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原文

8 Pieces for 4 Timpani. Elliott Carter. Percussion sheet music. Timpani sheet music.

译文

8件4定音鼓. 艾略特·卡特. 锣鼓乐谱. 定音鼓乐谱.

原文

8 Pieces for 4 Timpani. With Program notes. Composed by Elliott Carter. 1908-. For Timpani. One Player. Percussion Works. Includes Recitative and Improvisation. 24 pages. G. Schirmer #AMP6820. Published by G. Schirmer. HL.50234240. ISBN 0793548489. 9x12 inches. These Eight Pieces For Four Timpani are great fun to play for the advanced percussionist. Detailed performance notes are included by Elliot Carter regarding the size of timpani, sticks and stick strokes, special effects and articulation. Programme Note. The Canto and Adagio of this set of Eight Pieces for Four Timpani. One Player. were written in 1966, while the other six were composed in 1949. In those days, these six were found difficult, if not impossible to play effectively, but, as time passed interest in them and performing skills grew, so I decided to publish the set complete, as four of them had been widely circulated in manuscript, in 1966. At that time, they were revised with the help of the percussionist, Jan Williams, of the New York State University at Buffalo. In gratitude for his advice, the Canto and Adagio were composed for him and included the set. Unlike the other, each of which is a four-note piece based on different tunings of the drums, these two employ the possibilities of the pedal-tuned chromatic timpani. The six from 1949, besides being virtuoso solos for the instrumentalist, are studies in the controlled, interrelated changes of speed now called Òmetric modulation,Ó and generated ideas carried further in my First String Quartet begun at the same time and completed shortly afterwards. Each piece is dedicated to a performer who showed an interest in the works in their early days. I. Saeta. 1949. 1966. Ð Al Howard Ð An Andalusian song of improvisatory character sung during an outdoor religious procession, usually at Easter. said to be the descendent of a rain ceremony during which an arrow. saeta. was shot into the clouds to release the rain. II. Moto Perpetuo. 1949. 1966. Ð Paul Price Ð A rapid patter of notes of equal length, broken up into phrases of constantly changing accentuation, played with special, small, light drum sticks. III. Adagio. 1966. Ð Jan Williams Ð Uses pedal tuned timpani to produce vibratos, harmonics and glissandos in dramatic outburst. IV. Recitative. 1949. 1966. Ð Morris Lang Ð Short contrasting phrases, one of which is condensed into the irregularly repeated major third in the latter part and punctuated by another phrase that disintegrates. V. Improvisation. 1949. 1966. Ð Paul Price Ð The opening phrase furnishes materials for numerous variations with constant changes of speed. VI. Canto. 1966. Ð Jan Williams Ð Uses pedal tuned timpani played by snare drum sticks in a line that slides from one pitch to another. VII. Canaries. 1949. 1966. Ð Raymond DesRoches Ð A dance of the XVI and XVII centuries, ancestor of the gigue, supposedly imported from the Òwild menÓ of the Canary Islands. in 6. 8 time with dotted rhythms-here fragmented and developed. VIII. March. 1949. 1966. Ð Saul Goodman Ð Two march rhythms of different speeds are superimposed, one played with the butts, the other with the heads of the drum sticks. These produce musical ideas expanded in the middle section. --Elliott Carter.

译文

8件4定音鼓. 与程序注释. 由艾略特·卡特组成. 1908 - . 对于定音鼓. 一个播放器. 打击乐作品. 包括宣叙调和即兴. 24页. Г. Ширмер. 发布时间由G.泪液分泌. HL.50234240. 国际标准书号0793548489. 9X12英寸. 这八件四定音鼓是非常有趣的打击乐先进玩. 详细的性能票据有关的定音鼓，棍棒和棒杆，特殊效果和清晰度的大小包括艾略特·卡特. 计划注. 这组八片的四个定音鼓的粤语和慢板. 一个播放器. 写于1966年，而其他六人于1949年组成. 在那些日子里，这六个被发现困难，如果不是不可能有效地发挥，但是，随着时间的推移对他们的兴趣和表演技能的增长，所以我决定公布一套完整的，因为他们四人曾在稿件被广为流传，在1966年. 当时，他们进行了修订与打击乐手的帮助下，美国纽约州立大学布法罗分校，一月威廉姆斯，. 在感谢他的意见时，坎托和慢板组成了他和包括集. 不像其他的，其中每一个是基于所述滚筒的不同调谐的四音符片，这两个使用踏板调谐色散定音鼓的可能性. 六1949年，除了是演奏家独奏的乐器，在速度的控制的，相互关联的变化，现在叫Òmetric调制，O，在我的第一弦乐四重奏开始的同时进一步开展产生的想法，并完成不久之后的研究. 每一件作品都奉献了一场表演谁发现在他们的初期有兴趣的作品. 一，Saeta. 1949年. 1966. Ð铝霍华德Ð即兴性质的安达卢西亚歌曲在室外宗教游行，通常在复活节唱. 说是雨仪式的后代在此期间，一个箭头. 箭头. 被枪杀入云释放雨. 二。摩托Perpetuo. 1949年. 1966. Ð保价的D相等长度的音符的快速拍打，分成的不断变化加重短语，玩得特别，小，轻鸡腿. 三。柔板. 1966. Ð一月威廉姆斯D使用踏板定音鼓调整产生颤音，谐波和滑奏在戏剧性的爆发. 四。宣叙调. 1949年. 1966. 其中之一Ð莫里斯郎D短对比词组，凝结成在后半部分的不规则重复大三和另一个短语打断了解体. 五，即兴. 1949年. 1966. Ð保价D中的开头语配料材料的许多变化与速度的不断变化. 六。颂歌. 1966. Ð一月威廉姆斯D使用了小鼓粘在幻灯片从一个音调到另一个线路踏板演奏定音鼓调整. 七。加那利群岛. 1949年. 1966. Ð雷蒙德德罗什D A舞十六和十七世纪时，吉格的祖先，从加那利群岛的Òwild梅诺按说进口. 在6. 8时间点的节奏，在这里零散和开发. 八。三月. 1949年. 1966. 不同速度的Ð扫罗古德曼D两种进行曲节奏叠加，一人分饰用烟头，另用鼓棍的头. 这些扩大生产的中间部分的音乐理念. --Elliott卡特.