活页乐谱 $12.00

原文

Summerfield. Reber Clark. B-Flat Trumpet sheet music. Horn sheet music. Trombone sheet music. Grade 3.

译文

萨默. 雷伯·克拉克. 降B大调小号乐谱. 喇叭乐谱. 长号乐谱. 三年级.

原文

Summerfield composed by Reber Clark. 1955-. Arranged by Michael Brand. For concert band. Flute, Oboe. opt. , Bassoon. opt. , Clarinet in Bb 1, Clarinet in Bb 2. 3, Bass Clarinet 1. 2, Alto Saxophone 1. 2, Tenor Saxophone, Baritone Saxophone, Trumpet in Bb 1, Trumpet in Bb 2, Trumpet in Bb 3, Horn in F 1, Horn in F 2, Trombone 1, Trombone 2, Euph. Band Music. Grade 3. Score only. Duration 5. 30. Published by C. Alan Publications. CN.11521. Summerfield, set in a somewhat contemporary fashion and interpreted by a current day director and ensemble, attempts to celebrate the music of all time in the context of the music of one's own time. Summerfield was commissioned by the Commack High School Wind Ensemble, Melissa Hendrickson, Conductor. The title of this piece comes, in a very 'round about way, from the name of a rock band of which I was a member while in college. The majority of the members of the rock band Summerfield consisted mainly of music education majors with a few 'outsider' hard core rockers. It was the mid to late nineteen seventies and we played everything from the Doobie Brothers to Chicago to Blood Sweat and Tears to many covers of any and all rock tunes of the day. The band had many adventures and traveled widely in our region, typical of the college circuit bands of that time. What set us apart was our four man horn section and our commitment to doing horn band tunes. Summerfield's horn section came from a music department whose directors were dedicated to the wind band music of Grainger, Holst, Vaughn-Williams, Persichetti, Chance, Reed, Nelhybel, and many others. We came from a world steeped in wind band tradition. Although Summerfield was playing pop music, the undercurrents in the band, especially the horn section, came from those musical values instilled in us by our teachers and the wind band tradition. In retrospect this musical situation reminds me of the Irish ceilis' that I've been to on visits to Ireland. A ceili' is an informal dance and music get-together with food and drinks that is attended by both young and old. The bands at the ceilis are invariably young but play the traditional tunes of the Irish tradition with as much force and heart as the punk tunes they inevitably render on the same job. Summerfield, set in a somewhat contemporary fashion and interpreted by a current day director and ensemble, attempts to celebrate the music of all time in the context of the music of one's own time. To that end I've used the following traditional folk melodies. the Irish tune 'Spancil Hill' - a recollection of boyhood days long ago and far away, the English tune 'Ramble Away,' from Somerset in the Midlands - about a young man out for conquest, and from Liverpool 'The Leaving of Liverpool,-' about those girls we've left behind. The text of the tunes is printed in the back of the score. 'Reber Clark.

译文

通过雷伯克拉克SUMMERFIELD组成. 1955 - . 由迈克尔·品牌排列. 对于乐队演唱会. 长笛，双簧管. 选择. ，巴松管. 选择. ，单簧管降B 1，单簧管降B 2. 3，低音单簧管1. 2，中音萨克斯1. 2，次中音萨克斯，上低音萨克斯，小号降B 1，小号降B 2，小号降B 3，喇叭在F 1，喇叭在F 2，长号1，长号2，Euph. 乐队音乐. 三年级. 分数只. 持续时间5. 30. 发布时间由C.艾伦出版物. CN.11521. 萨默，在某种程度上当代时尚设置，并由当天导演和合奏解释，试图庆祝的所有时间的音乐在自己的时间在音乐的背景下. 萨默是委托康马克高中管乐团，梅丽莎亨德里克森，指挥. 这件作品的标题来的时候，在一个非常'四围的方式，从一个摇滚乐队的，而我是一个成员的名字，而在大学. 大部分摇滚乐队萨默的成员主要包括音乐教育专业的学生有一些“局外人”硬核摇滚乐队. 这是中后期二十世纪七十年代和我们打了一切从比兄弟到芝加哥，到血液汗水和泪水的任何一天，所有摇滚音乐多套. 该乐队曾许多次冒险和在本地区广泛游历，典型的那个时代的大学生电路带. 是什么把我们分开是我们四个人牛角梳，以及我们做喇叭乐队的曲调承诺. 萨默的喇叭部分从音乐部的董事奉献给了格兰杰，霍尔斯特，沃恩 - 威廉斯，Persichetti，机会，里德，Nelhybel，和许多其他的风乐队音乐来了. 我们来自沉浸在风带传统的世界. 虽然萨默被播放的流行音乐，乐队，特别是牛角梳的暗流，来自灌输给我们，我们的教师和管乐队传统音乐的那些价值观. 现在回想起来这种乐器的情况让我想起了爱尔兰的céilÍs'，我一直在访问爱尔兰的我. 一个提供Ceili“是一个非正式的舞蹈和音乐聚会食物和一个由年轻人和老年人参加饮品. 在的céilÍs乐队都是清一色年轻，但发挥了爱尔兰传统的传统曲调与尽可能多的力量和心脏的朋克音乐，他们不可避免地呈现在同一个作业. 萨默，在某种程度上当代时尚设置，并由当天导演和合奏解释，试图庆祝的所有时间的音乐在自己的时间在音乐的背景下. 为此我使用了如下的传统民间曲调. 爱尔兰调“Spancil山” - 的童年时代的回忆很久以前遥远，英文调“絮絮叨叨了，”从萨默塞特在中部 - 关于一个年轻男子出征服，并从利物浦离开利物浦， - “那些女孩子，我们已经落后. 曲调的文本打印在比分的背后. “雷伯克拉克.