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原文

Sketchbook. for the Unbearable Lightness of Being. Roger Reynolds. Voice sheet music. Piano sheet music.

译文

速写本. 对于生命中不能承受之轻. 罗杰·雷诺兹. 声音的乐谱. 钢琴乐谱.

原文

Sketchbook. for the Unbearable Lightness of Being. composed by Roger Reynolds. 1934-. For Voice, Piano. Modern. Sheet Music. Duration circa 30 minutes. Published by Edition Peters. PE.P67810. Sketchbook explores three of twelve texts which I drew from Milan Kunderas novel The Unbearable Lightness of Being. The themes treated are. I, The idea of eternal return. II, Seeing ones own I. and III, The unbearable lightness of being. Kunderas tone, his mode of address, is inventively varied. At certain times he gives the reader dialogue alone, at others narrative commentary, even informal philosophical discourse. These may alternate with surprising rapidity. Reflecting on Kunderas craft, it seemed to me that his ability to operate on several levels almost simultaneously. and to do so with such fluidity. would present a intriguing task for a vocalist. It suggested the sort of performance a gifted nightclub entertainer might achieve towards the close of an evening, when defenses are down, formalisms in retreat. What I have done is to conceive a framework within which something this flexible, but perhaps more dimensional, could take place. There is no conscious reference to balladry beyond the convention of the amplified vocalists and a piano at which she can accompany herself. -- Roger Reynolds. Voice and Piano. photoprint. printed on demand.

译文

速写本. 对于生命中不能承受之轻. 由罗杰·雷诺兹组成. 1934年 - . 对于声乐，钢琴. 现代. 乐谱. 大约30分钟时间. 出版版彼得斯. PE.P67810. 速写本探索3 12的这是我从米兰Kunderas小说生命中不能承受之轻画文本. 处理的主题是. 我的永恒回归的想法. II，看到那些我自己. 和三，被不能承受之轻. Kunderas口气，他的地址的方式，是创造性多样. 在某些时候，他给读者仅对话，在别人的叙述解说，甚至是非正式的哲学话语. 这可能与惊人的速度交替. 反思Kunderas工艺，在我看来，他的能力在几个层次上几乎是同时操作. 并且，以与这样的流动性这样做. 将提出一个有趣的任务，一个歌手. 它建议的那种表现一个有天赋的艺人夜店可能实现对近一个晚上，当防御下降，形式主义在撤退. 我所做的是设想一个框架的东西这种灵活的，但也许更立体，可能发生. 没有有意识的参考民谣超越放大歌手的约定和钢琴，她可以陪自己. - 罗杰·雷诺兹. 语音和钢琴. 影印. 按需打印.