是非常不同的舞蹈. 而法国的舞蹈是一个缓慢的舞蹈3. 4时，西班牙原来是很热闹，6之间交替. 8和3. 4时间. 在开始的时候，zarabanda被认为是非常不雅. 塞万提斯在他的短篇小说写关于“魔鬼般zarabanda”，并于1583年，通过一项法律，对唱歌的zarabanda. 打破它被放逐的妇女和200鞭和6年厨房服务，为男性的处罚.