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原文

Overture. Suite. No. 2 in B Minor, BWV 1067. Johann Sebastian Bach.

译文

序曲. 套房. No. 2 in B Minor, BWV 1067. 约翰·塞巴斯蒂安·巴赫.

原文

Overture. Suite. No. 2 in B Minor, BWV 1067 composed by Johann Sebastian Bach. 1685-1750. Arranged by Harry Newstone. For Orchestra. Study Score. Eulenburg Taschenpartituren. Pocket Scores. Study Score. 44 pages. Eulenburg Edition #ETP821. Published by Eulenburg Edition. HL.49010305. ISBN 379576842X. 5.25x7.5 inches. From early in the 17th century until the form engaged the interest of Johann Sebastian Bach, various notable German composers. including Rosenmüller, Fischer, Fasch and Telemann. had contributed to the development of the orchestral suite or 'Ouverture', which name betrays its French theatrical origins. From Bach himself only four such suites have come down to us due to the diligence of C.F.Penzel, who was a student at the Thomasschule from 1751, and who made copies of Bach's MSS he found there. Thus, neither the dates nor the order of composition of the suites can be established with any certainty. As to the present suite in B minor, recent criticism suggests that Bach's idiomatic flute writing in this popular suite would, even in 1737 or later, have been considered fashionably up-to-date even in Paris. It has also been suggested that the suite could have been written expressly for Pierre-Gabriel Buffardin, principal flautist of the Dresden Court Orchestra.

译文

序曲. 套房. No. 2 in B Minor, BWV 1067 composed by Johann Sebastian Bach. 1685-1750. 哈里Newstone安排. 对于乐团. 研究分数. Eulenburg Taschenpartituren. 口袋成绩. 研究分数. 44页. Eulenburg版＃ETP821. 出版Eulenburg版. HL.49010305. ISBN 379576842X. 5.25x7.5 inches. 从17世纪初至本形式从事巴赫，各种著名的德国作曲家的兴趣. 包括ROSENMULLER，菲舍尔，法施和泰勒曼. 在管弦乐组曲或“序曲”，这名背叛了法国戏剧起源的发展作出了贡献. 从巴赫本人只有四个这样的套房已回落到我们因CFPenzel，谁是学生在Thomasschule从1751的尽职调查，和谁做巴赫的MSS他发现那里的副本. 因此，无论是时间也不套房组成的顺序可以有把握建立. As to the present suite in B minor, recent criticism suggests that Bach's idiomatic flute writing in this popular suite would, even in 1737 or later, have been considered fashionably up-to-date even in Paris. It has also been suggested that the suite could have been written expressly for Pierre-Gabriel Buffardin, principal flautist of the Dresden Court Orchestra.