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原文

Instrumental Music and The Industrial Revolution.

译文

器乐和工业革命.

原文

Instrumental Music and The Industrial Revolution. Ad Parnassum Studies. Edited by Roberto Illiano, Luca Sala. Edited book. 656 pages. Published by Ut Orpheus. UT.APS-05. ISBN 978-88-8109-468-4. Essays by Luca Aversano, Claudio Bacciagaluppi, Carmela Bongiovanni, Andrea Cardone, Jen-yen Chen, Simone Ciolfi, Andrea Coen, Therese Ellsworth, Joel-Marie Fauquet, Florence Getreau, Consuelo Giglio, Outi Jokiharju, Roe-Min Kok, Paul R. Laird, Marie Sumner Lott, Simon McVeigh, Elio Matassi, Russ Manitt, Jenny Nex, Leon Plantinga, Alban Ramaut, Rudolf Rasch, David Rowland, Laure Schnapper, Rohan H. Stewart-MacDonald, Renata Suchowiejko, Maria Alice Volpe. In this volume we wanted to investigate the intersection between the Industrial Revolution and the aesthetic-musical field. In particular, we aimed to explore the European dimension of the cultural exchanges caused by the phenomenon of musical migration, together with the international relationships generated by the music printing industry, entrepreneurship and the market for musical instruments. The later eighteenth and earlier nineteenth centuries were a time of fundamental change in European life, proceeding from the revolutionary implications of the ideologies of Enlightenment, and reverberating in market economies, methods of manufacturing and agriculture, modes of travel, and population distribution. The development of new technologies resulted in the enlargement and improvement of the music printing industry, and in the widespread diffusion of music in private and public spheres. The Industrial Revolution brought about the 'modernization' of productive processes and, as a consequence, engendered a kind of 'globalization' of the musical market.

译文

器乐和工业革命. 广告Parnassum研究. 罗伯托Illiano，卢卡萨拉编辑. 本书主编. 656页. 出版Ut的奥菲斯. UT.APS-05. ISBN 978-88-8109-468-4. 杂文由Luca阿韦尔萨诺，克劳迪奥Bacciagaluppi，卡梅拉波吉瓦尼，安德烈Cardone联系，仁颜真卿，西蒙娜Ciolfi，安德烈科恩，德兰埃尔斯沃思，乔尔 - 玛丽Fauquet，佛罗伦萨Getreau，孔苏埃洛吉廖，欧蒂Jokiharju，罗伊 - 棉角，保罗R.莱尔德，玛丽·萨姆纳·洛特，西蒙·麦克维，氦Matassi，拉斯Manitt，珍妮的Nex，莱昂柏庭，阿尔班Ramaut，鲁道夫·拉什，戴维·罗兰，洛尔Schnapper，罗汉H.斯图尔特 - 麦克唐纳，雷娜塔Suchowiejko，玛丽亚·爱丽丝沃尔普. 在本书中，我们要研究工业革命和美学，音乐领域之间的交叉. 特别是，我们的目的是通过音乐印刷业，创业和市场对乐器产生的国际关系研究引起音乐迁移的现象文化交流的欧洲层面，一起. 后来的十八，十九更早世纪是欧洲的生活根本变革的时代，从启蒙运动的意识形态的革命意义出发，回荡在市场经济中，制造业和农业的方式，出行方式，以及人口分布. 新技术的发展，导致了音乐印刷业的扩大和完善，并在音乐在私人和公共领域的广泛扩散. 工业革命带来了生产过程的“现代化”，并作为一个后果，产生了一种类型的音乐剧市场的“全球化”.