活页乐谱 $140.00

原文

Sails of Time. David Gillingham. B-Flat Trumpet sheet music. Bass Trombone sheet music. Horn sheet music. Grade 5.

译文

时间帆. 大卫·吉灵厄姆. 降B大调小号乐谱. 低音长号乐谱. 喇叭乐谱. 五年级.

原文

Sails of Time composed by David Gillingham. For concert band. Piccolo, Flute 1. 2, Oboe 1. 2, Bassoon 1. 2, Clarinet in Bb 1, Clarinet in Bb 2. 3, Bass Clarinet, Alto Saxophone 1. 2, Tenor Saxophone, Baritone Saxophone, Trumpet in Bb 1, Trumpet in Bb 2. 3, Horn in F 1. 2, Horn in F 3. 4, Trombone 1. 2, Bass Trombone, Euphoni. Band Music. Grade 5. Score and parts. Duration 10. 00. Published by C. Alan Publications. CN.13040. Gillingham provides a celebration of the rich history of Sydney, Australia, while honoring the beauty and grandeur of this magnificent city identified by the icon of the sails of its famous Opera House. Incorporating native folksong, indigenous sounds and melodies combined with original material, a sculpture in sound emerges in Sails of Time. Originally conceived for a mass band setting consisting of three separate ensembles, the work is suited to a traditional setting using one ensemble. Sails of Time was commissioned by Kingsway International and was written to celebrate the rich history of Sydney, Australia, and to honor the beauty of grandeur of this magnificent city identified by the icon of the sails of its famous Opera House. The work is bound together by two main melodic ideas consisting of the Australian folksong, Click Go the Shears, and an original theme, Sails of Time, after the title. The work begins with the tolling of the "bells of time" followed by a drone of the "didgeridoo" played by the tubas, representing the indigenous aboriginal people who fished the waters of the Sydney harbor for 50,000 years prior to its settlement. Above the drone, a distant solo piccolo and muted trumpet play phrases from the popular Australian folksong, Click Go the Shears. Woodwind trills along with a piano ostinato announce the arrival of British convicts in 1788. Low brass and woodwinds play the folksong, Bound for South Australia, ominously in Bb minor. This is followed by a "Prisoner Walk", emulating the monotonous daily routine of the prisoners who were the first inhabitants of Sydney. They sing a blues-like tune to break the monotony as they shuffle along in shackled feet. Listen for the constant clash of the chain. The section escalates to a conclusion and segues into gentle breezes of keyboard percussion and rustling flutes leading to the first presentation of the Sails of Time theme played by horns, alto saxophones and oboes. The theme represents the hope for a much brighter future for the fledging settlement of Sydney. The section settles down to stillness and a distant piccolo and muted trumpet again play motives from Click Go the Shears. A vibrant percussive interlude leads to a presentation of Click Go the Shears by piccolo and bass clarinet followed by echoing of motives between the ensembles within the massed band. The "growing pains" of Sydney are reflected by a sequence of motives from the Sails of Time theme which rise to a pinnacle in C major by the massed band only to be interrupted by a mournful section in F# minor. In this section, one is reminded of the "unruly society" in the early years of the city of Sydney. An oboe solo sorrowfully sings the tale on a motive extracted from the Sails of Time. Cascading woodwinds and keyboard percussion interrupt and, once again, provide hope to the negative situation and grow to a fugal exposition on the theme from Click Go the Shears. The sure-footed counterpoint and energy evidence the city's "gold and growth" era. The section segues to a sparkling and energetic percussion interlude which transitions to a joyful rendition of the Sails of Time accompanied by the driving rhythm Click Go the Shears. The "bells of time" interrupt to remind one of the city's roots with the drone of the didgeridoo. Distant solo piccolo and muted trumpet echo motives of Click Go the Shears one last time. The work ends triumphantly with a final statement by both themes. Sails of Time was written to be performed as a massed band divided into three ensembles, premiered in the Sydney Opera House in Sydney, Australia. However, the work can be easily performed by one concert band. The massed band set up is pictured above where Ensemble 1 is on the main stage and Ensemble 2 and Ensemble 3 are positioned to the right and left of the stage, respectively. This set up enables a sort of antiphonal effect between the participating ensembles. All of the percussion should be set up on stage with Ensemble 1. Because there will be multiple percussion players, it is suggested that the duties be divided evenly between the players for the performance. The score and parts indicate which ensembles play throughout the piece and where the "massed band" is to play. There are two off-stage players required for this work. piccolo. back stage left. and trumpet. back stage right.

译文

时间帆由大卫吉林汉姆组成. 对于乐队演唱会. 短笛，长笛1. 2，双簧管1. 2，巴松管1. 2，单簧管降B 1，单簧管降B 2. 3，低音单簧管，中音萨克斯1. 2，次中音萨克斯，上低音萨克斯，小号降B 1，小号降B 2. 3，喇叭F大1. 2，喇叭在F 3. 4，长号1. 2，低音长号，Euphoni. 乐队音乐. 五年级. 得分和零件. 持续时间10. 00. 发布时间由C.艾伦出版物. CN.13040. 吉林汉姆提供了一个庆祝活动，澳大利亚悉尼的丰富的历史，同时尊重这个伟大城市的确定及其著名的歌剧院的风帆图标的美丽和壮观. 结合原生民歌，原声音和旋律加上原物料，在声音的雕塑出现在时间的帆. 最初设想为大规模带设置包括三个独立的合奏，工作适合使用一个集成传统的环境. 时间帆委托汇富国际和写入庆祝澳大利亚悉尼的丰富的历史，并兑现这个伟大城市确定其著名的歌剧院的风帆图标的宏伟之美. 这项工作是由两个主要旋律的想法，包括澳大利亚民歌一起束缚，点击剪羊毛，和原来的主题，时间的帆，称号后. 工作与的“钟时间”其次是“迪吉里杜管”，由大号出​​场，代表土著原住民谁捕捞悉尼海港水域5万年的无人机的收费开始之前，其结算. 上面的无人机，是一个遥远的独奏短笛和静音小号距离热门澳大利亚民歌发挥短语，点击进入该剪. 木管乐器颤音以及钢琴固定音型公布的英国囚犯在1788年到来. 低的黄铜和木管乐器演奏民歌，开往南澳大利亚，不祥的降B小调. 其次是一个“囚徒走”，模仿谁是悉尼最早的居民囚犯的单调的日常. 他们唱蓝调般的调整，以打破单调，因为他们在脚上铐一起洗牌. 监听链的不断冲突. 部分升级到一个结论，继续入键盘敲击的微风和沙沙长笛导致时间主题帆的第一个演示文稿通过喇叭，中音萨克斯管和双簧管演奏. 主题代表希望有一个更加光明的未来悉尼刚起步结算. 本节落户到宁静和悠远短笛和静音小号再次发挥动机从点击开始剪. 一个充满活力的打击乐插曲导致了介绍点击进入由短笛和低音单簧管其次是集结带内的呼应合奏动机之间的剪. 在“成长的烦恼”悉尼是由时间主题，上升到顶峰的C大调的集结乐队只在F＃小调悲伤的部分被中断的帆序列的动机表现. 在本节中，一个是早年悉尼市的提醒“不守规矩的社会”. 双簧管独奏伤心地唱故事从时间的帆提取的动机. 层叠木管乐器和键盘敲击中断，并再次，提供希望的不利局面，并从点击开始剪成长为在主题遁走曲博览会. 在稳健的对位和能源的证据城市的“黄金和经济增长”的时代. 本节塞格斯到波光粼粼，充满活力的打击乐穿插其中过渡到时间的帆船之都欢乐移交伴随驾驶的节奏点击剪羊毛. “时间钟”打断，提醒全市根源之一，迪吉里杜管的无人机. 点击对遥远的独奏短笛和静音小号回声动机剪羊毛最后一次. 工作扬扬，通过两个主题的最后陈述结束. 时间帆是写给被作为一个集结乐队分为三个乐团进行，首演于悉尼歌剧院，澳大利亚悉尼. 然而，这项工作可以很容易地由一个音乐会频带进行. 在集结乐队成立上述哪里合奏1是主舞台和乐团2和3乐团分别定位到右侧和舞台左侧，被描绘. 此设置可以使参与乐团之间的某种效果对歌. 所有的敲击应设置在舞台上与合奏1. 因为将有多个打击乐器的玩家，故建议的职责被均匀划分的玩家之间的性能. 得分和部分表示该歌舞团在整个一块，其中“集结乐队”玩是玩. 有需要为这项工作两关阶段的玩家. 小. 后台左. 和小号. 后台权.