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原文

Coming Home. score & 1 part. Nathan Daughtrey. Euphonium sheet music. Intermediate.

译文

回家. 得分. 弥敦道Daughtrey. 次中音号的乐谱. 中间.

原文

Coming Home. score & 1 part. composed by Nathan Daughtrey. For Euphonium & Piano. euphonium, piano. Medium. Score & 1 part. Duration 9. 00. Published by C. Alan Publications. CN.19040. Based on themes and motives from the hymn "Lord, I'm Coming Home," this lovely work for euphonium and piano was commissioned by euphonium player Christian Folk to celebrate to the life of his grandmother, Virginia. The piano lays a purely accompanimental role to the long lyrical lines of the euphonium throughout. Commissioned by euphonium player Christian Folk, Coming Home takes its title from the hymn 'Lord, I-m Coming Home' by William Kirkpatrick - a favorite of his grandmother, Virginia Busbee. Melodic motives from the hymn can be found throughout the piece, with one full statement toward the end. Lord, I-m Coming Home by William J. Kirkpatrick. published 1892. First verse. I've wandered far away from God, Now I-m coming home. The paths of sin too long I've trod, Lord, I-m coming home. Refrain. Coming home, coming home, Nevermore to roam. Open wide Thine arms of love, Lord, I-m coming home. The work divides into three major sections. Fear & Anxiety The unaccompanied euphonium at the beginning poignantly captures the feeling of being lost and alone. Even with the sparse interjections of the piano, those anxious feelings are still difficult to overcome. As this section unfolds, there is a sense that it will come to a climax, but the music quickly dies back down, smoothly transitioning into the next section. Courage & Strength Climbing fifths and quartal harmonies characterize this section, combined with a stronger statement of the thematic material from the opening of the piece. A grandiose climax is finally achieved before moving into the final. and longest. section of the piece. Peace, Acceptance & Hope Ascending figures in the piano create an ethereal backdrop for the only full statement of the hymn. You may also hear Christian's grandmother's name, Virginia, uttered as a serial musical figure. It eventually becomes a music box-like accompaniment in the upper register of the piano. Motives from the opening piano statements, combined with the falling-third 'Coming Home' motive, help bring the work to a peaceful conclusion. Christian Folk performed the world premiere of Coming Home with the composer as the accompanist at the South Carolina Music Educators In-Service Conference in Charleston, SC on February 2, 2012.

译文

回家. 得分. 由Nathan Daughtrey组成. 对于低音号. 次中音号，钢琴. 中. 得分. 持续9. 00. 发布时间由C.艾伦出版物. CN.19040. 根据从赞歌主题和动机“主啊，我要回家”，为次中音号和钢琴这个可爱的工作委托中音号球员克里斯蒂安民间庆祝他的祖母，弗吉尼亚州的生活. 钢琴奠定了纯粹accompanimental作用的次中音号在整个漫长的抒情线. 由次中音号球员克里斯蒂安民间委托，回家把它的标题从赞美诗'主啊，林回家“由威廉帕特里克 - 他的祖母，弗吉尼亚Busbee的最爱. 从圣歌旋律动机，可以在整个片可以发现，朝向结束一个完整的声明. 主啊，我-M由William J.帕特里克回家. 公布1892. 第一节. 我徘徊远离神，现在林回家. 罪恶的路径太长我踩，主而言，我回家. 避免. 回家，回家，永不复漫游. 爱，主而言，我回家敞开双臂祢. 这项工作分为三个主要部分. 恐惧. 即使钢琴的稀疏感叹词，那些焦急的心情仍然难以克服. 正如本节的展开，有一种感觉，它会推向高潮，但音乐很快就会死掉背下来，顺利地过渡到下一节. 勇气. 宏伟的高潮正在进入最后才终于实现. 和最长. 这块节. 和平，验收. 您也可以听到基督徒的祖母的名字，弗吉尼亚州，说出一个串行数字音乐. 它最终成为钢琴上注册一个音乐盒般的伴奏. 从开场的钢琴陈述，结合降三'回家'的动机动机，有利于把工作提高到一个和平结束. 基督教民间在服务查尔斯顿，SC会议2012年2月2日进行的回家与作曲家的伴奏，在南卡罗来纳州的音乐教育家的世界首演.