活页乐谱 $12.95

原文

Etudes For Jazz Piano - Conversation Of The Hands. Emiko Hayashi. Piano Method sheet music. Piano Solo sheet music.

译文

练习曲对于爵士钢琴 - 谈话的手. 林芙美子. 钢琴方法乐谱. 钢琴独奏乐谱.

原文

Etudes For Jazz Piano - Conversation Of The Hands composed by Emiko Hayashi. For piano. This edition. spiral-bound. Learn to get the left and right hand working together and independently. Book. 64 pages. Published by Jamey Aebersold Jazz. JA.EFJP. ISBN 978-1-56224-062-2. A "must have" for all pianists seeking a creative approach to developing left and right hand coordination. The exercises and solos. based on the chord changes to well-known standards. are rhythmic, colorful, and fun to play. The chapters cover six specific areas of left hand development and left. right hand integration, with practical application from standard jazz tunes in the form of musical solo piano pieces. This book will definitely be an essential part of your practice routine. Besides improving your hand coordination, it will challenge you to think differently about it. All of the concepts are easily applicable to the "real world. " Highly endorsed. Spiral-Bound, so it opens easily and lays flat on your keyboard music stand. "Pianist Emiko Hayashi has written a very comprehensive, challenging yet very accessible method book. With exercises designed for left hand alone and exercises designed to develop interplay between the hands, I wholeheartedly recommend this book. I've already started practicing. " Kenny Barron. "In Etudes for Jazz Piano Emiko Hayashi illuminates a challenge that faces scores of jazz pianists at all levels. that of integrating the left hand in improvisation in a meaningful way, not only as an accompanist, but as an integral part of the whole. By taking various jazz standards and creating etudes specifically for the left hand as well as for developing coordination and the conversational aspects between the left and right hands, Ms. Hayashi illustrates many possibilities for expanding one's technical and expressive range. I would think this set of etudes would be extremely useful to jazz pianists at any stage of development since the obvious outcome of the study will improve one's ability to play melodically and expressively throughout the keyboard, without regard to the traditional roles of the left and right hands. " Todd Coolman. "It is understood that all musicians must play piano. Emiko's book fills a void for non-pianists addressing specific technical problems which will help towards being able to use the piano to improve and enlarge one's playing and composing, no matter what instrument you play. This is a hands-on book directed towards immediate results. " David Liebman.

译文

练习曲对于爵士钢琴 - 对话由林惠美子组成的手中. 钢琴. 此版本. 螺旋绑定. 学习得到的左，右手一起工作并独立. 书. 64页. 发布时间由詹姆Aebersold爵士. JA.EFJP. ISBN 978-1-56224-062-2. A“必须有”寻求创造性的方法来开发左右手协调所有的钢琴家. 练习和独奏. 根据和弦变为公知的标准. 有节奏的，丰富多彩的，好玩. 该章涵盖左手发展六个具体领域和左. 右手的整合，从标准的爵士乐在音乐独奏钢琴作品的形式实际应用. 这本书一定会成为您的日常实践的重要组成部分. 除了改善你的手的协调，这将挑战​​你有不同的想法吧. 所有的这些概念很容易适用于“真实世界. “高度赞同. 螺旋装订的，所以它很容易地打开和你的键盘乐谱架平放. “海上钢琴师惠美子林写了一个非常全面的，具有挑战性的，但很方便的方法的书. 与设计用于单独的左手和设计开发的手之间的相互作用练习练习，我衷心推荐这本书. 我已经开始练. “巴伦周刊肯尼. “在练习曲的爵士钢琴林芙美子照亮面对爵士钢琴家分数各级挑战. 该整合左手即兴以有意义的方式，不仅作为伴奏，而是作为整体的一个组成部分. 通过采取各种爵士乐和创造练习曲专门为左手和发展协调和左手和右手之间的对话方面，林女士说明了很多机会扩展自己的技术和表现范围. 我倒觉得这一套练习曲将在发展，因为该项研究的明显结果将提高整个键盘旋律和表现力发挥一个人的能力，不考虑左，右的传统角色的任何阶段非常有用的爵士乐钢琴家手. “托德COOLMAN. “据了解，所有的音乐家必须演奏钢琴. 惠美子的书填补了一项空白，非钢琴家解决具体的技术问题，这将有助于实现能够用钢琴来改善和扩大自己的演奏和作曲，无论你玩什么乐器. 这是一个动手本书针对立竿见影的效果. “大卫·利伯曼.