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原文

A Moorside Suite. Intermediate.

译文

一个Moorside套房. 中间.

原文

A Moorside Suite. for String Orchestra. Composed by D. Wright. Arranged by Dennis Wright. For String Orchestra. violin I, violin II, viola, cello, bass. Orchestra Music. Medium. Score and parts. Duration 12. 25. Published by C. Alan Publications. CN.R30002. A masterwork for string orchestra. Holst's Moorside Suite was composed in 1928, near the end of the composer's life, and is a masterpiece of his maturity. Originally for brass band, Moorside Suite retains the folk-song charm that is representative of Holst. A Moorside Suite is a masterpiece of Holst's maturity. Written in 1928, 6 years before his death, it achieves a synthesis of his creative talent as a composer with the strong folk-song influences of 20 years earlier. The title of the work alludes to a country setting but does not describe an exact location, and this is mirrored in the musical material. Folk-song influence is apparent but not overt. The work was originally for brass band, commissioned for the National Brass Band Championships held at the Crystal Palace, London, Englan. Denis Wright was a musical scholar, and the transcription was carried out either during Holst's lifetime or shortly after his death in 1934. The score was not published until 1983, and has been re-edited by Geoffrey Brand. Interestingly, Holst himself always intended the work to be transcribed for 'Military Band' and a 1st Movement and some bars of the 2nd Movement exist in manuscript in the British Library. The opening Scherzo belies the serious nature of the work. It is a light, airy 6. 8 in which the initial statement, with its all-important leap of a fifth, is first heard on clarinet and alto saxophone. This interval of a fifth is distilled, as if to draw our attention to it, before a fortissimo 8 bars in which the opening theme is repeated - the only fortissimo passage in the whole of the 1st movement. Holst achieves a 'folky,' almost modal, feel in the melody by allowing the 6th of the scale to remain natural. Whereas the 1st movement has a sylph-like delicacy, the second is at rest. Tranquil, especially in the beadth of the chorale, its simple key structure distills the tonal tension inherent in the tonic. dominant polarity. The oboe opening. again delineating the rising fifth of the first movement. is in F minor. a short cornet echo leads to C major for the first statement of the chorale. This leads back to F minor and a subtle development of the opening followed by the Chorale again this time in F minor and now allowed to build to a fortissimo climax before the movement fragments around the falling 6th of the opening. The peace is shattered by a triumphant March. We are in Bb minor again, and this movement is built on thematic contrasts. firstly the 'pesante' theme, then a hammered fanfare, followed by a playful leggiero tune. Like the Scherzo, this March has a Trio, the melody of which bears a definite resemblance to the Chorale of the 2nd movement. Most certainly, this linking device was subconscious on Holst's part, but with the predominant use of the interval of a fifth, it helps to explain the feeling that the Suite is thematically tightly-knit.

译文

一个Moorside套房. 为弦乐团. 由D.赖特组成. 由丹尼斯·怀特安排. 对于弦乐团. 我的小提琴，第二小提琴，中提琴，大提琴，低音. 乐团音乐. 中. 得分和零件. 持续时间12. 25. 发布时间由C.艾伦出版物. CN.R30002. 一把极品的弦乐队. 霍尔斯特的Moorside套房创作于1928年，近作曲家的生命结束，并且是他的成熟的杰作. 最初的黄铜带，Moorside套房保留了民间歌曲的魅力，代表霍尔斯特. 一个Moorside套件是霍尔斯特的成熟的杰作. 写于1928年，在他去世6年的，它实现了合成的他的创作才华与20年前的浓厚的民间歌曲的影响作曲家. 作品的标题暗示了一个乡土风情，但并没有描述的确切位置，这是镜像的音乐素材中. 民间歌曲的影响是明显的，但不公开. 这项工作原本是为黄铜带，委托在水晶宫，伦敦，Englan举行的全国铜管乐队锦标赛. 丹尼斯·怀特是一位音乐学者，和转录进行了无论在霍尔斯特的有生之年或死后不久，于1934年. 比分没有公布，直到1983年，已重新编辑杰弗里品牌. 有趣的是，霍尔斯特自己一直打算被转录为“军乐团”的工作和第一乐章和手稿存在于大英图书馆的第二乐章，某些酒吧. 开放谐谑曲掩盖了工作的严肃性. 它是一盏灯，通风的6. 8在最初的声明，其所有重要五分之一的飞跃，首先听取了单簧管和中音萨克斯. 五分之一的这个间隔被蒸馏，仿佛引起我们的重视，前一个柔弱8条，其中，开幕式主题是重复 - 在整个第一乐章的唯一极强通道. 霍尔斯特实现了“民谣”，几乎是模态的，允许规模的第六届保持自然的感觉的旋律. 而第一乐章有一个空气精灵般的美味，二是在休息. 宁静，尤其是在诗歌的beadth，其简单的按键结构提炼固有的滋补色调紧张. 占主导地位的极性. 双簧管开幕. 重新划定第一乐章的第五上升. 在F小调. 短短号回声导致C大调的合唱团的第一条语句. 这导致回F小调和开口其次是合唱团的一个微妙的发展这次又在F小调，现在让周围的开口下降6的运动片段之前建立一个极强的高潮. 和平是一个胜利的破灭三月. 我们是在降B小调一遍，这个动作是建立在对比专题. 首先是“pesante”的主题，然后锤打大张旗鼓，其次是俏皮leggiero调. 像谐谑曲，这个月有一个三重奏，旋律当中蕴藏着一定的相似对第二乐章的合唱团. 肯定，这个链接设备是潜意识在霍尔斯特的一​​部分，但与主要用途五分之一的时间间隔，它有助于解释的感觉，套房的专题是紧密型.