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原文

Steve Kaufman's Favorite 50 American Traditional Fiddle Tunes. Steve Kaufman. Flatpicking Guitar sheet music. Beginning.

译文

史蒂夫·考夫曼的收藏50美国传统的小提琴旋律. 史蒂夫·考夫曼. Flatpicking吉他乐谱. 开始.

原文

Steve Kaufman's Favorite 50 American Traditional Fiddle Tunes. For Flatpicking Guitar Vol. 1. A-F. Composed by Steve Kaufman. For Guitar. Flatpicking. Saddle-stitched, Solos. Fiddle Tunes. Beginning-Intermediate. Book. CD Set. 80 pages. Published by Mel Bay Publications, Inc. MB.21447BCD. ISBN 9780786675821. Fiddle Tunes. 8.75 x 11.75 inches. This collection of fiddle tunes originally appeared in "Kaufman's Collection of American Fiddle Tunes for Flatpicking Guitar. MB 95748. but the book was so large and heavy that they couldn't put all the songs on CDs to include with the package so it was divided into four great, melody packed volumes. Each book now includes a CD that holds all the songs in the volume. Steve Kaufman says he can't emphasize enough the importance of developing a large repertoire of tunes. Fiddle tunes give us melodies that eventually allow us to begin to improvise. Sometimes without even knowing it. The more tunes you know, the more melodies and intersecting melody lines you know. This allows you to eventually cut and paste portions of the melody line into another song. In the beginning you will probably unknowingly replace and ending run. These are the last two measures of the section of a tune. Many of them in the same key are interchangeable, unless they are specific to the melody of the song. After a while you will cut out measures in the middle of the song and then you will be able to take the snips of melodies and play them in another song in a different key thus beginning to improvise. All of this is possible because you built up your repertoire of tunes.

译文

史蒂夫·考夫曼的收藏50美国传统的小提琴旋律. 对于Flatpicking吉他卷。 1. A-F. 由史蒂夫·考夫曼组成. 对于吉他. Flatpicking. 骑马订，独奏. 小提琴旋律. 开始 - 中级. 书. CD套装。 80页. 发布时间由梅尔海湾出版公司. MB.21447BCD. ISBN 9780786675821. 小提琴旋律. 8.75 x11.75英寸. 小提琴曲调的集合最初出现在“美国小提琴曲调考夫曼的收藏为Flatpicking吉他. MB 95748. 但是这本书是如此之大又重，他们不能把CD上的所有歌曲，包括与该包，以便它被分成四个大，旋律包装卷. 每本书现在包括持有的所有歌曲的音量光盘. 史蒂夫·考夫曼说，他不能强调发展曲调的大型剧目的足够的重要性. 小提琴曲调给我们的旋律，最终让我们开始即兴. 有时甚至不知道它. 更多的曲调，你知道的越多的旋律，你知道相交的旋律线. 这可以让你最终削减和旋律线的部分粘贴到另一首歌曲. 一开始你可能会在不知不觉中更换和运行结束. 这些是一个乐曲的节的最后两项措施. 在相同的键有很多是可以互换的，除非它们是特定于该乐曲的旋律. 一段时间后你会切出在乐曲中间措施，然后你就可以走旋律的剪刀和发挥他们的另一首歌曲在不同的密钥从而开始即兴. 所有这一切都是可能的，因为你建立了你的音乐的曲目.