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原文

Concert de Rialp. Jaume Torrent. Guitar sheet music.

译文

演唱会瑞阿普. 乌梅洪流. 吉他乐谱.

原文

Concert de Rialp composed by Jaume Torrent. For guitar and orchestra. Published by Editorial de Musica Boileau. BO.B.3610. The concerto establishes a dialogue which alternates constantly between the guitar and the symphony orchestra, with the two sound worlds being maintained in perfect balance while also exploring the unique possibilities presented by each. the guitar develops a surprising array of resources which enhance its expressive capacity to the utmost, while the orchestra envelops it in an extensive range of textures which at times give rise to subtle tones, and at others, all the tonal vigour of the tutti. The language I employ is intended as a means of achieving an efficient symbiosis between modernity and tradition, continuing in the line of my previous works as a composer. It contains no references to popular music and at all times veers away from the expectations created by the language of folklore exploited in concertos of this kind by the majority of recognised composers. In Concerto de Rialp, modernity is reflected through a search for unique expressive forms, experimentation with new means of thematic development and a unique presentation of formal solutions, all the while, however, respecting expressiveness and lyricism as the foundations of communicating with the audience. The concerto also explores the guitar's new technical resources. Thanks to specific work on left hand extensions, mechanical formulas have been developed which allow certain scales to be played at unprecedented speeds. In the cadenza of the first movement, the guitar develops the main theme in the form of an instrumental motif that has never been used before in guitar scores, producing a polyphonic effect of new dimensions. I have worked to exploit the distinctive sound differences existing between the guitar and the orchestra -both from the dynamic and the tonal points of view- in order to really develop the dramatic effect that their being brought together affords. In the second movement -calmo assai- this dramatic quality is expressed in a way that is particularly powerful by means of a tension never before achieved in a concerto for guitar and orchestra.

译文

音乐会德里亚尔普由乌梅组成的洪流. 为吉他和乐队. 出版编辑部德Musica的布瓦洛. BO.B.3610. 这首协奏曲建立了一个对话，不断交替的吉他和交响乐队之间，与两个声音的世界被保持在完美的平衡，同时也在探索通过每个提交的唯一可能性. 吉他的发展资源，加强其表现能力，最大限度的奇阵，而乐团笼罩在它的纹理这有时到细微的色调带来一个广泛的范围，并在其他人的合奏的所有色调活力. 我使用的语言的目的是作为现代与传统之间实现有效的合作关系，继续在我以前的作品的线的手段作为一个作曲家. 它包含了流行音乐，并在任何时候都不会改变方向的引用远离了民间传说，受到了广大认可的作曲家在利用这种协奏曲的语言创建的期望. 在协奏曲德里亚尔普，现代性是通过寻找独特的表现形式，与实验发展主题和正式的解决方案的独特呈现的新途径反映出来，所有的同时，但是，尊重表达和抒情性与观众沟通的基础. 协奏曲还探讨了吉他的新技术资源. 由于左手上扩展的具体工作，机械的公式已被开发，允许一定规模以前所未有的速度进行播放. 在第一乐章的华彩乐段中，吉他在开发一个工具图案的形式主旋律，从来没有被使用过的吉他得分，生产新尺寸的和弦效果. 我曾利用该吉他和之间存在的显着差异声音乐团，无论是从视图中，才能真正发展自己被带到一起让该戏剧效果的动态和色调点. 在第二乐章-calmo assai-这个戏剧性的质量表达的方式，特别是通过强大的张力来从来没有在一首协奏曲的吉他和乐队取得前.