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原文

Eastern European Rhapsody - duets for flutes. Flute sheet music. Advanced.

译文

东欧狂想曲 - 二重奏的长笛. 长笛乐谱. 先进.

原文

Eastern European Rhapsody - duets for flutes composed by Enescu, Liszt, Dvorak, Brahms. Arranged by John Gibson. For Flute. Romantic Period, 20th Century. Advanced Intermediate. JB Linear #D0092. Published by JB Linear. S0.6931. Great music that is fun to play - not easy music, either. For flute duet. Romanian Rhapsody #1 by Enescu. Hungarian Dance #4 by Liszt. Slavonic Dances #6, 7, and 8 by Dvorak. Hungarian Dances #1, 3, and 10 by Brahms. The audio sample is from Enescu's Romanian Rhapsody for flute and clarinet. All other versions are similar, but adjusted to work with the instruments being used. Here is a review by Simone Weber in the International Clarinet Society magazine, The Clarinet. September 2008. A clarinetist does not usually get the chance to play orchestral literature, apart from studying excerpts, if not a member of an orchestra or philharmonic. East Eu­ropean Rhapsody is a delightful book of duets for clarinet and bassoon that allows just that. John Gibson has arranged eight orchestral pieces for the two woodwind instruments. Transcribing and arranging orchestral literature for two instruments can be challenging, but Gibson has not compromised the integrity of the pieces. And the addition of these duets provides the repertoire another collection of duets for clarinet and bassoon. The collection is comprised of Roma­nian Rhapsody No. 1 by George Enescu, Hungarian Dance #3 by Franz Liszt, Slavonic Dances #6, 7, and 8 by Anton Dvorak, and Hungarian Dances #1, 3, and 10 by Johannes Brahms. Both the clarinet and bassoon players must perform at a high level, and also must be sensitive to each other. Because of the nature of the orchestral works, these transcriptions re­quire advanced use of tempo changes, fer­matas, accelerando, and ritardando. The players must be capable of following the score, able to cue each other and follow cues, and be sensitive to each other's mu­sical nuances. One may miss the lush orchestral sound, but Gibson manages to keep the melodies of the pieces intact, and the pieces, as a whole, very recognizable since the form of the duets remains true to the orches­tral versions. Gibson omits sections of the music when the texture becomes too thick, complex, or when a section repeats itself more than once. The lines are not true to the instruments-there are lines that are played by the clarinet in the or­chestra that Gibson gives to the bassoon and vice versa. That is not always the case, however, because in the Liszt, the cadenza is still played by the clarinet. Some of the musical passages are technically difficult because in the orchestral versions these passages are carried by the violin section. And the transcription of these duets is not always true to the original key of the or­chestral versions. Some of the pieces work very well with two instruments because of the duets that occur within the wind section of the orchestra, Brahms Hungarian Dance #3 in particular. Slavonic Dance #8 by Anton Dvorak may be perhaps the most difficult to arrange for two players because of the orchestral texture and the sheer volume of the piece. Gibson, of necessity, omits some of the harmonies and secondary melodies, but still manages to retain the important melody. As with any duet, the piece demands the full expertise of the players. These du­ets are no exception. The two players are playing almost all the time. If there are rests, they are not long, and few and far between. Accordingly, the performance of these pieces might prove difficult because of the endurance required, especially since the Enescu will last from 12-15 minutes. Digital Print is printable sheet music available anytime, anywhere. Just purchase, print and play. View your online sheet music at home, school, work or anywhere you have a computer connected to the Internet. Use our iPad app to view your digital sheet music on the go. With Digital Print, you can print your digital sheet music immediately after purchase, or wait until its convenient. And our software installation is easy - we'll guide you through the simple steps to make sure you have Adobe Flash Player, Adobe AIR and the Sheet Music Plus AIR application.

译文

东欧狂想曲 - 二重奏的长笛由埃内斯库，李斯特，德沃夏克，勃拉姆斯组成. 由约翰·吉布森安排. 长笛. 浪漫主义时期，20世纪. 高级中级. JB Линейный. 出版JB线性. S0.6931. 伟大的音乐就是好玩 - 不轻松的音乐，无论是. 长笛二重奏. Румынская рапсодия. Венгерский танец. Славянские танцы. Венгерские танцы. 音频采样是从埃内斯库的罗马尼亚狂想曲长笛和单簧管. 所有其他版本相似，但调整与使用的仪器工作. 这是在国际单簧管协会杂志，单簧管回顾由Simone韦伯. 2008年9月. 单簧管通常不会得到上场的机会管弦乐文学，除了研究，摘编，如果没有一个乐队或管弦乐团的成员. 东欧狂想曲二重奏是单簧管和巴松管的一个令人愉快的书，让这一点. 约翰·吉布森已安排8管弦乐两个木管乐器. 转录和安排管弦乐文学的两种乐器可以是具有挑战性的，但吉布森并无损害了作品的完整性. 而除了这些二重奏提供了二重奏曲目的另一个集合为单簧管和巴松管. Коллекция состоит из Румынская рапсодия № 1 по Джордже Энеску, Венгерский танец. 无论是单簧管和巴松管玩家必须在一个较高的级别执行，而且还必须是对方的敏感. 因为管弦乐作品的性质，这些转录需要使用先进的节奏变化，fermatas，渐快，并且ritardando. 球员们必须能够将比分以下，能来提醒对方，并按照线索，并给对方的音乐的细微差别敏感. 有人可能会错过郁郁葱葱的管弦乐音色，但吉布森设法保持了作品的旋律完好，和肉块，作为一个整体，因为二重奏的形式非常辨认仍然忠实于管弦乐版本. 吉布森省略了音乐部分时，纹理变得太粗，复杂，或当部分​​不止一次地重复自身. 该线是不正确的仪器，但是也有一些由单簧管乐团，吉布森给人以大管，反之亦然打线. 这是情况并非总是如此，但因为在李斯特的华彩乐段仍然由单簧管演奏. 因为在管弦乐版本，这些段落是由小提琴部分进行一些音乐段落都是技术上的困难. 而这些二重唱的转录并不总是正确的管弦乐版本的原始密钥. Некоторые из частей очень хорошо работает с двумя инструментами из-за дуэтов, которые происходят в разделе ветра оркестра, Брамс Венгерские танцы. Славянский танец. 必要的吉布森，忽略了一些和声和旋律二次，但依然保留了重要的旋律. 正如任何对唱，这块要求的玩家充分的专业知识. 这些DU-ETS也不例外. 这两名球员都打几乎所有的时间. 如果有休息，他们是不长，寥寥可数. 相应地，这些片的性能可能证明是困难的，因为耐力的要求，特别是因为埃内斯库将持续从12-15分钟. 数码打印是打印乐谱可随时随地. 刚刚购买，打印和播放. 查看您的在线乐谱在家庭，学校，工作或任何地方您有连接到Internet的计算机. 使用我们的iPad应用程序，以在路途中欣赏您的数字乐谱. 随着数码打印，你可以购买后立即打印您的数字乐谱，或者等到它的方便. 而我们的软件的安装是很容易 - 我们将引导您通过简单的步骤，以确保你有安装Adobe Flash Player，Adobe AIR和本乐谱加AIR应用程序.