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原文

Masterpieces by Serge Lancen.

译文

旷世塞尔Lancen.

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Masterpieces by Serge Lancen. Masterpieces for Band 19. For concert band. Molenaar Masterpieces. CD. Published by Molenaar Edition. ML.311084720. SERGE LANCEN - Serge Lancen was born in Paris on 5 November 1922 in a family of surgeons from father to son. His father was head of the rheumatology ward at the Saint-Antoine hospital. From his early youth onwards, Serge Lancen felt attracted to music while listening attentively when his mother played the classical pieces by Bach, Mozart, Beethoven, Chopin etc. on the piano. All of these classical composers will influence Lancen later. His mother was not only a fine pianist, but also an excellent painter, whereas his father had played the violin in an amateur symphony orchestra. Young Serge never got fed up with listening to the symphonic music concerts that were broadcast every Sunday afternoon and soon he starts learning to play the piano. Not even five years old, he composes a Berceuse. Cradle Song. which will be published much later and which was written down by his mother as little Serge could neither read nor write music yet. When he was eight years old he started studying solfeggio and piano and when he was fifteen, he had written enough piano music in order to give a complete recital with his own compositions. That concert took place at the London Rudolf Steiner Hall in 1937. Later, he studied the piano with Marguerite Long and Lazare Levy as well as composition with Noel Gallon and Tony Aubin at the Paris National Superior Conservatory of Music. In 1950 he was awarded the 'Prix de Rome', the most prestigious reward for a young composer. Several composition prizes will follow. among those several Composition Prizes of the French Broadcasting Union, a Prize of the European Radio Union and Composition Prizes warded by the SACEM, the French copyright society. Serge Lancen composed all kinds of music such as chamber music, works for piano, ballet music, a chamber opera commissioned by the French Radio and quite some symphonic compositions. His rather original style is clearly influenced by the great classical composers he heard so often in his youth. Among his early symphonic compositions we mention the Concertino for Piano. 1949. , the Piano Concerto. 1951. and the Symphonie Legere. 1955. Serge Lancen and the symphonic band. There was absolutely nothing that could make one expect Serge Lancen to become one of the great French composers of original wind band music in the 20th century. Indeed, he had grown up in a musical world that was completely focused on the piano and the strings. The soloists he had heard when he accompanied his parents to the Sunday concerts always were either pianists or violinists. To him, winds only had a function in the orchestra when surrounded by the strings and so, he was completely predestined to become a purely symphonic composer. However, fate decided otherwise. One of his ancient friends at the Paris Conservatory, clarinettist Desire Dondeyne, was appointed conductor of the Paris Metropolitan Police Band in 1954. As Dondeyne wanted to enrich the original contemporary wind band repertoire he not only started composing himself but incited his ancient fellow-pupils to write music for symphonic band. Serge Lancen attended some concerts by this popular wind band and was deeply impressed by the splendid sonorities of the symphonic band with its mass of clarinets, saxophones and saxhorns. Later, he will admit that it was above all the massive sonorous communion of the wind band that attracted him and fascinated him for the rest of his life. For the symphonic composer by training, the upper register of the symphonic band definitely lacked volume and power, but the inventions by Adolphe Sax certainly add exceptional natural colours to the medium and low registers. So it happened in 1960 that Serge wrote a Marche de Concert that he had orchestrated for band by Dondeyne, as he himself was confronted with the huge difficulty of having to cope with the numerous transposing instruments of the symphonic band. A trip to the United States inspired Lancen to write his Manhattan Symphony. 1961-1962. for symphonic band and once more he entrusted the orchestration to Desire Dondeyne. And so he also did with his Symphonie de Noel. 1964. and the suite Festival - Kerkrade. 1966. two other wind band pieces. Serge Lancen discovered the World Music Contest that took place once in four years since 1950 at Kerkrade a small southern Dutch city near the German and the Belgian borders. Serge became a special guest of the World Music Contest since his Manhattan Symphony had been chosen as test piece in the 1st Division in 1966. At the 1970 edition of the WMC, the famous Banda Primitiva of Lliria performed his Mini Symphony in concert, whereas the colliery band DSM played his Manhattan Symphony. In 1974 Serge himself played his Parade Concerto with the Marine Band of the Royal Dutch Navy, in 1978 Cap Kennedy brought the house down as test piece in the 1st Division and in 1981 his Festival Rhapsody, commissioned by the WMC organizers, was the test piece in the 2nd Division. Four years later, still at Kerkrade, Serge played his Concerto de Paris with the Symphonic band of the Maastricht Conservatory of Music and this concert was broadcast on television. Serge Lancen's music was also often on the program of the gala concerts given by prestigious professional wind bands during the consecutive WMC editions. After the Festival - Kerkrade in 1967, Serge Lancen thought he was quite capable of writing himself the symphonic band orchestrations. The Mini Symphonie. 1967. can be considered as his first "complete" composition for symphonic band. Then, still fascinated by this unique sonorous spectrum, Lancen continued to write regularly for symphonic band, especially when he was encouraged by his Dutch publisher Pieter Jan Molenaar who had been impressed by the Manhattan Symphonie at the world premiere by the Musique des Gardiens de la Paix. Paris Metropolitan Police Band. on 29 April 1962 at Argentan. Obsession. 1969. , commissioned by the French Radio for a European composition contest was awarded a First Prize. Next he composed the masterpiece Cape Kennedy. 1969-1970. , a symphonic poem that was immediately very successful even far beyond the borders. Among the numerous wind band compositions. some sixty. we should mention the symphonic sketches Le Mont Saint Michel. 1976. , the symphonic poem commissioned by the French Government Le Chant de l'Arbre. 1979-1980. and Mascarade. 1985. for brass quintet and symphonic band, premiered during the third WASBE world conference in Boston on 20 July 1987. Serge Lancen attended the foundation of the World Association for Symphonic Bands and Ensembles at Manchester in July 1981 and actively supported this organisation for many years. From 1985 to 1991 he was a member of the international board and represented his native country. Besides the already mentioned Mascarade first performed at Boston in 1987, several compositions by Lancen were either premiered or performed at the different WASBE conferences. Festival - Kerkrade was played by the Le Havre Municipal Band, conducted by Claude Decugis, at Skien, Norway on 14 July 1983. the Symphonie de l'Eau was premiered by the Musique de la Police Nationale. National Police Band. , conducted by Pierre Bigot, at Kortrijk, Belgium on 17 July 1985. the Ouverture pour un matin d'Automne was played by the Senior Musicians Band of the Netherlands, conducted by Henk van Lijnschooten at Kerkrade on 20 July 1989, whereas the Manhattan Symphony was played by the Musique de l'Air de Paris. Principal French Air Force Band. conducted by Francois-Xavier Bailleul on 21 July 1989 during the same Kerkrade conference. the Sonate Concertante for clarinet and symphonic band was performed by clarinettist Mark Vertessen and the Lier Concert Band on 14 July 1993 at Valencia, Spain and the Oboe Concerto was played by the same Belgian band. renamed "Concert Band for Flanders". on 8 July 1997 at Schladming, Austria. Serge Lancen has written several concertos with wind band accompaniment. First of all there are the two piano concertos. Parade Concerto. 1971. premiered by Pierre Nimax at the piano and the Esch-sur-Alzette Municipal Band. Luxemburg. , conducted by Georges Wagner, on 6 April 1972. Serge Lancen often played himself that concerto. so he did with Jan Molenaar conducting the United States Air Force Band in Washington D.C. in 1973 and recorded it with Jan Molenaar conducting the Purdue University Symphonic Band that very same year and in 1971 he had recorded it with the Royal Dutch Military band KMK, conducted by Anne Posthumus. The Concerto de Paris was premiered by the composer and the Royal Dutch Military Band KMK conducted by Jan van Ossenbruggen on 25 November 1983 at Zaandam during a concert celebrating the 50th anniversary of Molenaar Edition. Then there are also concertos for different solo instruments with symphonic band. Dedicace. 1974. for alto saxophone solo and wind band was premiered by Jaques Desloges and the Musique de la Police Nationale, conducted by Michel Mariot, during the 4th World Saxophone Congress at Bordeaux, France in 1974. Next to the already mentioned solo pieces, there are also concertos for trombone. 1988. , for French horn. 1991. and for Harp and symphonic band. 1990. All these solo pieces have been recorded by the Symphonic Band of the Brabant Conservatory of Music. The Netherlands. , conducted by Jan Cober. "Masterpieces for Band 3". Molenaar MBCD 31.1016.72. and "Masterpieces for Band 11". Molenaar MBCD 31.1040.72. It is also quite interesting to know that the Oboe Concerto. 1991. was in fact a new version of the Concerto for Harmonica and Symphony Orchestra. 1954. commissioned and also premiered by Larry Adler at the Birmingham Town Hall, Rudolf Schwarz conducting. The composer has always expressed a preference for his religious compositions. The first one he wrote was Poeme Ecumenique. 1975. based on texts excerpted from the Bible. Psalms 8, 23, 100 and 150. , from books of prayers in their original language. Latin, French, Slavonic, Hebrew. and from individual prayers. The finale is the Hymne de Fraternite written by Roger Thirault. This religious composition, premiered in the Notre-Dame Cathedral of Laon on 12 October 1975, is written for symphony orchestra and. or wind band, soloists and choir. The second religious composition is the Missa Solemnis. 1985. for vocal soloist, choir and symphonic band it is dedicated to late Pope John Paul II and was premiered by the Royal Wind Band of Thorn, conducted by Jan Cober, at the Our Lady's Basilica of Maastricht, The Netherlands, on 27 May 1989. Then we have the Te Deum. 1991. for tenor and baritone singer, male choir and wind ensemble. 14 instruments. dedicated to the former Paris cardinal Lustiger. Finally there is the Credo. 1994. for mixed choir and symphonic band, commissioned to be included in the "Missa Solemnis" and premiered in the church "Eglise des Francaises" at Bolzano, Italy, by the choir and wind band of Zwolfmalgreien conducted by Markus Silbernagl on 19 March 1995. Among the later symphonic band compositions by Serge Lancen we should mention Zwiefache Symphonique. 1994. , Hymne aux Musiciens. 1995. , Jour de Fete. 1995. , Jubila. 1996. and the cantata Espaces Harmoniques. 1995. for soloist, mixed choir, children's choir and symphonic band, commissioned by the city of Blois for the commemoration of the diocese. This cantata was premiered at the Basilica "Notre-Dame de la Trinite" at Blois in 1997 Vincent Ries conducting. Some time later, Serge Lancen's health got more and more fragile. He did no longer compose and lived quietly surrounded by the loving care of his wife Raphaelle. He died peacefully on Sunday 10 June 2005 and now rests at the Montparnasse Cemetery in Paris. All those who were lucky to meet Serge regularly were touched by his distinction, his delicacy, his balanced vision and his honesty, characteristics we also find back in his compositions. This 'gentleman of French wind band music' was welcome all over the world when attending premiere performances, concerts, recording sessions or simple rehearsals, everybody appreciating the amiability and simplicity of this great Master who deeply respected the amateur musicians.

译文

旷世塞尔Lancen. 旷世的乐队19. 对于乐队演唱会. Molenaar旷世. 光盘。出版MOLENAAR版. ML.311084720. SERGE LANCEN - 塞尔Lancen出生在巴黎11月5日1922在一个家庭的外科医生从父亲到儿子. 他的父亲是风湿科病房的负责人在圣安东尼医院. 从他早期的青春开始，塞尔Lancen感觉，同时倾听时，他的母亲巴赫，莫扎特，贝多芬，肖邦等扮演的经典作品吸引到音乐. 在钢琴. 所有这些古典作曲家稍后会影响Lancen. 他的母亲不仅是罚款的钢琴家，也是一个优秀的画家，而他的父亲在一个业余交响乐团演奏小提琴. 年轻的塞尔从不厌倦了听的是广播每周日下午的交响音乐会，很快他开始学习弹钢琴. 甚至没有五十岁，他组成一个摇篮曲. 催眠曲. 这将是很久以后出版，这是写下来由他的母亲作为小塞尔既不能读也不会写的音乐还. 当他八岁就开始学习视唱练耳和钢琴，当他十五岁时，他写了足够的钢琴音乐，以便给出一个完整的演奏与他自己的作品. 那场演唱会在1937年发生在伦敦鲁道夫斯坦纳馆. Later, he studied the piano with Marguerite Long and Lazare Levy as well as composition with Noel Gallon and Tony Aubin at the Paris National Superior Conservatory of Music. In 1950 he was awarded the 'Prix de Rome', the most prestigious reward for a young composer. 几个组成奖品将按照. 法国广播联盟，欧洲广播联盟和由SACEM，法国版权协会抵御组成奖项的奖的几个成分之间奖品. 塞尔Lancen由各种音乐，如室内乐，钢琴作品，舞剧音乐，一个室内歌剧由法国广播电台委托和相当长的一段交响乐成分. 他颇具创意的风格是由他在他的青年所以经常听到伟大的古典作曲家明显地影响. 在他早期的交响乐组成我们提到的协奏曲钢琴. 1949年. ，钢琴协奏曲. 1951年. and the Symphonie Legere. 1955. 哔叽Lancen和交响乐队. 有绝对没有，可以使一个想到塞尔Lancen成为原风乐队的音乐在20世纪法国伟大的作曲家之一. 的确，他从小生活在一个音乐的世界，完全集中在钢琴和字符串. 他听说过，当他陪同他的父母到周日音乐会的独奏家总是要么钢琴家或小提琴家. 对他来说，风只有在乐团函数时被包围的字符串，所以，他完全被注定要成为一个纯粹的交响乐作曲家. 然而，命运另有决定. One of his ancient friends at the Paris Conservatory, clarinettist Desire Dondeyne, was appointed conductor of the Paris Metropolitan Police Band in 1954. 至于Dondeyne想充实原有的现代管乐团的曲目，他不仅开始作曲本人，而是鼓动他古老的同胞学生写音乐的交响乐队. 塞尔Lancen出席一些音乐会由这个流行风乐队，由管乐团与单簧管，萨克斯管和saxhorns其质量灿烂的sonorities深深打动了. 后来，他承认，这是上面的吸引了他的风带的所有大规模的铿锵交流与他着迷，他的余生. 对于交响乐作曲家通过培训，管乐团的登记册上缺乏绝对数量和功率，但是本发明由阿道夫·萨克斯肯定会增加特殊的自然色调以中低寄存器. 因此，它发生在1960年的塞尔写了马尔凯去音乐会，他策划的乐队由Dondeyne，正如他自己面临着不得不面对的管乐团的众多移调乐器的巨大困难. 有一次去美国的启发Lancen写他的曼哈顿交响乐团. 1961-1962. for symphonic band and once more he entrusted the orchestration to Desire Dondeyne. And so he also did with his Symphonie de Noel. 1964. and the suite Festival - Kerkrade. 1966. 另外两个风带件. 哔叽Lancen发现了世界音乐大赛是在四年内发生了一次自1950年以来在凯尔克拉特靠近德国的小荷兰南部城市和比利时边境. 哔叽成为世界音乐大赛的特邀嘉宾，因为他在曼哈顿交响乐团被选为试件在第一部于1966年. 在1970年版的WMC的，Lliria的著名的班达亚齐野蛮的执行了他的小交响乐团音乐会，而煤矿的DSM乐队演奏了他的曼哈顿交响乐团. 1974年，塞尔自己打出了自己的游行协奏曲与荷兰皇家海军的海洋带，1978年肯尼迪章在第一部博得满堂彩的试件，并在1981年他的节狂想曲，由WMC主办方委托，为试件在第2部. 四年后，仍处于凯尔克拉特，塞尔演奏了他的协奏曲巴黎与音乐的马斯特里赫特音乐学院管乐团及本次演唱会是在电视上播出. Serge Lancen's music was also often on the program of the gala concerts given by prestigious professional wind bands during the consecutive WMC editions. After the Festival - Kerkrade in 1967, Serge Lancen thought he was quite capable of writing himself the symphonic band orchestrations. 迷你交响曲. 1967. can be considered as his first "complete" composition for symphonic band. 然后，通过这种独特的铿锵有力的频谱仍然着迷，Lancen继续定期写交响乐乐队，尤其是当他感到鼓舞的是他的荷兰出版商彼得月MOLENAAR谁留下了深刻印象的曼哈顿交响曲的世界首演的音乐学院DES Gardiens德拉Paix酒店. 巴黎大都会警察乐队. 于1962年4月29日在阿让. 困扰. 1969. ，为欧洲作文竞赛委由法国广播电台被授予一等奖. 接着他创作的杰作肯尼迪角. 1969-1970. ，交响诗，这是马上非常成功的，甚至远远超出了国界. 在众多风乐队组合. 一些60. 我们应该提到的交响素描圣米歇尔山. 1976. , the symphonic poem commissioned by the French Government Le Chant de l'Arbre. 1979-1980. 和Mascarade. 1985. 为铜管乐五重奏和交响乐乐队，在波士顿的第三个世界管乐年世界会议的1987年7月20日首播时. 哔叽Lancen出席世界协会交响乐乐队和合唱团在曼彻斯特1981年7月的基础上，积极支持该组织多年. 从1985年到1991年，他是国际董事会成员，并代表他的祖国. 除了已经提到的Mascarade第一次演出在波士顿于1987年，有几个组成由Lancen无论是首演还是在不同的世界管乐年会议进行. Festival - Kerkrade was played by the Le Havre Municipal Band, conducted by Claude Decugis, at Skien, Norway on 14 July 1983. the Symphonie de l'Eau was premiered by the Musique de la Police Nationale. 国家警察乐队. 由皮埃尔·比戈，在科特赖克，比利时在1985年7月17日进行. the Ouverture pour un matin d'Automne was played by the Senior Musicians Band of the Netherlands, conducted by Henk van Lijnschooten at Kerkrade on 20 July 1989, whereas the Manhattan Symphony was played by the Musique de l'Air de Paris. 主要法国空军乐队. conducted by Francois-Xavier Bailleul on 21 July 1989 during the same Kerkrade conference. 的奏鸣曲协奏曲单簧管和交响乐队是由单簧管马克Vertessen和1993年7月14日在西班牙巴伦西亚和双簧管协奏曲的利尔音乐会乐队被演奏了同样的比利时乐队演出. renamed "Concert Band for Flanders". 于1997年7月8日在奥地利施拉德明. 塞尔Lancen写了几首协奏曲风乐队伴奏. 首先有两首钢琴协奏曲. 游行协奏曲. 1971. 由皮埃尔NIMAX在钢琴和阿尔泽特河畔埃施市政乐队首演. 卢森堡. 由乔治·瓦格纳四月进行，在1972年6. 塞尔Lancen经常打自己的协奏曲. 所以他与一月MOLENAAR没有进行美国空军乐团在华盛顿特区于1973年，与一月MOLENAAR记录了它在进行普渡大学管乐团是非常同年又在1971年，他曾与荷兰皇家军乐队KMK记录了它，进行由安妮波斯蒂默斯. 协奏曲巴黎首演由作曲家和荷兰皇家军乐团KMK由扬·Ossenbruggen于1983年11月25日在赞丹音乐会庆祝MO​​LENAAR版50周年期间进行. 然后也有协奏曲不同乐器独奏与交响乐队. Dedicace. 1974. for alto saxophone solo and wind band was premiered by Jaques Desloges and the Musique de la Police Nationale, conducted by Michel Mariot, during the 4th World Saxophone Congress at Bordeaux, France in 1974. 旁边已经提到的独奏作品，也有协奏曲的长号. 1988. 为圆号. 1991. 和竖琴和交响乐队. 1990. 所有这些独奏作品已录制音乐的布拉班特音乐学院管乐团. 荷兰. ，由Jan COBER进行. "Masterpieces for Band 3". MOLENAAR MBCD 31.1016.72. and "Masterpieces for Band 11". MOLENAAR MBCD 31.1040.72. 这也挺有意思要知道，双簧管协奏曲. 1991. 实际上协奏曲的口琴和交响乐团的新版本. 1954年. 委托也是在伯明翰市政厅首演由拉里·阿德勒，鲁道夫·施瓦茨进行. 作曲家一直表示希望为他的宗教成分. The first one he wrote was Poeme Ecumenique. 1975. 基于文本从圣经中摘录. 诗篇8，23，100和150. ，从原来的语言的书籍祈祷. 拉丁语，法语，斯拉夫语，希伯来语. 从个人的祈祷. The finale is the Hymne de Fraternite written by Roger Thirault. 这种宗教成分，首演于拉昂圣母院大教堂于1975年10月12日为交响乐团的书面和. 或风乐队，独唱和合唱团. 第二个宗教组成是庄严弥撒曲. 1985. for vocal soloist, choir and symphonic band it is dedicated to late Pope John Paul II and was premiered by the Royal Wind Band of Thorn, conducted by Jan Cober, at the Our Lady's Basilica of Maastricht, The Netherlands, on 27 May 1989. 那么我们有赞美颂. 1991. 为男高音和男中音歌唱家，合唱团的男性和风力合奏. 14仪器. 专用于前者巴黎枢机主教Lustiger. 最后是信条. 1994. for mixed choir and symphonic band, commissioned to be included in the "Missa Solemnis" and premiered in the church "Eglise des Francaises" at Bolzano, Italy, by the choir and wind band of Zwolfmalgreien conducted by Markus Silbernagl on 19 March 1995. 在由塞尔Lancen后来的交响乐乐队组合，我们应该提到Zwiefache交响乐团. 1994. ，歌的音乐家. 1995. , Jour de Fete. 1995. , Jubila. 1996. 和大合唱ESPACES Harmoniques. 1995. for soloist, mixed choir, children's choir and symphonic band, commissioned by the city of Blois for the commemoration of the diocese. This cantata was premiered at the Basilica "Notre-Dame de la Trinite" at Blois in 1997 Vincent Ries conducting. Some time later, Serge Lancen's health got more and more fragile. He did no longer compose and lived quietly surrounded by the loving care of his wife Raphaelle. 他上周日2005年6月10日平安地死了，现在停在蒙帕纳斯公墓在巴黎. 所有那些谁是幸运地遇​​到塞尔经常被他的区别，他的细腻，他的平衡的远见和他的诚实感动，特点我们也不难发现早在他的作品. This 'gentleman of French wind band music' was welcome all over the world when attending premiere performances, concerts, recording sessions or simple rehearsals, everybody appreciating the amiability and simplicity of this great Master who deeply respected the amateur musicians.